TV Adventure


BLOOD & TREASURE. “The Curse of Cleopatra: Parts I & II.” CBS, 2 hours, 21 May 21 2019 (Season 1, Episode 1). Matt Barr as Danny McNamara, a former FBI agent who now works as a lawyer specializing in repatriating stolen art; Sofia Pernas as Lexi Vaziri, a thief and con woman partnered with Danny despite their tortured past; Oded Fehr as Karim Farouk, an Egyptian terrorist leader; Katia Winter as Gwen Karlsson, an Interpol agent assigned to the Farouk case; Michael James Shaw as Aiden Shaw (né Dwayne Coleman), an arms dealer with ties to Farouk; John Larroquette as Jay Reece, a billionaire and father figure to Danny who oversees his effort to stop Farouk’s plans to reunite the sarcophagi of Cleopatra and Mark Anthony to aid his cause. Directors: Part I: Michael Dinner; Part II: Alrick Riley.

   Thanks once again to Wikipedia for allowing me to summarize what’s going on in what’s really the first two episodes in last year’s first season of this new adventure series on CBS, or at least the players therein. But I imagine there’s enough meat there in the summary that I needn’t say more about the story.

   It seems to have done well enough in the ratings that it warranted renewal for a second time around, but on the basis of what I saw, it’s rather unlikely that be riding along with them. The production values are high, which as it should be, given that filming was done on location: in Montreal, Canada, Rome, Turin, Venice, Italy, Marrakesh, and Tangier, Morocco. The story is mediocre, however, being nothing more than watered down Indiana Jones, and while Sofia Pernas is extraordinarily adequate as eye candy, Matt Marr, her co-star in this venture, other than the inevitable stubble, has no screen presence whatsoever.

   I also think the idea of carrying one limp as dishwater story over twelve episodes was a bad idea, but I understand both the logistic and financial reasons for doing so. But carving a pie that’s luke warm at best into twelve slices, all you have is a semi-solid artificially flavored mess, no matter how you cut it.

   

THIEVES. “Pilot.” ABC, 28 September 2001. John Stamos (as Johnny), Melissa George (as Rita), Robert Knepper, Tone Lōc. Written by Jim Leonard. Director: James Frawley.

  It’s so tempting to start this review by saying, “Stop me if you’ve heard this one before,” and guess what? I just did. Two young cat burglars, male and female, each successful on their own, are caught trying to steal the same set of diamonds, and given an ultimatum” Work for us (the government) or go to jail. By story’s end, they have (guess what) decided to work for the government.

  They of course bicker between each other a lot, but one can imagine that if the series had been allowed to continue (only eight of the ten films were aired before the plug was pulled), the sparks would have been romantic ones as well as those generated by their competitive natures. Both lead actors are extremely attractive (and the female partner of the two seems to dress in clothes that show as much bare skin as much as possible).

  There is an old adage in the television business (or if there isn’t, there should be), that you need a story, too, not bits of pieces of one that need as much padding as to make each episode fit comfortably in a 60 minute time slot, less commercials.

  Each of the two leads ha gone on to have had successful careers. This series wasn’t much of a step up along the way, however. It remains a relic only, of interest only to those of us who love digging up old relics such as this.

   

   

  RELIC HUNTER “Buddha’s Bowl” A Canadian-produced series. 20 September 1999 (Season 1, Episode 1. Tia Carrera (Sydney Fox), Christien Anholt (Nigel Bailey), Lindy Booth. Guest Cast: Tony Rosato.

   Any resemblance to the Indiana Jones movies is not only not incidental, but as far I can see, totally intentional. Sydney Fox is nominally a professor of archaeology and ancient history at Trinity College, but every week for three seasons on TV, she went off to yet another part of the world to track down a relic, if you will, of a large significance, importance, or (very often) of value. She’s also a master of martial arts, and if this first episode is any example, looks just fine in a simple black bra.

   Accompanying her on all these adventures is her teaching assistant, Nigel Bailey, a much more reserved young man from England whom both Sydney and we, the viewer meet for the first time in “Buddha’s Bowl.” On his very first day on the job he’s swept off to Nepal, where a map is said to point the way to the relic’s present location.

   Of course there is someone else looking for it as well, an old acquaintance and rival who knows Sydney well enough to call her “Sweet cheeks.” The scenery is great, the danger is real (stuck in a tomb filling with sand and no exit, for example), and Tia Carrera, in almost every scene, is a young woman whom every young male would most desperately like to trade places with Nigel to go on all 66 episodes with her.

   Even some of us older fellows.

   

MY FAVORITE TV SERIES
OF THE DECADE (2010-2019)
by Michael Shonk


   It is that time of year again when everyone makes a list, be it our list to Santa or the critic’s top ten list. This list has my favorite top 20 TV series that aired during the 2010s. I have separated them by type of TV it is: broadcast network, basic cable, premium cable, and streaming/apps.

   While the change from analog to digital television began in the 2000s the decade of 2010 will be remembered as when the digital era took over. It was a time that saw the fall of broadband network TV and the rise of digital streaming services. The major entertainment companies of the 20th Century – ABC, CBS, NBC, and Fox as well as all of the major movie studios but Disney were swallowed up by conglomerates from outside Hollywood such as AT&T and Comcast. As Old Hollywood fell, new players rose such as Netflix and Apple creating a gold rush to find a spot in the future digital Hollywood.

   Broadcast TV is dying. Still regulated by the FCC, the major free networks continue to play it safe and cling to ancient formats such as episodic drama, sitcoms and police procedural.

   Despite that, my favorite TV series of the decade is the underrated PERSON OF INTEREST (CBS, 2011-16). The series’ only flaw was it was from formulaic CBS, the only network that would air the Second Coming as an episodic procedural. PERSON OF INTEREST was ahead of its time. It went from a weekly standalone episodes to an intriguing series with a continuing story foretelling our society’s fall into paranoia and fear. It was a world where America was becoming a bad guy, a corrupt government empowered by the rise of AIs.

