Characters


GAR ANTHONY HAYWOOD – Not Long for This World. Aaron Gunner #2. St. Martin’s Press, hardcover, 1990. Penguin, paperback, 1991.

   In this, the second recorded case for L.A.-based private eye Aaron Gunner, he’s hired by the female defense attorney for a young South Central gang member accused of killing the black founder of the L. A. Peace Patrol — a mild-mannered man who had taken it upon himself to try to rein in gang-related violence in the city.

   It takes Gunner a while to decide to take the case, mostly because he doesn’t believe there is much redeeming value in the boy, but the conviction by his lawyer that he’s innocent eventually helps persuade him. It isn’t an easy case to investigate. All of the witnesses and other people he must ask questions of are either gangbangers themselves, or people intimidated by them.

   To my mind there might be more social significance to this tale if Gunner were a stronger character. Even once he’s taken the case, he’s never quite sure if he made the right choice, nor is he the kind of guy who’s always infallible. Not helping matters is that the story is told in what I’ve decided to call the “impersonal third person” mode. Every so often, Gunner is referred to only as “the investigator,” not a description designed to give the reader a lot of confidence in his abilities.

   I’m also not a fan of PI’s going to bed with the dead man’s widow while on the case. Which is a complicated one in many ways, but not in one essential way: I believe the real villain is discernible immediately, once he (or she) steps onto the stage.

   Overall, then: quite readable, but flawed.

      The Aaron Gunner series —

Fear of the Dark (1988)
Not Long for This World (1990)
You Can Die Trying (1993)
It’s Not a Pretty Sight (1996)
When Last Seen Alive (1997)
All the Lucky Ones Are Dead (1999)

A 1001 MIDNIGHTS Review
by Kathleen L. Maio


RICK BOYER – Billingsgate Shoal. Doc Adams #1. Houghton Miff|in, hardcover, 1982. Warner Books, paperback, 1985; Fawcett, paperback, 1989.

   Rick Boyer won an Edgar for this, his first mystery novel — deserved recognition for a complex suspense novel set in coastal and suburban Massachusetts.

   Charles (“Doc”) Adams is a medical doctor turned oral surgeon. He is middle-aged, affluent, happily married, and intensely dissatisfied with his life. His depression and insomnia are symptoms of his mid-life crisis. The cure is worse than the disease, however, as Doc is thrown headlong into a very violent adventure. It starts with an early-morning sighting of a stranded fishing vessel on the title shoal, continues with the death of a young scuba diver who tries to check out the boat for Adams, and eventually escalates to a kill-or-die confrontation between Doc and the villains.

   Billingsgate Shoal has a little bit of everything for everybody. There is hidden treasure, political intrigue, and a murder mystery. There is even a good deal of gore for those who like their thrillers tough and bloody. But it is the believable and very personable voice of Boyer’s amateur sleuth that makes even the more outrageous elements of his plot come together in a way that seems realistic and truly suspenseful.

   Boyer’s second novel, The Penny Ferry (1984), a case focusing on present-day evidence of the guilt/innocence of Sacco and Vanzetti, is proof that Boyer’s talents are substantial and that Doc Adams has staying power as series sleuth.

         ———
   Reprinted with permission from 1001 Midnights, edited by Bill Pronzini & Marcia Muller and published by The Battered Silicon Dispatch Box, 2007.   Copyright © 1986, 2007 by the Pronzini-Muller Family Trust.

       The Doc Adams series —

Billingsgate Shoal (1982)
The Penny Ferry (1984)

The Daisy Ducks (1986)
Moscow Metal (1987)
The Whale’s Footprints (1988)

Gone to Earth (1990)
Yellow Bird (1991)
Pirate Trade (1994)
The Man Who Whispered (1998)

WILLIAM L. DeANDREA – Killed in Paradise. Matt Cobb #5. Mysterious Press, hardcover, 1988; paperback, July 1989.

   Officially Matt Cobb is a vice president in charge of special projects for a major TV network, but what that really means is that he’s a troubleshooter who’s put in charge whenever anything goes wrong. Not quite a private eye, but sometimes there’s not a lot of distinction between what he does and what PI’s do. (Think of all of the Hollywood troubleshooters who worked for movie studios in the pulps back in the 30s and 40s and bring them up to date.)

   In this case, though, all he is is a glorified chaperone to the winner of a mystery contest put on by the Network’s FM station in New York City, and a friend of her choice (also female). The top prize? A trip on a cruise liner to an island in the Caribbean and back. The bonus? Also on board are a flock of mystery writers and a mystery scenario that the passengers are asked to play along and solve.

