From mystery researcher John Herrington comes the following inquiry:

Hi Steve,

   I have been looking at this author of one title Headlines (1932) listed in Hubin’s Crime Fiction IV (as by Janette Cooper), and it has turned up an interesting story.


   She was born Rosalea (possibly Rosa or some variant spelling) Mary McCready in Pennsylvania in early 1894. She married Henry Colin Campbell, born 1864, in 1914 in Illinois. Is on 1920 census in Illinois with Henry, and two daughter Dorothy, aged 4, and Virginia, aged 2.

   But in 1930 her husband was executed as the “Cranford torch murderer,” and Rosalea seems to disappear from the records.

   There are a couple of things which do not help to clarify what happened to her.

   The Library of Congress copyright of Headlines is given to a Rhoda Cameron of Stamford, Connecticut. Although this lady appears in directories from 1930s, 1940s etc., sometimes with an Horace Cameron, she does not appear on 1930 or 1940 census. She may be the Rhoda Cameron born 3 April 1894 who died in Connecticut in 1978, who is Rhoda M Cameron in her Connecticut state death registration.

   The reports on Campbell’s trial state that he was a bigamist and had married several times without divorcing the previous wife. He is on 1910 census living with Emma Campbell and three children. In the trial report Emma Bullock Campbell says she was never divorced after Campbell left her, apparently to marry Rosalea! And while married to Rosalea, he had married his victim Mildred Mowery.

   I have no idea what Roselea’s status was after the trial and execution. Was any evidence found to say her marriage was definitely bigamous? Whatever, I cannot find her on 1930 census. Even a search for the children failed to find them. Did she change her name to escape the media hunt?

   And what is the connection between Rosalea and the mysterious Rhoda Cameron in the copyright entry. Are they possibly the same person?

   I would appreciate if you can do a bit on this, to see if anyone out there knows anything about Rosalea and what happened to her.



Editorial Comment: The description of the book as given on the cover says: “The wife of a man electrocuted for murder tells her own story.”

   Author Audrey Boyers is included in the Revised Crime Fiction IV, by Allen J. Hubin, for one book under this name, Murder by Proxy (Doubleday Crime Club, 1945), which was actually a collaboration with Bettina Boyers. Some information about the latter has recently come to light: included in Part 37 of the online Addenda to the Revised CFIV, Bettina Boyers was the “pseudonym of Betti Rosa Tagger, 1891-1960. She was also known as Bettina Bruckner, and died the widow of Theodor Tagger, whose pseudonym was Ferdinand Bruckner. Born in Rosnow, Poland; died in New York City.”

   Bettina Boyers has one other entry of her own in CFIV, a solo novel entitled The White Mazurka (Doubleday, 1946), also a Crime Club novel.

   Not much information seems to be known about Audrey Boyers, however. One might have guessed that she and Bettina were sisters, and yet apparently they were not. What has caught Al’s eye in recent days, along with that of fellow mystery researcher John Herrington, is the entry for Audrey Boyers Walz (1906-1983) who between 1931 and 1951 wrote eight mystery novels under the pen name of Francis Bonnamy, all of which featured a series character named Peter Shane, a criminologist by trade.

   For more information about the series, check out the author’s GADetection page here:,%20Francis

   The question posed by Al and John is this: Is Audrey Boyers also Audrey Boyers Walz? It would be a whopper of a coincidence if they are not, but no evidence has so far arisen to say that they are. (And where does “Bettina Boyers” fit in?)

Hi Steve,

   W. B. M. Ferguson’s dates are given everywhere, including Crime Fiction IV, as 1881-1967. The birth is correct according to the Irish births registration, but I have now found in the English National Probate Calendar the death of a William Blair Morton Ferguson on 12 January 1958 in Londonderry.

   I have told Allen Hubin as it seems unlikely there are two people of that name, though one never knows.

   But, as I have said, as the 1967 death is given everywhere, I wonder if you could mention this to see if anyone can provide more information. It would also help to spread the word of that incorrect date – if it is incorrect.