           HONORABLE MENTION

FRINGE: (FOX, 2008-2013). FRINGE began as just another X-FILES copy but it did not take long for it to become a creative quality series featuring time travel and multi-universes.

ZERO HOUR: (ABC, 2012-13). ZERO HOUR was so bad it was good. Set in modern day with flashbacks to WWII, the series featured a never ending source of wacky troupes including an evil baby, Nazis, Rosicrucians guarding a doomsday device, twelve apostles each with a clock holding a clue leading to the device, a woman kidnapped from her clock shop, and her husband who finds among other things a frozen to death Nazi who could be his twin.


   Modern-day basic cable has always been a source of original programming. Networks such as USA and SYFY may have began producing cheap cheesy network knockoffs but today both and the rest of cable are willing to take risks the major networks won’t, and basic cable has improved because of it.

   My favorite basic cable series of the decade is JUSTIFIED (FX 2010-15). Based on Elmore Leonard’s characters and short story “Fire In the Hole” JUSTIFED was a violent crime drama set in Harlan County Kentucky. Marshall Raylan Givens was forced back to where he grew up and no one was happy.

   There he dealt with a complicated love life and some of the best Elmore Leonard type bad people on TV. Each season featured a different villain and crime, but what made the series so great was the special relationship between Raylan and local killer Boyd Crowder.

           HONORABLE MENTION

ARCHER: (FX, 2009-2016; FXX, 2017- present) – This animated classic with a flexible premise began as a 60s style spy series for the first four seasons. The series kept the characters and placed them in different situations. Season Five was Archer Vice with our heroes as the World’s worse drug dealers. In Season Six the group were hired by the CIA and found them selves in the middle of a Latin American revolution.

   This was followed by a season as they started a 1970-80s style TV PI agency in Los Angeles (promo below). Next was a 1940s style film noir called Archer Dreamland. Next was Season 9 and Archer Danger Island where our group races some pre-WWII Nazis for a treasure on a small island. Then it was Archer 1999 and stories spoofing science fiction. Coming soon will be Archer’s eleventh season, reportedly with everyone back in the spy business.

RUBICON: (AMC, 2010). Unusually intelligent for TV, RUBICON was about Will Travers who worked for a small Federal based spy agency. When his mentor dies, Will begins to suspect murder and uncovers a conspiracy. A suspenseful thought provoking series with a lack of car chases RUBICON was killed in the ratings by USA’s fun bimbo spy series with car chases COVERT AFFAIRS.

SHERLOCK: (BBC/PBS/BBCA, 2010-2017) – My favorite version of Sherlock Holmes. The writing was witty and intelligent in its adapting the Arthur Conan Doyle’s original stories for a modern world. The casting worked, with Benedict Cumberbatch being the best ever to portray Holmes and Martin Freeman giving Watson new life.



VENTURE BROS
(Adult Swim, 2003- present). One of the TV’s funniest strangest TV series, the cartoon VENTURE BROS began as a parody of kids cartoons – in particularly JONNY QUEST. Quickly the series took on its own universe with its own absurdities. The video below is from the end of season five (2013). Season eight is scheduled to arrive sometime in the future.

WYNONNA EARP: (SYFY, 2016-present) Wyatt Earp’s demon killing gun has been past down through the Earp’s family first born sons until it ended up in the hands of a bad ass Wynonna. This series is over the top fun from the romances to the humor to the absurd violence as the gang sends countless demons back to Hell. The video below introduces the series that has been renewed for a fourth and fifth season.


   With the decrease in films aimed for adults and an increase in demand for TV series for adults, more and more premium channels are turning to original programming. Pay TV networks HBO, Showtime, and Cinemax have been joined by premium networks (you have to pay extra to get them) Starz, Epix, IFC, BBCA and others in producing original programs of high quality and adult content. These networks are also available on apps where you can pay for the network without having to subscribe to cable.

   My favorite of this group is DIRK GENTLY’S HOLISTIC DETECTIVE AGENCY (BBCA 2016-17). BBC had attempted to bring Dirk to the small screen in a four-part miniseries in the early part of the decade but failed to capture Douglas Adams sense of humor and bizarre world.

In 2016 BBCA and Max Landis made a second attempt with Samuel Barnett as Dirk. While never a success beyond a cult audience of which I am a member, this version got two seasons and worked because Landis for the most part ignored the books and went with Douglas Adams style and humor. Douglas Adams himself had been quoted admitted he had his least success when he worried about plot or logic.

           HONORABLE MENTION:

COUNTERPART: (STARZ, 2016-2019) – This spy series was set against a backdrop of two different but connected Universes. During the Cold War there had been an accident and the Universe doubled leaving everyone with a physical double. Oddly, except for their looks the people were different than their counter in the other Universe.

   J.K. Simmons was brilliant as Howard Silk, a meek cog in our spy agency while his double was a ruthless man and one of the other side’s top spies. Where did Howard Silk’s path separate? How did the same man become a meek failure in one Universe and a ruthless success in the other?

DOCTOR WHO: (BBCA, Modern Version 2005 – present). DOCTOR WHO is an iconic British TV series that debuted in 1963. It is about an alien with a fondness for Earth who travels with companions through time and space in a 1960s blue British Police Box. This decade was a good one for Who’s fans.

   One of the best ideas DOCTOR WHO had was regeneration. Whenever the actor playing the Doctor wanted to leave the character would regenerate into a new version of the Doctor played by a different actor. There were four Doctor’s and three different showrunners during the 2010s. I found the era of showrunner Stephen Moffat (SHERLOCK) to be my favorite since the great days of Tom Baker the fourth Doctor.

   David Tennent as the tenth Doctor remains one the series most popular Doctors. He brought emotions to the character as Ten fell in love more than once and cried when it was his turn to leave. When showrunner Russell Davies – who had successfully brought the Doctor back to life in 2005 – decided to leave, Tennent left as well.

