Characters


THE ARMCHAIR REVIEWER
Allen J. Hubin


WILLIAM MARSHALL – Out of Nowhere. Mysterious Press, hardcover, 1988; reprint paperback, 1989.

   The thirteenth mad adventure from Hong Kong’s Yellowthread Street Station is Out of Nowhere, by William Marshall. Here as usual Inspector Harry Feiffer and his minions have several wacky puzzles. There is the matter of the rented van, loaded with second-quality plate glass and carrying four persons, which vehicle roars the wrong way down a 3 A.M. freeway for a spectacular collision with a truck. Everything Harry learns about this matter serves to increase his bafflement.

   Meanwhile, there’s the Dalmatian which repeatedly attacks an herbal medicine shop, wrecking the premises (mighty dog!) and carrying off selected medications as well as an array of wind chimes. And finally, Inspector O’Yee, manning a line designed for the pacification of telephonically inclined psychopaths, finds he has a ten-year-old child on the other end with a loaded and cocked Luger in his school bag.

   Marshall stirs this mix in his typical onomatopoeic fashion. Enjoyable but not the strongest in the series.

— Reprinted from The MYSTERY FANcier,
       Vol. 11, No. 3, Summer 1989.


      The Yellowstreet Station series –

1. Yellowthread Street (1975)

2. The Hatchet Man (1976)
3. Gelignite (1975)
5. Thin Air (1977)
5. Skulduggery (1979)
6. Sci-fi (1981)
7. Perfect End (1981)
8. War Machine (1982)
9. The Far Away Man (1984)

10. Roadshow (1985)
11. Head First (1986)
12. Frogmouth (1987)
13. Out of Nowhere (1988)
14. Inches (1994)
15. Nightmare Syndrome (1997)
16. To the End (1998)

Note:   There was also a Yellowthread Street television series in England. Produced by Yorkshire Television, it ran for one season (13 episodes) in 1990. It has not yet been released commercially, but DVDs can be obtained on the collector-to-collector market.

THE BACKWARD REVIEWER
William F. Deeck


OSMINGTON MILLS – At One Fell Swoop. Geoffrey Bles, UK, hardcover, 1963. Roy, US, hardcover, 1965.

   Aware that the case won’t do his career any good, Superintendent William Baker of Scotland Yard’s Special Branch nonetheless undertakes the investigation of the missing head of the C.I.D. in Bramwith. The policeman, a lay preacher in the Johnsonite sect, had disappeared shortly before he was to address a centenary celebration of the sect, if the Johnsonites can be said to celebrate.

   Since the policeman’s wife had tried to divorce him for cruelty and now has a lover, she and the lover are the first suspects, if there has indeed been foul play. Information also turns up that the C.I.D. man had with him on his travels two warrants; perhaps the individuals sought made sure that the warrants would not be served.

   Possible, too, is the involvement of the police superintendent where the C.I.D. man was going to serve the warrants. But what role does the leek slasher play?

   A good investigation by Baker and his assistant, Inspector Hughes, and an engrossing portrait of a fundamentalist Christian sect. Forgive the far-fetched coincidences and enjoy this one.

— Reprinted from The MYSTERY FANcier, Vol. 11, No. 3, Summer 1989.


BIBLIOGRAPHIC NOTES:

      The Insp. (Supt.) William Baker series —

Unlucky Break. Bles, 1955.
The Case of the Flying Fifteen. , Bles, 1956.
No Match for the Law. Bles, 1957.
Misguided Missile. Bles 1958.
Stairway to Murder. Bles, 1959.
Trial by Ordeal. Bles, 1961.
Headlines Make Murder. Bles, 1962.
At One Fell Swoop. Bles, 1963.
Traitor Betrayed. Bles, 1964.
Enemies of the Bride. Bles, 1966.

   Osmington Mills was the pseudonym of Vivian Collin Brooks (1922-2002), whose other series, eight in all, recorded the cases of Chief Insp. Rupert “Rip” Irving and P.C. (Sgt.) Patrick C. Shirley.

THE ARMCHAIR REVIEWER
Allen J. Hubin


CHARLOTTE MacLEOD – Vane Pursuit. Mysterious Press, hardcover, 1989; paperback, 1990.

   Vane Pursuit is one of the better tales in Charlotte MacLeod’s series about Peter Shandy, professor of botany at Balaclava College in the nether regions of Massachusetts. Shandy’s wife Helen is here working on a book project involving the potentially famous weathervanes created by the nomenclaturally unforgettable Praxiteles Lumpkin.

   However, disaster seems to attend her photographic rounds: buildings burn and weathervanes are destroyed. Or mysteriously disappear. One of the casualties is the Lumpkin Soap Factory, the conflagration of which destroys the Lumpkinton employment base, returns one employee to his Maker, and signals the departure of a particularly stellar vane.