   It is no wonder that the Chapter One is more or less a prologue to a scene that takes place much later in the book, one in which Cobb has just realizes who the killer is, just as he’s about to be tossed overboard. And that’s because otherwise there is no real mystery to be solved for well over a hundred pages, except for the mysterious disappearance of an arrogant mystery writer just after he is thoroughly trounced by Cobb in a not-so-friendly game of ping pong.

   Luckily DeAndrea was a good enough writer with a flair for light comedy and romance to keep the reader going through the not very suspenseful first chunk of the book, as the characters get to know each other (and as Cobb gets to know the prizewinner’s friend very well). Do you know, and to tell you the truth, and I almost wish I didn’t have to bring this up, but I found the ending — the solution to the mystery and all — to be forced and the weakest part of the book. All in all, though, I enjoyed this one, and I’d gladly read more of the series, which I seem to have accidentally jumped into the middle of.

      The Matt Cobb series —

Killed in the Ratings. Harcourt, 1978.
Killed in the Act. Doubleday, 1981.
Killed with a Passion. Doubleday, 1983.
Killed on the Ice. Doubleday, 1984.
Killed in Paradise. Mysterious Press, 1988.
Killed on the Rocks. Mysterious Press, 1990.
Killed in Fringe Time. Simon & Schuster, 1995.
Killed in the Fog. Simon & Schuster, 1996.

R. B. DOMINIC – The Attending Physician. Harper & Row, hardcover, 1980. Pinnacle, paperback, 1981.

   The pair of ladies who write as R. B. Dominic [Mary Jane Latsis & Martha Henissart], as well as the more famous Emma Lathen, obviously do not care much for doctors. This is the first murder adventure their series character hero, Congressman Ben Safford (D-Ohio), has stumbled across in some time. Where the medical industry fits in is right from the beginning, with a series of hearings Safford’s subcommittee as part of their investigation into widespread fraud in the Medicaid program.

   According to Dominic, doctors are an arrogant lot, but in works of fiction, at least, authors have a distinct advantage over the rest of us. They can make sure that at least one prime specimen chosen from among their targets of outrage gets, for once, what’s coming to him.

   Such as a mammoth malpractice suit, right after the subcommittee learns that one such doctor has falsely billed the same welfare mother for two hysterectomies and one abortion. And in that order, no less.

   Standing nervously in line to await the authors’ wrath are nursing homes and pharmacies as well. At times you may feel that the ensuing murder investigation has been all but forgotten, but have no fear. You’ll probably spot the culprit(s) easily enough without it. If you tend to agree with Ms. Dominic, the fun lies here in foiling villains of quite another stripe.

— Reprinted from The MYSTERY FANcier, Vol. 4, No. 2, March-April 1980 (very slightly revised).

      The Ben Safford series —

Murder Sunny Side Up. Abelard-Schuman 1968
Murder in High Place. Doubleday 1970
There Is No Justice. Doubleday 1971
Epitaph for a Lobbyist. Doubleday 1974
Murder Out of Commission. Doubleday 1976
The Attending Physician.Harper 1980
Unexpected Developments.St. Martin’s 1984

LIAM PHILLIPS on his father, PHILIP ATLEE,
Author of the Joe Gall Books:


   James Young Phillips, a/k/a James Atlee Phillips, a/k/a Philip Atlee, was my father. The man lived large and was somewhat of an enigma to us all. He was married three times and his last marriage was to my mother, Martha Phillips. Singer-songwriter Shawn Phillips is my half-brother from a previous marriage.

   I am the Copyright Holder of Record for all of his written works, excepting the screenplays which are the properties of the studios for whom he wrote them. We are working to get the books into digital format, including an unpublished autobiography, and at least one short story compilation. Jim wrote several unproduced screenplays as well, but the publication rights to those items is a bit more tricky. We will see what happens.

   To answer a few questions: My father resisted having his photograph taken under any circumstances. He reluctantly relented for obligatory family functions and even then often did so with a pair of his trademark dark sunglasses on. He was the subject of several newspaper articles over the years and always used the same picture — black turtleneck and dark glasses.

   Said photograph was taken for an article published in a Hong Kong newspaper in the late ’60s/early ’70s. There will be plenty of photos in the autobiography, including that one. The work is slow as I am at it by myself and struggled with serious health issues for over a decade. Thankfully, those problems are now fully resolved and I am capable of doing work again.