   2011 brought showrunner Stephen Moffat, and Matt Smith became the eleventh Doctor. Smith’s Doctor was an ancient alien carrying the burden of a tragic past while hiding behind a boyish face and child-like behavior.

   In 2014 Peter Capaldi became Doctor number twelve. His Doctor was more retrospective, rude, distant and uncomfortable around humans. It was his inner struggle to decide if he was good despite his past that made this Doctor the most dramatic.

   2018 marked the arrival of thirteen and the most controversial Doctor. Jodie Whittaker became the first woman to play the Doctor. As Mommy Doctor, Whittaker was the best part of last season. New showrunner Chris Chibnall’s writing and changes were not to my taste. He had said the next season will be better. We can only hope the next decade for Doctor Who will be as entertaining and varied as the 2010 decade.

   Below is my favorite scene of the series. It stars Matt Smith my favorite Doctor since Tom Baker (#4).

PERPETULAL GRACE LTD (EPIX, 2019) was a quirky, at times totally incomprehensible, story told in a way that reminded me of old independent films. There was a sadness to the characters and their actions that was often hilarious.

   It featured a cast of doomed losers, those who would do anything to survive, those who blindly believe in others, and those who sought redemption but believed they didn’t deserve saving. The writing, acting and direction drew the viewers into the addictive story. One word of warning the series ended with a taunting cliffhanger and there is still no word of a second season.

WESTWORLD: (HBO, 2016-present). What began as a good book by Michael Crichton about an amusement part with robots serving the fantasies of the human guests has lead to two movie adaptations and one TV mini-series. This latest attempt to adapt the story is by far the best. This version of WESTWORLD added the point of view of the AIs (robots) to explore what is life. It can be too clever for its own good, but I really am looking forward to the coming third season.


   Streaming services have come a long way since NETFLIX killed Blockbuster rentals and decided to take on Hollywood. Streaming offers subscribers hundreds of more choices, return of long forgotten favorites, life to networks cancelled series, shows from all over the world and originals that before never would have ever been produced. It has freed us from the chains of TV schedules. It has given us a different way to watch TV as the impatient viewer can watch at the speed they want – one episode or as many as they are in the mood to watch or the entire season at one sitting.

   Netflix’s original RUSSIAN DOLL (2019) is my favorite streaming program of the 2010’s decade. Nadia is trying to survive her 36th birthday but she keeps dying. Characters in time loops are nothing new but RUSSIAN DOLL is surprisingly original. One of the best comedies of the decade made better by the brilliant acting by Natasha Lyonne as broken, foul mouth and sympathetic Nadia.

           HONORABLE MENTION

ACCA: 13 – TERRITORY INSPECTION DEPARTMENT (Funimation). This Japanese anime aired in 2017. Based on a light novel, ACCA is a delightful slice of life spy story that still makes me smile. ACCA is the agency that oversees all of the Kingdom of Dowa’s thirteen separate but equal states. A rumor of a possible coup in the peaceful kingdom has Chief Investigator Jean Otis investigating each of the 13 states.

BROKENWOOD MYSTERY: (New Zealand Prime TV 2014, airs on Acorn in United States). This folksy traditional mystery from New Zealand feels like THE ANDY GRIFFITH SHOW if ANDY had been one of those slow moving cozy traditional mysteries set in an odd small town with likable but strange characters that the British do so well.

   Detective Sergeant Mike Shepherd (Neill Rea) leads Detective Kristin Sims (Fern Sutherland) and Detective Constable Sam Breen (Nic Sampson) as they solve challenging murders. The cast has a nice chemistry, the writing is witty and the characters are the type hard to find now a days – content, likeable and peaceful.

THE EXPANSE: (SYFY, 2015-18; AMAZON PRIME, 2019). SYFY produced some better than expected TV during the 2010s. The best was THE EXPANSE. Based on the books by James S.A. Corey (Daniel Abraham and Ty Franck) THE EXPANSE is set in a time when humans have populated the solar system – the three major groups are those from Earth, Mars, and the Asteroid belt.

   The production values and special effect were too expensive for Syfy so the show was dropped and picked up by Amazon Prime. Prime offers all four series ready to watch. The video I selected explains the appeal of the series without giving away spoilers.

QUEENS OF MYSTERY (check out my review here on this blog)

STEINS;GATE (Funimation, premiered in Japan in 2011). Based on a light novel the story begins with an over the top mad scientist but things grow more serious as he and his friends find a way to send notes through time. Below is a dub in English of the first episode.


   The decade of 2010 has offered some on the best TV series in the history of television, sadly too many of which were not seen by most of American TV viewers including me. Cinemax’s JETT most likely would have made this list if I had had the time to finish watching it. I am sure there have been TV series this decade that would have made this list if I had spent more time watching TV and less time sleeping and having a life.

   Taste and opinion guide favorite or best lists. It os important to remember the quality of the beef means nothing to a vegetarian. You might notice I have a bias against the popular mainstream entertainment and favor the different, neglected and the weird. Fortunately there is a comment section for you to correct me and name your own favorites.

TV IN 2019: PART TWO –
BROADCAST AND CABLE NETWORKS
by Michael Shonk


   Comparing the broadcast and cable networks to the streaming services is like comparing cassette tapes to CD. Both have entertaining content, it is just the formats are different.

   The broadcast networks are fading dinosaurs, no longer a place where mass audiences gather on a daily basis. Cable networks are doomed to be devoured by the streaming world that features original programming as well as the programs of the cable networks.

   TV has changed in so many ways. Because of devices such as Apple TV, Roku TV, and Amazon’s Firestick you can watch nearly all of cable TV without cable and even without a TV set. TV has left the living room and is following you, waiting to fetch for you whatever and whenever you want to watch. Part One of this two part survey looked at the streaming services, so now it is the broadcasting and cable networks turn.

   With the exception of some time as the top rated network in the 1970s-80s, ABC has never gotten much respect. Having been born during the radio days as a rib off NBC, ABC tends to get treated like third in line. Things have not improved since Disney bought them.