   Many thanks


      BIBLIOGRAPHY     [Taken from Crime Fiction IV, by Allen J. Hubin] —

FERGUSON, W(illiam) B(lair) M(orton) (1881-1967); see pseudonym William Morton; Born in Belfast.

* *The Big Take (Long, 1952, hc) [U.S.]
* *-Black Bread (Long, 1933, hc)
* *The Black Company (Jenkins, 1925, hc) [New York] Chelsea, 1924.
* *Boss of the Skeletons (Long, 1945, hc) [New York City, NY; 1920 ca.]
* _The Clew in the Glass (Chelsea, 1926, hc) See: The Clue in the Glass (Jenkins 1927).
* *The Clue in the Glass (Jenkins, 1927, hc) [U.S.] U.S. title: The Clew in the Glass. Chelsea, 1926.
* *Crackerjack (Long, 1936, hc) Film: Gainsborough, 1938; released in the U.S. as Man with 100 Faces (scw: A. R. Rawlinson, Michael Pertwee, Basil Mason; dir: Albert de Courville).
* *Dog Fox (Long, 1938, hc)
* *Escape to Eternity (Long, 1944, hc) [Dan Cluer; New York City, NY]
* *The Island of Surprises (Long, 1935, hc)
* *London Lamb (Long, 1939, hc)
* _The Murder of Christine Wilmerding (Liveright, 1932, hc) See: Little Lost Lady (Hurst 1931), as by William Morton.
* *Other Folks’ Money (London: Nelson, 1928, hc) Chelsea, 1926.
* *Phonies (Long, 1951, hc) [New York City, NY; U.S. West]
* _The Pilditch Puzzle (Liveright, 1932, hc) See: The Murderer (Hurst 1932), as by William Morton.
* *Prelude to Horror (Long, 1943, hc)
* *The Riddle of the Rose (Jenkins, 1929, hc) [New York] McBride, 1929.
* *Sally (Long, 1940, hc)
* *The Shayne Case (Long, 1947, hc) [Dan Cluer; New York City, NY]
* *Somewhere Off Borneo (Long, 1936, hc)
* *The Vanishing Men (Long, 1932, hc)
* *Wyoming Tragedy (Long, 1935, hc) [Wyoming]

MORTON, WILLIAM; pseudonym of W. B. M. Ferguson, (1881-1967)

* *The Case of Casper Gault (Hurst, 1932, hc) [Police Commissioner Kirker Cameron; *Insp. Daniel “Biff” Corrigan; New York]
* *The Edged Tool (Chelsea, 1927, hc)
* *Little Lost Lady (Hurst, 1931, hc) [New York] U.S. title: The Murder of Christine Wilmerding, as by W. B. M. Ferguson. Liveright, 1932.
* *Masquerade (London: Nelson, 1928, hc) [*Insp. Daniel “Biff” Corrigan; New York] Chelsea, 1927.
* *The Murderer (Hurst, 1932, hc) [*Insp. Daniel “Biff” Corrigan; Police Commissioner Kirker Cameron; New York City, NY] U.S. title: The Pilditch Puzzle, as by W. B. M. Ferguson. Liveright, 1932.
* *The Mystery of the Human Bookcase (Hurst, 1931, hc) [*Insp. Daniel “Biff” Corrigan; Police Commissioner Kirker Cameron; New York City, NY] Mason (U.S.), 1931.

Hi Steve,

   If possible, can you put out this inquiry.

   Being a fan of the Inspector Pel books by Mark Hebden (i.e., John Harris ), I was a little surprised to see in the Curtis Brown archive at Columbia University that a Barry Fox was also mentioned as writing as Hebden. The archive was unable to help with further information.

   I have never thought of it before but three of the Hebden books were published after the death of Harris. So it seems possible that another hand was involved in writing those last books. Then there are the Juliet Hebden books about Pel, supposedly by Harris’ daughter.