   These goings-on, plus the antics of a crew of rural survivalists and a fascinating cave dweller, fully engage the Shandys to the brinks of their lives. Vane Pursuit has a stronger plot than some in this series, with less reliance on the soon tiresome tactic of outrageous character names, and the dialog is sprightly.

— Reprinted from The MYSTERY FANcier,
       Vol. 11, No. 3, Summer 1989.


      The Professor Peter Shandy series –

Rest You Merry (1978)
The Luck Runs Out (1979)
Wrack and Rune (1981)
Something the Cat Dragged in (1983)
The Curse of the Giant Hogweed (1985)
The Corpse in Oozak’s Pond (1986)
Vane Pursuit (1989)
An Owl Too Many (1991)
Something in the Water (1994)
Exit the Milkman (1996)

IT’S ABOUT CRIME
by Marv Lachman

FRANK PARRISH – Death in the Rain. Dodd Mead, hardcover, 1984. Perennial Library, paperback, 1986. First published in the UK as Face at the Window (Constable, hardcover, 1984).

   Fans of Dick Francis will enjoy that other master of the narrative, Frank Parrish, whose fifth book about Dan Mallett, Death in the Rain, is in paperback from Perennial Library. We identify with Francis’s heroes and feel every bit of pain inflicted by sadistic villains. With Parrish’s “professional” poacher, we observe nature as if we are also lying on the English ground, feeling the cold and dampness. He is marvelously knowledgeable about the Wessex countryside made famous by Thomas Hardy.

   Death in the Rain plays down the major weakness in prior Mallett books, his long-standing attempt to get money for the hip operation his mother won’t consider free, under British socialized medicine. Yet Mrs. Mallett plays a greater role in this book, and she is a delightful supporting character.

   She and Natasha Chapman, a very believable young actress, help compensate for a plot with some structural weaknesses. There are too many coincidences, too many blackmailers, and too many people simultaneously in (or watching) the murder flat.

   Those are the only flaws I can discuss without giving away too much plot, but suffice it to say that, warts and all, this is as much fun to read as Parrish’s prior novels about one of the more unusual series characters of the 1980s. The first four Mallett books are also available from Perennial and equally recommended.

— Reprinted from The MYSTERY FANcier, Vol. 11, No. 3, Summer 1989.


Bibliographic Notes: Frank Parrish was the pen name of Roger Longrigg. (1929-2000). Under his own name he has two marginal entries in Hubin. Other pseudonyms are: Laura Black (four novels), Ivor Drummond (nine adventures of Jennifer Norrington, Alessandro di Ganzarello & Coleridge Tucker III) and Domini Taylor (nine novels).

       The Dan Mallett series –

Fire in the Barley. Constable, 1977.

Sting of the Honeybee. Constable, 1978.
Snare in the Dark. Constable, 1982.
Bait on the Hook. Constable, 1983.
Face at the Window. Constable, 1984. US: Death in the Rain.
Fly in the Cobweb. Constable, 1986.
Caught in the Birdlime. Constable, 1987. US: Caught in the Net.

Voices from the Dark. Constable, 1993. No US edition.

THE ARMCHAIR REVIEWER
Allen J. Hubin


GEOFFREY MARSH – The Fangs of the Hooded Demon. Tor, hardcover, 1988; reprint paperback, 1989.

   I’ve not before encountered Geoffrey Marsh and his Lincoln Blackthorne series, of which the present The Fangs of the Hooded Demon is the fourth. Blackthorne is a tailor in New Jersey, of all things, to whom incredible experiences accrue.

   If Demon is any guide, these tales are part mystery and crime, part unresolved fantasy and mysticism, with Blackthorne functioning more or less in the role of private investigator. Or maybe a land-bound Travis McGee.

   Here he’s hired, or maybe forced, to track down the titular fangs, which are bejeweled false teeth with reputed powers of rejuvenation if the right ritual is used at the right time. Various aged and villainous Hollywood rejects want the fangs desperately, and the peril-around-every-corner chase leads to New York, then to Oklahoma, and finally to the oozing swamps of Georgia.

   Frantic and imaginative, and I suspect quite enjoyable if your tastes run to this sort of thing.

— Reprinted from The MYSTERY FANcier,
       Vol. 11, No. 3, Summer 1989.


Bibliographic Note: It is now known that Geoffrey Marsh was one of several pen names used by Charles L. Grant (1942 – 2006), a noted horror and fantasy writer whose books sometimes verged into crime fiction territory, as did the Blackthorne novels.

      The Lincoln Blackthorne series (as by Geoffrey Marsh) –

1. The King of Satan’s Eyes (1984)
2. The Tail of the Arabian, Knight (1986)
3. The Patch of the Odin Soldier (1987)
4. The Fangs of the Hooded Demon (1988)

IT’S ABOUT CRIME
by Marv Lachman

WILLIAM L. DeANDREA – The HOG Murders. Avon, paperback orginal, 1979. International Polygonics, paperback, 1999.