   ABC’s announced goal for the 2019-20 season is to finish first among women. One reason is they have to share most of the sports with their Disney family brother ESPN. ABC has also found success in the past with the women market and in today’s diversity culture women are in increasing demand.

   ABC shows have a real problem writing male characters that men want to watch. ABC’s best dramas tend to feature a gorgeous independent likeable female lead. The problem is few of their series characters are likable or deep enough for the audience to care. The writing focuses on emotion over plots and romance over action. Shows such as TAKE TWO and WHISKEY CAVALIER are good examples of this.

   I do have hopes for two of ABC announced new series. REEF BREAK airs this month. It stars Poppy Montgomery (UNFORGETTABLE) as an ex-thief turned trouble-shooter for a tropical island government.

   The broadcast networks new fall series I most look forward to is ABC ‘s STUMPTOWN. Based on a comic book, the story is about a gorgeous wise cracking kick ass female PI. How could I resist after watching this trailer?

   Not so long ago CBS’s future looked bright. It had defeated the evil conglomerate Viacom and had won its freedom. But there were problems. CBS’ powerful successful ruthless womanizing media mogul Les Moonves had faced down Viacom but would be crushed by a bunch of women and the rising power of the me-too movement. Only CBS stockholders were sorry to see Moonves leave, and they had to watch in horror as Viacom began to rise and turn its eyes back on them.

   CBS may continue to attract the most viewers on linear TV, but such numbers mean less and less. Those at CBS remain clueless about diversity. Diversity is not taking your ancient series format and change the white guy to a woman or minority.

   CBS made a big deal out of Alan Cummings playing a gay man in INSTINCT but didn’t bother to update its tired format. The formula has one strange unconventional male paired with an over serious all business female cop and they solve crimes together. This summer INSTINCT returns and if you like old-fashioned procedurals, it is worth a peek, if you are bored with TV from the 20th century, CBS is not for you.

   The best thing CBS has going for it is the showrunnners Michelle and Robert King who have blessed the unworthy network with THE GOOD WIFE and THE GOOD FIGHT. Ok, they also created the hideous failure BRAIN DEAD. CBS is hoping EVIL, a show about a Catholic Assessor and a non-believing profiler joining forces to fight psychopaths, is one of the King’s good shows.

   Among the cable networks owned by CBS are SHOWTIME and POP TV. POP TV is best known for SCHITT’S CREEK. The Canadian sitcom and cult TV favorite has been renewed for its sixth season. Also on the network are FLORIDA GIRLS (comedy about four girls in a Florida small town) and FLACK (comedy about public relations).

   CW has its own measurement for success rather than Nielsen’s live ratings. They are not alone. Because there is no accepted metric for digital viewing, every network and many of the media buyers (advertisers) have their own set of numbers beyond Nielsen’s. When the totals are as small as TV has gotten, how many mean less than who, what, where and devotion to content/product.

   CW was a merger of UPN (Paramount) and WB (Warner Brothers). CBS and Warner co-own CW and supply nearly all its programs. Perhaps my biggest question about CW this fall is are they going to weird out Nancy Drew like they did to Archie in RIVERDALE? The trailer is inconclusive.

   Today’s FOX is a pale version of itself when it was the number one rated TV network. Disney swallowed up most of FOX, leaving just the broadcast TV network, Fox News cable networks, and Fox sports. Fox is saving most of its original scripted series for the midseason. Meanwhile, it is mainly games shows this summer and sports this fall. Perhaps its most successful original scripted series this fall will be WWE pro wrestling. For drama fans this fall offers PRODIGAL SON (serial killer Dad wants son to join the family business), and 9-1-1 has Jennifer Love Hewitt joining the cast.

   The technology of today is able to create extremely detailed analytics and it has changed television as much as sabermetrics has changed baseball.

   Hollywood REPORTER (May 20, 2019) discussed commercial television with some media buyers, “Buyers also expressed a collective eye roll at the emphasis on total viewers…But even the so called sweet-spot of viewers 18-49 has become an antiquated benchmark.”

   So NBC winning the 18-49 means little and all the media coverage of Nielsen’s live ratings mean even less.

   Bob Greenblat who had taken NBC from a laughing stock to respected network left NBC to run part of the WarnerMedia streaming service.

   Today NBC has the best fiction among the broadcast networks. An NBC show is more interested in the heart, more interested in examining the characters than who done it.

   Supernatural cop series THE INBETWEEN currently airing is a good example. Every character has a sob story for depth. I have seen two episodes and what is the “inbetween” is still a mystery. Not that it matters, as long as you accept the concept the drama is watching the other side help Cassie stop the villain and save the victim. If you like supernatural mysteries try it out.

   AMC NETWORKS is made up of cable networks: AMC (WALKING DEAD), IFC (PORTLANDIA), WE (BRAXTON FAMILY VALUES), and Sundance (RECTIFY). AMC NETWORK co-owns BBC America (DOCTOR WHO) with BBC studios.

   It has been a busy year for AMC. Final seasons aired of martial arts action series INTO THE BADLANDS, historical drama THE SON, and (starting in August) supernatural PREACHER. Also airing in 2019 are FEAR OF THE WALKING DEAD, NOS4A2, and THE TERROR.

   BBC America and AMC both air KILLING EVE. The critically acclaimed thriller has just ended season 2 and has been renewed for a third season, coming most likely in 2020.

   BBC America is best known for DOCTOR WHO. My favorite Doctors remain Tom Baker and Matt Smith, but Jodie Whittaker as Momma Who is terrific, it was the writing and the supporting cast that made last season unwatchable for me.

   Fans of ORPHAN BLACK will be happy to learn the series is coming back in a 10 part audio series, starring Tatiana Maslany. There is a possible new TV series in development.

   Sundance Channel has a new eight-part adaption of the book NAME OF THE ROSE.