   I asked Allen Hubin and the others, but no one had heard of a Barry Fox in relation to the Hebden books. But then I discovered that there is an American ghost-writer by that name. His website is at

   I doubt that he will reveal anything because of confidentiality agreements, but I wonder if anyone else knows anything ?

   I would be grateful if you can add this to your inquiries.

   Many thanks

               John Herrington

      The Inspector Clovis Pel series, by Mark Hebden —

Death Set to Music (n.) H. Hamilton 1979 [Theatre; France]
Pel and the Faceless Corpse (n.) H. Hamilton 1979 [France]
Pel Under Pressure (n.) H. Hamilton 1980 [France]

MARK HEBDEN Inspector Pel

Pel Is Puzzled (n.) H. Hamilton 1981 [France]
Pel and the Bombers (n.) H. Hamilton 1982 [France]
Pel and the Staghound (n.) H. Hamilton 1982 [France]
Pel and the Pirates (n.) H. Hamilton 1984 [France]
Pel and the Predators (n.) H. Hamilton 1984 [France]
Pel and the Prowler (n.) H. Hamilton 1985 [France]
Pel and the Paris Mob (n.) H. Hamilton 1986 [France]
Pel Among the Pueblos (n.) Constable 1987 [Mexico]
Pel and the Touch of Pitch (n.) Constable 1987 [France]
Pel and the Picture of Innocence (n.) Constable 1988 [France]

MARK HEBDEN Inspector Pel

Pel and the Party Spirit (n.) Constable 1989 [France]
Pel and the Missing Persons (n.) Constable 1990 [France]
Pel and the Promised Land (n.) Constable 1991 [France]

MARK HEBDEN Inspector Pel

Pel and the Sepulchre Job (n.) Constable 1992 [France]

MARK HEBDEN Inspector Pel

      The Inspector Clovis Pel series, continued by Juliet Hebden —

Pel Picks Up the Pieces (n.) Constable 1993 [France]
Pel and the Perfect Partner (n.) Constable 1994 [France]
Pel the Patriarch (n.) Constable 1996 [France]
Pel and the Precious Parcel (n.) Constable 1997 [France]
Pel Is Provoked (n.) Constable 1999 [France]

MARK HEBDEN Inspector Pel

Pel and the Death of the Detective (n.) Constable 2000 [France]
Pel and the Butchers’ Blades (2001)
Pel and the Nickname Game (2002)

   Maybe you can help.

   I am going nuts trying to find the title for a crime movie I saw on TV in the mid-70’s. Only caught the last half and I don’t recall any major stars.

   The plot: a group of detectives are in a police office after hours waiting for one of the number to come in. In strolls a woman with a gun and a bottle of nitroglycerin. She claims the detective killed her husband and she’s going to kill him when he arrives. If any of the other detectives interfere, she’ll shoot the bottle of nitro and blow the whole office sky-high. Much tension ensues.

   Does this movie sound familiar?

                   — Tim Mayer

1. INQUIRY: From Bill Pronzini: Just for the heck of it, here’s a quiz question for you and M*F readers: Can you name at least one mystery novel narrated by a chauffeur, or in which a chauffeur is the investigating detective? I can supply the title and author of one and am wondering if there are others.

2. A New OTR Website. It might not be correct to call the CBS RADIO MYSTERY THEATER “Old Time Radio,” but given that the program ran for eight years beginning in 1974, it means that it’s been nearly 30 years since its last broadcast. There is a website that not only lists all 1399 episodes, but it also includes cross-listings for all of the performers and writers. And not only that, you can download or listen to each and every one. How many months would that take, if you did it non-stop? Pull out your calculators! Check it out at

3. Pulp fiction writer Charles Boeckman is 91 and no longer writing, but his jazz band is still going strong. Check out a photo gallery of his latest gig here.

4. Headline in a local paper: Police were called to a day care center where a three-year-old was resisting a rest.

UPDATE. 01-06-12. My description of Charles Boeckman as a pulp fiction writer was challenged on a Yahoo group where I also posted the link to the photo gallery above. I was advised that Boeckman was a writer of hard-boiled fiction but not published in pulp magazines.