   William L. DeAndrea has acknowledged his debt to Rex Stout, and it is especially apparent in this second novel, The HOG Murders, with its eccentric-genius detective, Professor Niccolo Benedetti. Even Benedetti’s Goodwin, Ron Gentry, will remind you of a subdued Archie. (Actually, Matt Cobb, DeAndrea’s series detective since his first novel, Killed in the Ratings [1978] has more of the Goodwin glibness, which he combines with Wolfe’s being a stickler on grammar.)

   When a mass murderer who signs himself “The Hog” goes on a killing spree in the fictional upstate New York city of Sparta in midwinter, panic sets in, and the world-famous Benedetti is summoned back from South Africa. To carry the Stout analogy a bit further, The HOG Murders suffers from “Too Many Detectives,” with at least five sleuths, professional and amateur.

   The background of wintery weather as an impediment to detection is well handled, especially in a scene in an Adirondack cabin with the wind-chill factor at fifty-five degrees below zero. DeAndrea has a nice surprise waiting at the ending, though it is weakened by the limited number of suspects he has presented and a couple of holes through which one can drive a medium-sized vehicle.

   Incidentally, DeAndrea won Edgars with both of his first two novels, the second in the paperback-original category. I don’t believe that has ever been done before or since; it’s the literary equivalent of Johnny Vandermeer’s consecutive no-hit games.

Editorial Notes:   The HOG Murders was previously reviewed on this blog by Bill Crider. Check out his comments here. At least one other source (Wikipedia) agrees with me on the spelling of HOG in the title of this book, which is how I have presented it in Marv’s review. That’s how I remember it, anyway!

       The Niccolo Benedetti series –

The HOG Murders. Avon, 1979.
The Werewolf Murders. Doubleday, 1992.
The Manx Murders. Penzler, 1994.

       William DeAndrea — Edgars won:

Killed in the Ratings, 1978. (Best First Novel, 1979)
The HOG Murders, 1979. (Best Paperback Original, 1980)
Encyclopedia Mysteriosa, 1994. (Best Critical/Biographical Work, 1995)

IT IS PURELY MY OPINION
Reviews by L. J. Roberts


  ANN CLEEVES – Silent Voices. Thomas Dunne/Minotaur Books, hardcover, May 2013. Trade paperback, July 2014. First published in the UK, 2011. Police procedural; Det. Inspector Vera Stanhope #1 [#4 in the UK]. Dramatized for TV as an episode of Vera, UK, ITV, with Brenda Blethyn in the title role [Series 2, Episode 2.]

First Sentence: Vera swam slowly.

   It’s not every day a police inspector finds a dead body sharing a sauna with her in a hotel health club, especially when that body is of a murder victim. Vera and her team work to find a killer in a village filled with people, and their secrets.

   From the very first paragraph, one is caught up in the author’s voice; her dry humor and the character. By the end of the first chapter, one is also caught up in the story.

   There is so much one could say about the characters, particularly Vera. How nice it is to have a female protagonist such as Vera. She’s a mature woman, overweight and unconcerned about her appearance — except, not totally unconcerned. She does care about being fair to her team, knows what motivates each of them, and is a very good leader; even though she drives them hard.

   She’s respected by her colleagues, even when they frustrate her. The relationship she has with Joe, her sergeant, is an interesting one… “Sometimes Vera though he represented her feminine side. He had the empathy, she had the muscle. Well, the bulk.” Even with the suspects, she doesn’t just investigate clues, but motivations; what makes people do what they do, what drives them.

   Cleeves has a very interesting style. Although the story is told in third person, when she focuses on Vera, it switches somewhat to first person as we gain insight on her life and character through an internal monologue and her observations… “These days, people expected senior female officers to walk straight out of Prime Suspect.”

   There is a very strong sense of place and wonderful descriptions. Particularly appealing is the contrast between the town and the desolation of Vera’s home. It’s very much part of her character.

   Although the story is character driven, it certainly doesn’t lack for plot or suspense. We’re given plenty of characters with motives, nice red herrings and plot twists. Vera is currently a television series done by British ITV, and very well done it is. The only way I knew the villain in the book was having seen the episode. Otherwise, it really wasn’t obvious.

Rating: VG Plus.

      The Vera Stanhope series –

The Crow Trap (1999)
Telling Tales (2005)
Hidden Depths (2007)
Silent Voices (2011)
The Glass Room (2012)
Harbour Street (2014)

       Vera [TV series] –

Series 1 Episode 1: Hidden Depths
Series 1 Episode 2: Telling Tales
Series 1 Episode 3: The Crow Trap
Series 1 Episode 4: Little Lazarus

Series 2 Episode 1: The Ghost Position
Series 2 Episode 2: Silent Voices
Series 2 Episode 3: Sandancers
Series 2 Episode 4: A Certain Samaritan

Series 3, Episode 1: Castles in the Air
Series 3, Episode 2: Poster Child
Series 3, Episode 3: Young Gods
Series 3 Episode 4: Prodigal Son

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