   A&E is a group owned in part by Disney and Hearst. It has A+E, History, and Lifetime. A+E is into reality programming. Lifetime is best known for its original scripted movies for women. In the past Lifetime has tried original scripted TV series such as VERONICA CLARE, ANGELA’S EYES and MARY KILLS PEOPLE, but today its schedule features reality shows such as DANCE MOMS. History Channel has a mix of reality programming (AX MEN and FORGED IN FIRE), and historical dramas (PROJECT BLUE BOOK and THE VIKINGS). THE VIKINGS are due to air its sixth and final season during the 2019-20 season. There are plans for a spin-off but not enough details to expect it soon.

   Among the better parts of FOX that Disney devoured is Fox entertainment cable networks FX and FXX. Both feature critically approved programs with unlikable characters and a premise that scream edginess.

   FX is beloved by TV critics everywhere. Some of the series to air this year are BASKETS (life of an clown), FOSSE/VERDON (Bob Fosse and Gwen Verdon’s relationship), LEGION (superheroes), POSE (life in gay culture in New York during the 80s), SNOWFALL (drug dealer), and WHAT WE DO IN THE SHADOWS (vampire comedy).

   FXX is a comedy offshoot of FX and a place of endless THE SIMPSON reruns. ARCHER began as an animated spoof on spies and over time has turned its attention to genres such as action, PI noir, adventure, and this year space opera. This is ARCHER tenth season and may be its last.

   Disney still has its multiple cable networks for kids and families. It also owns Freeform that has found an audience for gossipy mysteries (PRETTY LITTLE LIARS) and supernatural series. I can hardly wait to see just how fun bad is MOTHERLOAD: FORT SALEM – a series about gorgeous young witches who serve in the American army.

   Now that AT&T has bought Time Warner and dubbed it WarnerMedia there will be changes. At this time, Warner’s focus is less on cable and more on its future streaming service. HBO has been told to produce more series, quality be damn.

   There may be changes in the formats of TNT and TBS. TNT currently is for drama and TBS is for comedy. TNT has dramas such as CLAWS, and ANIMAL KINGDOM. TBS has comedy such as AMERICAN DAD, FULL FRONTAL and SEARCH PARTY.

   CHASING THE CURE is a live series to simulcast on both TNT and TBS. The series features a real person with a mystery disease and the audience from all over the world offers up possible cures.

   Will Warnermedia bring changes to cable’s best channel TCM, one of the few places left to enjoy film’s classics? Cartoon fans wonder what the future has in store for Cartoon Network (modern cartoons), Boomerang (cartoons featuring new versions of older characters such as Bugs and Scooby Doo), and popular Adult Swim (for adult fans of cartoons). This August Adult Swim favorite and one of the greatest TV cartoons ever made, the VENTURE BROTHERS return for a seventh season.

   Comcast owns NBC Universal studio and a variety of cable networks including E (Kardashians), SYFY, USA, and Bravo.

   Bravo is more a reality and lifestyle network, which is why DIRTY JOHN will air its second season on USA in 2020. DIRTY JOHN is based on a true crime podcast.

   One of the most popular cable networks, USA will say good-bye to MR ROBOT as I await BRIARPATCH, a series based on Ross Thomas book (I expect it in 2020). This summer SUITS ends and spin-off series PEARSON begins.

   SYFY has had problems only cable networks can have. THE EXPANSE is one of the TV’s greatest science fiction series, but it cost too much so SYFY cancelled it. Fortunately Amazon Prime saved it and will be showing the fourth season soon.

   WYNONNA EARP may have a small audience but it is a passionate audience advertisers love. It has been renewed for a fourth and fifth season. However IDW that produces the series ran out of money and had to stop production. EARP fans refused to let it die, even at one point buying ad space on the giant billboard in Times Square begging fans to help save the show. SYFY (and Canadian channel Space) still want the series.

   THE MAGICIANS (based on Lew Grossman’s trilogy) just finished its season 4 and has been renewed. Airing this summer will be the last season of KILLJOYS and the second of KRYPTON (Superman’s home planet).

   SYFY has an affection for bizarre creepy series that generally don’t last long. Some examples have been DEADLY CLASS, high school for assassins, and BLOOD DRIVE, a Death Race 2000 like car race but this time the cars run on blood. This year saw the second season and maybe the last of HAPPY. Christopher Meloni stars as Nick, an ex-cop with endless number of vices including the fondness of killing people, and his imaginary friend Happy. Ann-Margret joined the cast this year and…well…

   Viacom has long enjoyed collecting a variety of cable networks. A recent reorganization has made the cable networks more team players than independent networks.

   BET will continue to specialize in programs for the black audience such as AMERICAN SOUL and IN CONTEMPT. Comedy Central focus is on comedy, from live shows (DAILY SHOW) to scripted comedy (THE OTHER TWO). MTV will likely drop any future attempts at scripted TV (anyone remember scripted thriller EYE CANDY, based on R.L. Stine book) and do docu-reality shows with young adults (THE HILLS…NEW BEGINNING). Nickelodean should continue its mix of cartoons (SPONGEBOB SQUAREPANTS) and live action (HENRY DANGER) for kids.

   Spike network has been renamed Paramount network and is Viacom’s flagship. Its scripted original YELLOWSTONE has been renewed for a third season. Kevin Costner stars in the epic family drama and DALLAS wanna-be.

   HALLMARK MYSTERY MOVIES has its fans. If you like overly formulaic romantic mysteries this is for you. There are a seemingly endless number of different but interchangeable series. Current lineup include GOURMET DETECTIVE MYSTERY, MYSTERY 101, PICTURE PERFECT MYSTERIES, HAILEY DEAN MYSTERIES, and CROSSWORD MYSTERY.

   August will be AURORA TEAGARDEN MYSTERY month. Based on the books written by Charlaine Harris, Aurora (Candace Cameron-Bure) is a librarian who runs the Real Mystery Club. Of interest to old TV fans, Marilu Henner (TAXI) co-stars.