   I shouldn’t have been so short and brief in my post there, nor in the one above. I should (and could) have supplied more of a résumé for Boeckman, and I’m sorry I didn’t.

   It was Walker Martin who came to my rescue on that Yahoo list, and I hope he doesn’t mind my repeating some of the credentials for Boeckman I should have provided:

    “Charles Boeckman under the name Charles A. Beckman started writing for the Popular Publication line of pulps in the late 1940’s and continued until the pulps bit the dust. Such titles as Fifteen Western Tales and Detective Tales carried much of his short fiction. He also made the switch to the digests. I recently noticed his name in Manhunt.”

   Boeckman is one of the very few authors who wrote for the pulps still living — a survivor — and he should be recognized as such. I’m wondering whether he might be a suitable guest for one of the two annual pulp conventions sometime soon. Playing in a jazz band at the age of 91 seems to suggest that his health may be good enough to attend.

A 76-Year Old Pseudonym Revealed
by Victor A. Berch

   In a recent exchange of e-mails with my colleague, Allen J. Hubin, he queried me about the death date of the author known simply as Arthur Mallory.

   Mallory’s entry in Allen’s Crime Fiction IV appears as follows:

MALLORY, ARTHUR.   1881- ?

      The House of Carson (n.) Chelsea 1927
      Doctor Krook (n.) Chelsea 1929
      The Fiery Serpent (n.) Chelsea 1929
      Apperson’s Folly (n.) Chelsea 1930 [Dr. Kirke Montgomery; New York]
      The Black Valley Murders (n.) Chelsea 1930 [Dr. Kirke Montgomery; New York]
      Mysteries of Black Valley (n.) Chelsea 1930 [Dr. Kirke Montgomery; New York]

   The FictionMags Index adds a little more biographical information about Mallory, specifically that he was born on a ship in the Indian Ocean, along with a list of stories he wrote for Breezy Stories and Detective Story Magazine. No more than a dozen of these are listed, but the connection of Chelsea House and Detective Story is not surprising, since the former was the hardcover imprint of Street & Smith, which also published many pulp magazines, including DSM.

   However, I had no idea how much truth there was in that piece of biographical information from FictionMags, so I set out to discover what might be in the genealogical database.

   There were some Arthur Mallorys, but none that fit the date of birth nor the description of the author. Searching further however, the name Arthur Mallory popped up in an obituary in the New York Times as the pseudonym of Ernest M. Poate, a mystery writer of some note.

   The obituary, which was dated Feb. 3, 1935, also provided the following information: Dr. Poate was born in Yokohama Japan and died in Southern Pines, North Carolina, Feb. 1, 1935, at the relatively young age of 50. He was a physician and an attorney as well as an author.

   Checking out entry for Poate in CFIV, I found the following:

POATE, ERNEST M.   1884-1935.

      The Trouble at Pinelands (n.) Chelsea 1922 [North Carolina]


      Behind Locked Doors (n.) Chelsea 1923 [Dr. Thaddeus Bentiron; New York City, NY]
      Pledged to the Dead (n.) Chelsea 1925
      Doctor Bentiron: Detective (co) Chelsea 1930 [New York City, NY]


      Murder on the Brain (n.) Chelsea 1930 [New York City, NY]

   The first thing one notices is that Mallory and Poate had the same publisher, and digging a little further it can be discovered that the stories in the Dr. Bentiron collection were reprinted from Detective Story Magazine.

   The other major match between Mallory and Poate is that both used doctors as main characters in many of their books. This had to be more than coincidence. Just as the Times obituary had stated, and in spite of the discrepancy between the two dates of birth (and the location), the two men were one and the same.

   Poking around a bit more, I learned that his parents were Thomas Pratt Poate and Belle (Marsh) Poate, missionaries in Japan until the family immigrated to the US in 1892. His birth mother had died in 1896 and by 1900, his father had remarried. His World War I draft registration revealed that he was born October 10, 1884 and his full name was Ernest Marsh Poate.