   The man pictured on the cover of the Joe Gall novels is an Irish bartender whose name may be lost to history. He was discovered by either Jim’s agent or a representative of Fawcett/Gold Medal and seemed to fit the description of Joe Gall. He was paid a flat fee for a photograph session and was thereafter pictured on the covers.

   We have had numerous inquiries over the years re: Joe Gall film projects. We had Clint Eastwood calling in the ’70s/80s and most recently David Mamet. We’ve also had some discussion about audio books and graphic novel versions, but the process is what it is in each case. There has never been any hesitance or reluctance (or greed) on my part, I can assure you. I, too, am a fan of the works and would love to get them out there for people to enjoy in whatever format I can.

   Jim went through life traveling light — he regularly discarded of documentation and paperwork for all aspects of his life. He did so to such a degree that the sum total of his possessions at the end of his life were a few pieces of clothing, a typewriter and a box of blank paper, and a few scribbles on notepads. Clarity on copyright, history, origins, all of that stuff, has been elusive to say the least.

   My intention is to get the works, including SOME of the unpublished material, onto Amazon this year. Digitizing via OCR, proofing, artwork – for a 22 book series, plus 5 other novels, and the short stories – is a MASSIVE amount of work for even a group of dedicated people. But we are determined! The autobiography will take a bit longer, what with the photos and so forth. The book itself is quite the read from a very opinionated character who didn’t have a PC bone in his body and we are all the better for it!

   I have cruised by Mystery*File over the years, but had nothing to add as I was too ill for even the obligations of a muted correspondence.

   I want to thank every single person who has said such positive things about my father and his works (and my brother as well). You are all truly appreciated and recognized. I hope that we can do your interests justice and produce material that meets your standards and that everyone can enjoy. Many thanks to all of you amazing people!

       The Joe Gall series —

The Green Wound. Gold Medal k1321, July 1963 [New Orleans, LA]
   — Reprinted as The Green Wound Contract, Gold Medal, 1967.
The Silken Baroness. Gold Medal k1489, 1964 [Canary Islands]
   — Reprinted as The Silken Baroness Contract, Gold Medal, 1966
The Death Bird Contract. Gold Medal d1632, 1966 [Mexico]
The Paper Pistol Contract. Gold Medal d1634, 1966 [Tahiti]
The Irish Beauty Contract. Gold Medal d1694, 1966 [Bolivia]
The Star Ruby Contract. Gold Medal d1770, 1967 [Burma]
The Rockabye Contract. Gold Medal d1901, 1968 [Caribbean]
The Skeleton Coast Contract. Gold Medal D1977, 1968 [Africa]
The Ill Wind Contract. Gold Medal R2087, 1969 [Indonesia]
The Trembling Earth Contract. Gold Medal, 1969 [U.S. South]
The Fer-de-Lance Contract. Gold Medal, Jan 1971 [Caribbean]
The Canadian Bomber Contract. Gold Medal T2450, August 1971 [Montreal, Canada]
The White Wolverine Contract. Gold Medal T2508, Dec 1971 [Vancouver, Canada]
The Kiwi Contract. Gold Medal T2530, Feb 1972 [New Zealand]
The Judah Lion Contract. Gold Medal T2608, Sept 1972 [Ethiopia]
The Spice Route Contract. Gold Medal T2697, April 1973 [Middle East]
The Shankill Road Contract. Gold Medal T2819, Sept 1973 [Ireland]
The Underground Cities Contract. Gold Medal M2925, Feb 1974 [Turkey]
The Kowloon Contract. Gold Medal M3028, August 1974 [Hong Kong]
The Black Venus Contract. Gold Medal M3187, Feb 1975 [South America]
The Makassar Strait Contract. Gold Medal P3477, March 1976 [Indonesia]
The Last Domino Contract. Gold Medal 1-3587, 1976 [Korea]

REVIEWED BY BARRY GARDNER:


JOE GORES – 32 Cadillacs. DKA File #4. Mysterious Press, hardcover, 1992; paperback, 1993.

   It’s been fourteen years since the last DKA from Gores, so long that I’d despaired of another, but here it is, and it’s up for (though in my opinioni doesn’t merit) an Edgar.

   Daniel Kearney Associates is a private detective agency operating out of San Francisco. DKA doesn’t do murders as their main source of revenue (though there have been some in previous books), they repossess cars, and do collections and skip traces. In 32 Cadillacs they have the repo case of a lifetime, as no less than 31 new Cadillacs have been purchased by fraudulent means and absconded with, all financed by the same bank. The 32nd is a finny pink ’58.