   Another way to watch TV is Digital TV. All it requires is a digital antenna and a TV or some are also available on cable. Among the best known of digital stations are ME-TV, ESCAPE, COZI, GRIT and ANTENNA -TV. These stations remind me of the old TV Independent stations such as the great KDOC -Los Angeles that aired little beyond old TV series reruns.

   When TV has more demand than supply, syndication has always stepped in, from the early wild uncharted days of the 1950s TV to the early days of today’s cable. Today we find original scripted series everywhere we find cable channels.

   WGN AMERICA returns to once cancelled, now revived Canadian original PURE, based on the true story of the Mennonite mob. ION carries mainly your standard syndicated reruns but also offers new original scripted series from Canada, PRIVATE EYES:

   There are small independently owned cable networks that serve a small audience and are not available on streaming. My favorite is El Rey, created by filmmaker Robert Rodriguez (EL MARIACHI) for Latino males, young filmmakers, and fans of dubbed martial arts films. It reruns hard to find series such as STARHUNTER REDUX and RELIC HUNTER. It offers exposure to aspiring filmmakers. Among its original programs are MAN AT ARMS: ART OF WAR (Danny Trejo examines weapons), comedy CRUNCH TIME, a talk show, various animation series, and LUCHA UNDERGROUND.

   The goal of this two part look at TV in 2019 was to help you in this world of nearly 500 original scripted TV series each season, to actually find some of those series, and maybe even find some you like.

TV IN 2019: PART ONE – STREAMING SERVICES
by Michael Shonk


   The entertainment called television has escaped the boundaries of the TV set and now can be found almost anywhere. So where are all those shows hiding?

   During the last few years the total of original scripted TV series has approached nearly five hundred every year. With the upcoming explosion of new major media players joining the streaming wars the number of scripted original shows should increase like bunny rabbits.

   The business of television is in chaos as even the major broadcast networks are now minor players left playing a role for their business masters or they are struggling to find a way to stay relevant. But more about that in Part Two, in which broadcast networks and cable will be covered.

   Many of you have probably sampled or subscribed to at least one streaming service. The main ones have been NETFLIX, Amazon Prime and Hulu. Soon some of the world’s largest media conglomerates – Disney, AT&T (WarnerMedia), Comcast, and Apple will debut their streaming services, all with their own original programs.

   CBS has fought off media conglomerate Viacom and started its own streaming service with original programs. However due to the fall of CBS mogul Les Moonves, and Viacom slow but steady recovery, few would be surprised if Viacom and CBS rejoin together. Viacom recently bought streaming service Pluto to use to streaming all of its cable networks once it’s ready.

   Many other networks – broadcast and cable – have an online site where you can catch up on their programs you might have missed.

   A streaming service – usually for a fee – allows you to watch TV shows and movies on your computer or other devices via the Internet. There are smart TVs such as Roku, over the top box such as Apple TV and devices such as Amazon’s Fire stick that connects your TV to the streaming world.

   Netflix remains one of the most successful and powerful studios in the World. As it continues to develop original programming faster than any viewer could possible watch, Netflix has also created a film studio and plans to become a major player in movies as well as television.

   One update from the clip, BLACK MIRROR is playing on Netflix now. I would add to the list of shows worth checking out – THE UMBRELLA ACADEMY, SANTA CLARITA DIET, and DARK CRYSTAL: AGE OF RESISTANCE (coming in August).

   Netflix has also rescued two network series from recent cancellation – LUCIFER (FOX) and DESIGNATED SURVIVIOR (ABC). It has been announced LUCIFER has been renewed for another season after its current – it will be the fifth and last.

   DISNEY is now the top media giant in the business. It owns the rights to Mickey Mouse, Marvel, The Simpsons and Star Wars. It currently runs two streaming services –ESPN+ and Hulu.

   Hulu has been around for some time and was owned by Disney, Fox, Comcast and WB. Disney now has full control over Hulu and plans to continue its focus on TV series, especially network and cable TV series. Hulu is not best known for its originals but THE HANDMAID’S TALE, CHANCE and CATCH 22 are worth checking out.

   Disney+ will be the company’s third streaming service and the one that will get most of the attention. This is the one Netflix needs to fear. It will be available this year and one of its first original series will be STAR WARS MANDALORIAN

   This year will also see AT&T join in the TV streaming fun. Its recent purchase of Time Warner gave the phone company a strong presence in the cable world. Reportedly the new service will be called WarnerMedia. They are still working on what kind of service will they offer. Will it be one service uniting HBO, Cinemax and all of WarnerMedia to cost $16-$17 a month or will it be a three tier – basic, HBO and premium? WarnerMedia has announced its first original program. TOYKO VICE will star Ansel Elgort and is based on the non-fiction book by Jake Adelstein.

   Warners have not had much success in the streaming business. Warner Archive with its over priced small library of old movies and TV series was a failure. DC UNIVERSE has had two minor success with DOOM PATROL and TITANS, but the service just cancelled SWAMP THING after one episode. Boomerang is an offshoot of the cable Cartoon Network spin-off network Boomerang. It focuses on post 50s to today era of classic cartoons such as Bugs Bunny, Yogi Bear, Scooby Doo, and 90s favorite KIDS NEXT DOOR.

   Premium channels have their own streaming service that can also be found at Apple TV and Amazon Prime (for the price of subscription). These channels also offer apps that allow you to subscribe to the streaming service and watch it without needing cable.

   WarnerMedia has the most successful of the pay networks HBO. There is a question about what HBO will replace the epic hit GAMES OF THRONES with. At the moment only one series, THE LONG NIGHT will come from the world of GAMES. However THE LONG NIGHT will take place in Westero a thousand years before the GAMES timeline. Of course HBO does have some other shows to watch.

   Cinemax has grown up from its days as a soft porn cable network. Today it does some wonderful action series such as C.B. STRIKE, RELLIK, WARRIOR and JETT.

   CBS owns premium channel SHOWTIME and streaming CBS ALL ACCESS.