   Anyone wishing to dig further into the family can examine the Poate family papers housed at Cornell University Library. The basic information on Dr. Poate will appear in the next Addendum to Crime Fiction IV.

— Copyright 2011 Victor A. Berch

    A few weeks ago on this blog I posted a review/essay by J. F. Norris of The Notting Hill Mystery (1865), a book considered by many to be the first detective novel ever written. When it was serialized in one of the magazines of the day, the author was noted as “Anonymous.” When it appeared later in hardcover, someone named Charles Felix was given credit.

    Who was Charles Felix? It’s been a mystery. “Felix” has long been known as a pen name, but who was the person behind the pseudonym? His was a name lost over the years, if it was ever known, and if so, forgotten by everyone since.

    But no longer. We now know who done it. In this Sunday’s New York Times Book Review section will be an essay by Paul Collins, who explains all:

    I won’t go into all of the detective work that Collins has done — you’ll have to read the full article to do that — but here’s the key paragraph:

    “I’d almost given up when I stumbled upon a Literary Gossip column in The Manchester Times for May 14, 1864. The sole identification of Charles Felix had lain there for 146 years, hidden in this single sentence: ‘It is understood that Velvet Lawn, [another book known to have been written by] by Charles Felix, the new novel announced by Messrs. Saunders, Otley & Co., is by Mr. Charles Warren Adams, now the sole representative of that firm.’”

   The entry for The Notting Hill Mystery on Wikipedia has been updated to include this information. A link to John’s review on this blog appears at the bottom of the Wiki page.

   From detective fiction researcher John Herrington comes the following inquiry, which I paraphrase:

   I have been looking for Jay Shane, an author who published a couple of westerns for Robert Hale in the UK. I thought it might be a pseudonym until I found the blurb below on Amazon. According to Social Security death records, the dates are correct.

   So far I’ve only found a couple of westerns by him, as well as various works on TV repair etc. I wonder if you can post something on your blog to see if anyone can identify his crime fiction, or anything else he wrote.

   Here’s the Amazon blurb:

    “Jay Shane, the author of both Western novels and Technical literature was born in 1911 in Saskatchewan, Canada. Mr. Shane passed away just two months after having finished the writing of this novel in April of 2009 at the age of 97. Mr. Shane made his living repairing Color Televisions and owned and operated a shop for most of his career. His avocation however was writing and had successfully published many fiction including Westerns and Detective novels and wrote technical articles for the TV repair industry other non-fiction books and articles for the electronics industry. Always interested in character profiles, Mr. Shane had researched extensively the social and cultural characteristics of the time period for this novel in an effort to accurately represent the kind of world in which the Apostle Matthew would have lived.”

Steve and David —

   Hi, it’s me again. I’m the one who suggested the recent “Man on the Run” lists which appeared on your blog, for which I am eternally grateful. They have been of enormous assistance.

   Here’s another question, based on a thought that came to me, one somewhere between screwball and noir. It is about a retired single man who places a Personal ad in a sailing magazine (this is very common) seeking a woman to sail around the world with him “as long as it’s fun.” He finds the right woman and they set off, he falls in love and they get married. But of course she has another husband who wants her to kill the new husband to collect the insurance.

    So it’s a noir on a boat.

    Double Indemnity and The Postman Always Rings Twice certainly come to mind but I’m sure I’m missing some good ones. Murder on the High Seas (1932, aka Love Bound) is very dated. Body Heat meets Dead Calm meets A Fish Called Wanda is probably what I’m going for.

   If there are any films you could recommend I would be even more eternally grateful. Thank you.


       — —

   Steve here first. I believe the most recent variation of the “Man on the Run” movie lists was actually a “Couples on the Run” list, which you can find here. (There are links in that post that you can use to find most if not all of the earlier ones.)