   The scam is being run by Gypsies, who are involved in a plan dealing with the Imminent death of their King (who lies in a hospital in Steubenville, Iowa) and the potential selection of his successor. The story details DKA’s frantic efforts to find the cars, and the machinations of the opposing Gypsy factions as well.

   All the old gang is here: Dan Kearney, Giselle Marc, Bart Heslip, and Ballard and O’Bannion. Gores writes bare-bones prose, and manages to keep the story moving forward in a straight line — no mean feat with the viewpoints shifting rapidly among the DKA bunch and various members of the Gypsy gang of miscreants. There is enough characterization that the players seem real, though they will be more so to past readers of the series. Gores did a lot of research into the Gypsy way of life, and the plot is entertaining.

   I didn’t like this as much as earlier tales in the series. It lacked their hard edge, and in fact was more of a caper novel, even including a cameo by Westlake’s Dortmunder. The DKA stories are pretty much sui generis, but this wasn’t the best one. Lesser Gores is still worth reading, though.

— Reprinted from Ah Sweet Mysteries #6, March 1993


      The DKA File series —

1. Dead Skip (1972)
2. Final Notice (1973)
3. Gone, No Forwarding (1978)

4. 32 Cadillacs (1992)
5. Contract Null and Void (1996)
6. Stakeout on Page Street (2000)

7. Cons, Scams, and Grifts (2001)

BRIDGET McKENNA – Caught Dead. PI Caley Burke #3. Berkley, paperback original; 1st printing, February 1995.

   The ending of book two in this series must have been fairly spectacular. At the beginning of this one, private eye Caley Burke’s boss won’t let her come back to work for a second week until she agrees to go in for counseling to see why she can’t sleep at nights. Not too many people ever shoot and kill someone, even in self defense.

   She agrees, but she decides to take a case on her own as her own form of self-help therapy. The son of her favorite waitress at her usual breakfast spot hires her to find out who his father is. His mother won’t tell him. Not only this is a situation in which you should be careful what you ask for, but it’s one which goes far beyond that. The very next day his mother is arrested for the brutal slaying of her sister.

   We are in Sue Grafton territory here. Caley lives in s medium-sized town in central California, lives alone and likes it that way, and when she gets her teeth into a case, she doesn’t let go. She pries and she pries, and bit by bit, the secrets begin to loosen and come flying off.

   Caley doesn’t have the flair of Kinsey Millhone, though. She’s effective but is a lot more workmanlike in her pursuit for the truth. There are a lot of suspects in the case, all the more so as the dead woman was intensely disliked by everyone in town, including her family. This means, of course, that Caley has to ask a lot of questions. Surprisingly, she gets a lot of people to answer.

   Overall, better than average, with decent clueing, more than two-dimensional characters, and an ending that just may catch you by surprise. (It’s intended to.) I’d read the next one, but after three books, there never was a fourth. I’ll have to go back and see what I missed in the first two.

      The Caley Burke series —

Murder Beach (1993)

Dead Ahead (1994)  Nominated for a Shamus award.
Caught Dead (1995)

FRANK PARRISH – Sting of the Honeybee. Dodd Mead, US, hardcover, 1979. Perennial Library, US, paperback, 1983. First pubished in the UK by Constable, hardcover, 1978.

   Dan Mallet is a poacher by choice, not by necessity. He’s also a part-time burglar, but at this he’s still very much an amateur. A pony he pilfers and some stolen clocks eventually prove to be his undoing — major contributing factors in the huge predicament he soon finds he’s gotten himself into, in this, his second book-length adventure.

   There is no detection involved. A gangster who comes down to the West Country from London reveals his true colors very early on. To regain his boyhood farm from the two little and quarrelsome old ladies who now own it, the man is willing to go to any lengths, and only Dan knows the trouble they’re in.

   In truth he’s in no position to do much about it, but the suspense story that follows as he tries is an exciting one, retaining a great deal of the deep, raw flavor of the untamed English countryside. As always, it’s tremendously satisfying to read a mystery that’s both well-written and well-contrived.

— Reprinted from The MYSTERY FANcier, Vol. 4, No. 2, March-April 1980 (slightly revised).

      The Dan Mallet series —

Fire in the Barley, 1977.
Sting of the Honeybee, 1978.
Snare in the Dark, 1982.
Bait on the Hook, 1983.
Face at the Window, 1984.
Fly in the Cobweb, 1986.
Caught in the Birdlime, 1987.
Voices from the Dark, 1993.