   SHOWTIME has always stood in the pay TV shadow of HBO and now it has even more competition. Perhaps its highlight of 2019 will be CITY ON A HILL.

   CBS ALL ACCESS is best known for the CBS classic TV series and originals STAR TREK DISCOVERY, THE TWILIGHT ZONE (with host Jordan Peele) and THE GOOD FIGHT (sequel to THE GOOD WIFE). Currently in season three, the critic favorite GOOD FIGHT will air season one this summer on CBS.

   STARZ has increased its original programming over the last few years featuring high production values in such series as BLACK SAILS, WHITE PRINCESS and my favorite COUNTERPART (that ended recently after two seasons),

   I recently reduced my cable to just basic and had to live without my favorite network EPIX. I discovered EPIX app and for $5.99 I am again watching series such as BERLIN STATION, GET SHORTY, DEEP STATE, and PERPETUAL GRACE LTD on my Roku TV and without cable.

   COMCAST owns NBC Universal and all the cable stations that go with it. It has plans for a free ad supported streaming service this year but has fallen behind its fellow growing media giants.

   Apple TV is a box that connects your TV to streaming services. Apple TV+ debuts sometime this year as a streaming service specializing in Apple’s original programs

   Did you notice AMAZING STORIES is coming back with new stories and produced by Stephen Spielberg? Below is a promo for FOR ALL MANKIND, a TV series set in an alternative history where the Russians were first to the Moon.

   Of course I have not forgotten Amazon Prime. Prime exists to promote free shipping at a retail online store. There are many services offered to Prime members and the video streaming is just one of them and because of that it can get lost and forgotten.

   Prime, like Netflix and Hulu, has save broadcast and cable TV from cancellation. After three seasons of THE EXPANSE SyFy could no longer afford to make the series. Fortunately, Prime will air the original fourth season of TV’s best science fiction series THE EXPANSE. I recommend you watch the first three seasons now on Prime.

   There are a nice variety of original programs hiding on Prime worth watching such as BOSCH, PATROIT, GOLIATH, FLEABAG, SNEAKY PETE, and MAN IN THE HIGH CASTLE.

   There seems to be a streaming service for every taste, genre and need. A good place to find the small service for you is to search through Amazon Prime Channels.

   Fans of British TV should start at BRITBOX, a streaming service from the BBC and ITV. Most of the best of British TV can be found there including every classic DOCTOR WHO episode in existence. My one complaint is there is not enough 60s series, especially not enough from ITV.

   Acorn is a service that airs series from Britain, but also Australia and New Zealand. New Zealand’s BROKENWOOD MYSTERIES remains high on my favorites list. Currently Acorn has five seasons and a six is on its way.

   Small streaming services such as Acorn can offer you first glimpse of quality TV before mainstream television finds it. In Acorn’s case it was the first to show MISS FISHER’S MURDER MYSTERIES in America. Since MISS FISHER ended with season 3, Acorn has the Australian sequel called MS FISHER’S MODERN MYSTERIES – Miss Fisher’s niece joins the Adventuress Club to solve mysteries in the groovy 1960s.

   If you don’t mind subtitles there is the online only streaming service MHz Choice that has some of Europe’s best TV series. There is the French version of Maigret, the Italian version of Nero Wolfe, Detective Montalbano, Irene Huss, Donna Leon’s Bronetti Mysteries, Baantjer Mysteries, and so many more.

   Anime can be found at each of the major streaming services. Netflix tends to focus on original anime. Hulu and Amazon Prime have older shows. Free service Crackle offers some great dubbed choices including TRIGUN and DEATH PARADE.

   There are also streaming services just for the animated genre such as Crunchyroll or Funimation. I have been watching a lot of anime this year and appreciate the genre’s ability to world build completely different times, places and its own realities. My favorites include ACCA: 13-TERRITORY INSPECTION DEPARTMENT, BUNGO STRAY DOGS, 18IF, BLACK LAGOON and STEINS;GATE.

   PBS MASTERPIECE has added FRANKIE DRAKE MYSTERIES. Now here is a series that illustrates how hard it is to find some of these shows. FRANKIE began at CBC (Canada) and done by the people behind MURDOCH MYSTERIES. Frankie and her fellow female PI have adventures and solve mysteries in the 1920s. It has been on Ovation under the title THE ARTFUL DETECTIVE and also on Alibi, but now on PBS streaming it finally gets a chance at a decent size audience.

   SHOUT FACTORY is more into cult TV and movies.

   There are many free streaming services most with ads. Here is a list suggesting some free sites you might sample.

   Sony’s CRACKLE is by far the best of the free streaming services with better than average network TV series, movies and anime. It also has a growing selection of original TV series include ART OF MORE, THE OATH, and START-UP.

   There are hundreds of streaming channels available from DOGTV a channel for your dogs to watch while you are away to POKERGO that offers live access to over 100 poker tournaments a year.

   More and more live TV is available through streaming. MLB.com offers you the ability to watch every major league baseball game played (subject to local blackouts) as does NHL and hockey. Amazon Prime, Hulu, Yahoo, YouTube, Playstation Vue and others let you watch live events and sports on your devices beyond your TV screen.

   Streaming offers the TV Viewer several advantages over broadcast and cable television. You can watch TV from around the world not just the US and a few imports. No longer is the TV viewer chained to the TV set, instead TV is available to watch wherever the viewer is. Streaming has no time periods or schedules, the days of scheduling your life around your favorite TV show are over, now your favorites wait for you.

   In my next post I will examine the broadcast and cable networks, their future, their search for an identity that will set them apart from the crowd and survive the current chaos that is the business of television.

While spending a few minutes of idle time I found I had today, I came across this video on YouTube. I don’t know who put it together — he or she is identified only as RwDt09 — but I found it fascinating. How many of these do you remember?