   David Vineyard is much better at this than I am. Here’s his reply, which I received soon after I sent Josh’s new inquiry on to him:

DEAD CALM was the first to come to mind, but I can’t think of a lot of films with a similar premise. Most of the films with a sailing theme tend to be adventure films involving treasure or pearls, deep sea diving, and some tough skipper like John Payne (CROSSWINDS), Errol Flynn (MARA MARU), or John Wayne (WAKE OF THE RED WITCH).

John Sturges’s UNDERWATER with Jane Russell, Richard Egan, and Gilbert Roland is typical, but again it’s a treasure hunt movie, and existed mostly to exploit the then new technology allowing for extensive technicolor photography underwater.

There is a true story with a similar theme — minus the murder — Nicholas Roeg’s CASTAWAY from 1987 where Oliver Reed advertises for a woman to be marooned on a desert island with him and Amanda Donohoe answers the ad; based on Lucy Irvine’s book about her experiences. Oddly enough Irvine is every bit the knockout Donohoe is and the odder bits of the film are true.

As I said, there is no murder or crime — other than criminal stupidity on the part of Reed’s character — but you might pick up some ideas and Donohoe is nice to look at nude, semi nude, and in a bikini while the book is fully illustrated with color photos of Irvine in the same state.

You might also check out the miniseries AND THE SEA WILL TELL with Richard Crenna, based on Vincent Bugliosi’s book of the trial and investigation of a couple accused of murdering another couple on a yacht who were sharing a deserted island with them. Rachel Ward played Bugliosi’s client, on trial for murder. It used to show up regularly on cable and there may be a VHS or DVD.

Again, no murder, but THE LITTLE HUT with Ava Gardner, Stewart Granger, and David Niven has the wife, husband, and boyfriend all stranded on a desert island together after a shipwreck. Diverting little sex comedy handsomely shot in technicolor. At least you get to see what sort of a Tarzan Granger might have made.

Most of these are going to be set on islands rather than the boat.

A TOUCH OF LARCENY is a wry tale based on Andrew Garve’s THE MEGSTONE PLOT where Naval officer James Mason contrives to shipwreck himself on his holiday and be accused of treason while missing in hopes of making a fortune suing the British tabloids when he is rescued — everything goes wrong of course. You can check out my review here on the blog

A RAW WIND IN EDEN has wealthy Esther Williams plane crash and she is rescued on a remote island by Jeff Chandler where jealousy, murder, and every other complication ensues.

L’AVVENTURA by Michelangelo Antonioni is of course the classic film (skip the remake with Madonna) of a spoiled rich woman (Monica Vitti) ship wrecked with a crude sailor (Gabriele Ferzetti) .

At least a small section of ARRIVEDERCI BABY! features lonely hearts killer Tony Curtis and Black Widow Rossano Shiaffano trying to kill each other while sailing in a black comedy.

And you might check out CAPTAIN RON a particularly unfunny comedy in which Martin Short and family inherit a sail boat and take on captain Kurt Russell an eye patched drunken lecher for a vacation from Hell — if you are masochistic enough to sit through it.

Almost as bad is THE ISLAND based on Peter Benchley’s book about a modern man (Michael Caine) and his son whose yachting holiday is disturbed when they are taken hostage by latter day pirates. This is the one where Leonard Maltin’s terrible review noted “You know you are in trouble when David Warner is the most normal guy on the island.” He’s absolutely right, if anything he is too kind, though in fairness he has no lower rating than BOMB.

Again most are going to be the shipwreck theme more than the boat itself, everything from THE ADMIRABLE CRICHTON (Kenneth More, Diane Cliento) — which was also a Bing Crosby musical PARADISE LAGOON — to SWISS FAMILY ROBINSON.

You might check out EBB TIDE, a tough little adventure film based on Robert Louis Stevenson’s story with Ray Milland, Oscar Homloka, and Lloyd Nolan and remade as ADVENTURE ISLAND with Rory Calhoun. Nolan is quite good as the monomaniacal madman in the original, shot in early color.

