Wed 12 Nov 2014
WOMAN WANTED. MGM, 1935. Maureen O’Sullivan, Joel McCrea, Lewis Stone, Louis Calhern, Adrienne Ames, Edgar Kennedy, Robert Grieg Screenplay Leonard Fields, David Silverstein. Story by Wilson Collinson. Director: George B. Seitz.
This one is a rapid paced comedy mystery with a much more attractive and accomplished cast than you might expect from this sort of light fare. It’s a good example of bright entertainment from the era enhanced by talent that far exceeds the material.
Ann Grey (Maureen O’Sullivan) is a convicted criminal who finds herself freed when she escapes an accident in a car. As luck, and Hollywood screenplays, would have it the first person she runs into is Perry Mason-like fast-thinking and slick-defense attorney Tony Baxter (Joel McCrea).
This being a movie, McCrea almost immediately decides Ann is innocent, and sets out to prove it with the help of his butler Peedy (Robert Grieg who played butlers as often as Arthur Treacher or Eric Blore), and as you might expect he has more problems than just the police: he also has to keep Ann hidden from his jealous finacee Betty (Adrienne Ames).
Meanwhile the crooks led by Smiley (Louis Calhern), who actually did the murder Ann was convicted of, are waiting for her too, believing she knows where the $250,000 in war bonds the murder was committed for are hidden.
This is Golden Age Hollywood and you don’t need much more than this to turn out a fast paced and entertaining little film. Woman Wanted is full of bright lines, O’Sullivan and McCrea are well matched, her innocence but underlying sensuality and his all American boy charm creating genuine chemistry on screen.
Add to Tony’s other problems, his competitive old friend the District Attorney (Lewis Stone) suspects he has Ann and would like nothing better than to trim Tony’s sails for his habit of sailing blithely on the thin edge of the law.
This one is in almost constant movement, and McCrea’s Tony Baxter actually proves to be as smart and quick on his feet as he is supposed to be. There are fewer really stupid acts by the hero than most film heroes display.
Based on a story by Wilson Collinson (creator of Maisie), this little film delivers its full measure of entertainment painlessly and with a great deal of charm. McCrea and O’Sullivan are good as I said, Grieg has the priceless unshaken look of all great film butlers and valets (it seems every man in the thirties had his own butler or valet — you have to wonder why there was a depression and job shortage), and the scenes with Stone and McCrea have some of the feel of the best of Hamilton Burger and Perry Mason’s maneuvering.
If you like bright comedy mysteries from this era, enjoy seeing stars like McCrea and O’Sullivan — attractive and young early in their career — or just want to kill an hour or so pleasantly this is the one for you.
This wouldn’t make anyone’s list of the ten best comedy mysteries of the period, but it would certainly make the list of those that were entertaining and accomplished every goal set for the form.
This woman and this movie will be wanted by any lover of the comedy mystery form.