REVIEWED BY BARRY GARDNER:


BENJAMIN SCHUTZ – A Fistful of Empty. Leo Haggerty #5. Viking, hardcover, 1991. No paperback edition.

   I missed this when it came out, and I think it must have gone out of print in two weeks. I’ve been hunting a copy for over a year, and finally found one.

   Leo Haggerty chooses to honor an obligation to help his bounty-hunter buddy, Arnie Kendall, bring in a particularly repellent skinhead felon, instead of meeting his love as she asks him to do, even though she says it’s important. When he finally gets home, he finds her raped and brutally beaten, and the home and office trashed. He calls Arnie for help, only to find that he has been murdered.

   His quest to find out who, and why, and to exact revenge, make up the story. I’s also about Haggerty learning who he is, and who he can and cannot be. Hard lessons, tough exam.

   This is heavy, grim stuff. The Haggerty books have been among the more violent of the current PI crop, and this is no exception. Schutz is a good writer, and tells a fast-moving and gripping story. If you like ’em dark and mean, you could do much worse than this. If you don’t, pass.

— Reprinted from Ah Sweet Mysteries #6, March 1993


      The Leo Haggerty series —

Embrace the Wolf (1985)

All the Old Bargains (1985)
A Tax in Blood (1987)
The Things We Do For Love (1989)

A Fistful of Empty (1991)
Mexico Is Forever (1994)
Mary, Mary, Shut the Door (2005). (Collection: includes three Haggerty stories, a “Sean and Matt Ellis” story, plus a Philip Marlowe pastiche, “The Black-Eyed Blonde.”)

KEN KUHLKEN – The Loud Adios. St. Martin’s, hardcover, August 1991. Poisoned Pen Press, trade paperback, 2006.

   This was the winner of the 1990 PWA/St.Martin’s “Best First Private Eye Contest,” and let me tell you right away that at the price they’re asking [$16.95], it’s a bargain.

   Not many authors these days write hard, tough Black Mask fiction anymore — short, terse sentences that never pull a punch, and characters who never give an inch — and it’s always a pleasure to find one who does. This is it, guys, the real stuff.

   PI Tom Hickey is doing double duty for the Army as an MP watching the border between San Diego and Tijuana. The year is 1943, the war is on, and refugees and politics are on everyone’s minds. Then Hickey takes on a job for a solider about to ship overseas — to rescue a girl doing nude shows in a rundown bar south of the border. The guy claims she is his sister; to Hickey she looks like an angel on earth.

   What neither Hickey nor his client knows is that the stakes are much higher than this — there may or may not be a plot by Germans in Mexico to take over all of Baja California, there may or may not be a fortune in gold available for the taking.

   Unfortunately, the girl, Wendy Rose, is either all or in part mentally retarded, or she has been so badly traumatized that she does not know reality from fantasy, either of which makes a tougher job even worse.

   The title sounds like Chandler, on the back jacket is the inevitable quote from someone comparing Kuhlken to Chandler, and as usual, the Santa Ana winds are prominently mentioned, but to my mind, most of the book reminded me more of Dashiell Hammett, with a bit of Paul Cain thrown in. (Kuhlken, by the way, has written one other book, Midheaven, which according to the flap on the back of dust jacket, was nominated for a Hemingway Prize. He’s obviously got the right technique.)

   Unfortunately, there is a down side to all of this. I wouldn’t call the plot line as straight as a string, but in many ways it’s like a one-note samba, one that simply goes on too long. Until Wendy Rose is finally rescued, Hickey and her brother simply make one sortie across the border after the other, each time getting a bit more daring, bringing along additional reinforcements with each trip, and continuing on until the job is done.

   This takes over half the book. The remainder consists of gathering weaponry, forces and (most importantly) nerve, and then (but not till then) finally going back to finish the job — either making themselves rich, or saving America from a growing evil to the south. Or both, or neither — and that is something I simply shouldn’t tell you.

   This is more than mere quibbles, but even without my seeing the rest of the entries in the contest, I think the judges made the right choice. Even though he hasn’t made much of bis life so far, Tom Hickey is no loser in my book.

— This review first appeared in Deadly Pleasures, Vol. 1, No. 4, Winter 1993 .


      The Tom Hickey series —

1. The Loud Adios (1991)
2. The Venus Deal (1993)

3. The Angel Gang (1994)
4. The Do-Re-Mi (2006)

5. The Vagabond Virgins (2008)
6. The Biggest Liar in Los Angeles (2010)
7. The Good Know Nothing (2014)

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