Mon 23 May 2016
CRUSH THE SKULL. 2015. Tim Chiou, Chris Dinh, Katie Savoy, Chris Riedell. Director & co-screenwriter: Viet Nguyen.
It’s safe to say that, even if you don’t much care for horror/comedy mash-ups, you’ll come away feeling that there is something almost magical about the screen chemistry between the two leads in Crush the Skull, a quirky thriller which defies traditional genre categories.
Directed by Viet Nyugen (iZombie), the film stars Chris Dinh and Katie Savoy as Ollie and Blair, two deadbeat thirty-year-olds who, for money and kicks, disguise themselves as painters and rob houses when the owners are away. There’s something just so natural about these two characters and their witty, occasionally caustic, always lovable banter that make this otherwise uneven, occasionally bewildering, film worth a look.
Like any good horror story, Crush the Skull begins with a premise that’s also inherently a morality tale pushed to the extreme: What happens if robbers break into a house only to learn that it’s actually a serial killer’s lair and these would-be criminals become captives? It’s certainly an intriguing idea, albeit not the most creative one ever pitched. But if you mix it up with a docudrama style of filmmaking and a deadpan sense of humor – and indeed, fun – you might just end up with something that punches higher than its weight.
That’s the case with Crush the Skull, or at least it was for me. Truth be told, I don’t care all that much for the “serial killer’s lair” theme, and it took some effort for me to adjust myself to that. We know, to some degree, what motivates serial killers. It’s the supernatural, the unexplainable and unbelievable that’s even more frightening than human evil and which interests me far more.
But the film does its best to provide the viewer with some twists and turns along with some unanswered questions that aren’t fully resolved until the haunting final frame. All told, I can’t say that this recent feature isn’t without its flaws, including a rather prolonged backstory, but it shows a self-conscious sense of fun that makes it far more memorable than your typical serial killer thriller.