There is a little British film from the post war period where a honeymooning couple sailing to Calais pick up a ship wreck survivor and find themselves involved in a smuggling plot, but the name escapes me — it’s a slight and very short comedy.

And there is another with John Cassavettes (of all people) where a honeymooning couple try living on a small island in the Caribbean, but again the name eludes me — should be easy enough to find though as Cassavettes didn’t do a lot of comedy. Laurel and Hardy’s last feature involved them on a small boat, shipwrecked, and with a nuclear bomb if my memory is right.

Ship board crime and murder is a little better represented, with THE PRINCESS COMES ACROSS (Carol Lombard and Fred MacMurray, reviewed here, DANGEROUS CROSSING (based on John Dickson Carr’s “Cabin B-13” with Jeanne Crain and Michael Rennie remade for television as TREACHEROUS CROSSING), THE GREAT LOVER ( Bob Hope and Rhonda Fleming), JUGGERNAUT (Richard Harris, Anthony Hopkins, Omar Sharif battle an extortionist), DARKER THAN AMBER (Rod Taylor as Travis McGee), and THE LAST OF SHEILA (James Mason, James Coburn, Anthony Perkins …).

That last one is an outstanding mystery/suspense film with an all star cast including Dyan Cannon, Joan Hackett, and Raquel Welch and written by mystery fans Perkins and composer Stephen Sondheim (who collaborated on Broadway with Hugh Wheeler, one half of Q. Patrick).

And of course disaster at sea is well represented in all three films entitled TITANIC (1943, 1953, 1997), A NIGHT TO REMEMBER, THE LAST VOYAGE, SHIP OF FOOLS, VOYAGE OF THE DAMNED (the last two more drama than disaster— save the emotional kind), ABANDON SHIP, ARISE MY LOVE, THE POSEIDON ADVENTURE, TWILIGHT OF THE GODS, GOLDEN RENDEZVOUS, CAPTAIN CHINA, KRAKATOA EAST OF JAVA (and it’s not East of Java, in fact it is West of Java), and Hitchcock’s LIFEBOAT.

Hammond Innes THE WRECK OF THE MARY DEARE was filmed by Michael Anderson with Charlton Heston and Gary Cooper and involved the skipper of small salvage ship uncovering skullduggery at sea. BREAK IN THE CIRCLE (based on the novel by Philip Loraine), THE HOUSE OF SEVEN HAWKS (based on Victor Canning’s HOUSE OF TURKISH FLIES), NEVER LET ME GO (based on Andrew Garve’s TWO IF BY SEA), ACTION OF THE TIGER (based on John Welland’s novel), and A TWIST OF SAND (based on Geoffrey Jenkins novel) all deal with international intrigue and small boats,

S.O.S. PACIFIC is a solid little suspense film about a plane load of Grand Hotel types who crash on an island that is about to be used for nuclear test — Eddie Constantine (for once in his own voice), Pier Angelli, Richard Attenborogh (outstanding), and John Gregson star and Guy Green directed. Really nerve wracking suspense — sort of a South Pacific version of Dick Powell’s SPLIT SECOND.

Hopefully this will be some help. Nothing really fits quiet as well as DEAD CALM, but some of these are in the same general area. There are a handful of horror and sf films that come close — everything from THE CREATURE OF THE BLACK LAGOON to some of the made for television Bermuda Triangle movies, but that list could go on forever, and I really don’t think you are interested in mutant sharks, zombies, aliens, and man eating fish.

But that’s all I can come up with off hand. Book wise you might try the novels of J.R.L. Anderson and Bernard Cornwell’s thrillers, they are to small boats what Dick Francis is to racing, and of course Charles Williams who wrote the novel DEAD CALM.

Dorothy Dunnett’s Johnson Johnson books usually involve sailing too, and so do many of the thrillers in the Buchan mold by Hammond Innes, Geoffrey Jenkins, Wilbur Smith, Desmond Bagley, Eric Ambler (as Eliot Reed with Charles Rodda), Andrew Garve, and such.

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