REVIEWED BY MICHAEL SHONK:


THE PREVENTERS. ITV, UK, 16 December 1996. One-off, 30 minutes. Absolutely Productions / Carlton Television. Cast: Morwenna Banks as Penelope Gold, Robert Harley as Craig Sturdy, Chris England as Mike Stallion, William Gaunt as The Controller, Ed Devereaux as Roger Stavro Mordik, and Simon William as Lord Timothy Belvoir St. Nash. Written by Morwenna Banks, Chris England and Robert Harley. Directed by Liddy Oldroyd. Executive Producer: Miles Bullough; Line Producer: Terry Bamber.

   THE PREVENTERS is a near perfect satire of my favorite form of television fiction – the “troubleshooters” of ITV (era: 1960-70s). In reaction to the stuffy BBC and a desire to break into the American market, ITV produced a variety of troubleshooter/spy series from the serious DANGER MAN to the surreal DEPARTMENT S to the adventure series of puppet master Gerry Anderson (THUNDERBIRDS). The lighter part of the ITV brand became very popular to the British audience and cult favorites over in America.

   Filmed in 1996, THE PREVENTERS could almost be considered a lovely tribute to the style of television that gave us THE AVENGERS, THE BARON, THE CHAMPIONS, THE CORRIDOR PEOPLE, THE PRISONER, THE PRESUADERS, THE PROTECTORS, THE SAINT, THE SENTIMENTAL AGENT, THE ZOO GANG and the many others that title did not begin with THE.


THE PREVENTERS “Hippy Daze”

   The villainous group The Consortium’s latest plan to take over the World is to use television to brainwash everyone to believe it is the 1960s again and turn hippies into assassins. Good guy organization The Movement calls for The Preventers. Only they – three ordinary citizens now trained top agents – can prevent the evil plan from succeeding.

   We open in typical ITV style – a car driving through the British countryside via horrible rear projection shots. The driver, the head of British Television believes he is alone but he shares his last ride with his killer. According to IMDb, the footage here is lifted from ITV’s RANDALL AND HOPKIRK (DECEASED) episode “Its Supposed to Be Thicker Than Water” (February 20,1970).

   The opening theme begins as we have our heroes stylishly posing in THE AVENGERS (and other series) style. The Preventers are introduced, banter and backstory is exchanged.

   After a clue and the first attempt to kill them, The Preventers decide to split up. Craig and Penelope rush off to Paris and then Monte Carlo via rear projected stock footage and interior studio action. Mike, “The Third One” (a joke anyone familiar with THE CHAMPIONS would appreciate) gets stuck with the dirty disgusting hippies and their Woodstock-like rock concert. Mike’s establishment attitude towards the hippie style and his taste in fashion reveals him to be a “square” and he barely escapes.

   At Monte Carlo, Mike joins Craig and Penelope as they search for the mastermind behind it all. Penelope meets Lord Tim whose last name Belvoir St. Nash – according to Lord Tim – is pronounced Beaver Snatch. The Consortium’s representative is there, an Australian media mogul who is dressed for the Outback and carries a small wallaby with him.

   What follows is typical ITV low budgeted action. Penelope seduces Lord Tim and goes with him to his country home. Craig and Mike rush to rescue her. The three are captured and Lord Tim attempts to brainwash Craig. The plot is defeated but the mansion is about to self-destruct. Our heroes get out in time and join The Controller to celebrate with toasts of champagne. But there is a final twist and we end with a cliffhanger.


   This episode succeeds on all levels. Not just the writing, acting, and direction, but from every phase of TV production. Beginning with the cheap grainy look of the film done by cinematographer John Walker, no element of the ITV style goes untouched. Constant stream of gags and shout-outs flow non-stop through the thirty minutes. ITV fans will enjoy the opening titles, the set designs (Chrysoula Sofitsi), costumes (Debbie Scott), and music (Peter Baikie).

   THE PREVENTERS’ writers played the three heroes with the same insight to the ITV style of protagonist that the entire production showed. It was also fun to see William Gault as The Controller. Gault was in THE CHAMPIONS and his character was represented here as Mike Stallion “The Third One.”

   The episode ends with a cliffhanger and a graphic telling us the story is “to be continued.” But it never was. Perhaps it was not supposed to continue. It certainly would have been difficult to continue to satirize a form of fiction that was virtually a spoof itself as ITV pushed against the old conservative but socially conscious BBC that had programs such as THE WEDNESDAY PLAY.

   It didn’t help that when THE PREVENTERS aired in 1996 the role of the spy had changed. With the British government spy scandals of the 70s and the end of the Cold War in the 80s by the 90s the TV spy had been reduced to sitcoms such as THE PIGLET FILES.

   I miss the style of the 60s ITV light dramas. Writers such as Brian Clemens (THE AVENGERS) and Dennis Spooner (THE CHAMPIONS) had the talent to create light drama with surreal plots and weird characters while maintaining believability with the audience. The style fit in with the real world of 60s sex, drugs, and rock and roll. The ITV troubleshooters may not have always approved of the changing world in fashion, music, and young people’s behavior, but many of those ITV shows existed best in such a world.

   For those who are not familiar with the ITV style here is a sample, the final episode of THE CHAMPIONS. (The occasional movement of the picture is a problem caused by downloading it on YouTube.)

“Autokill”. April 30, 1969. Written by Brian Clemens – Directed by Roy Ward Baker. Cast: Stuart Damon as Craig Stirling, Alexandra Basted as Sharron Macready. William Gaunt as Richard Barrett and Anthony Nicholls as Col. W.L. Tremayne. Guest Cast: Eric Pohlmann and Paul Eddington. *** Someone has found a way to brainwash Nemesis agents to become assassins. The latest to be brainwashed is Colonel Tremayne, the man who commands The Champions.


   THE CHAMPIONS is not one of my favorites ITV series, but it does have the ITV style. The plots range from strange to stupid. Why brainwash the boss Tremayne to kill the doctor? The bad guys had nothing more evilly productive to do to Tremayne?

   The characters are likable, simple but believable. The writing and direction adds the proper amount of humor and pace to entertain and prevent the audience from actually thinking about what was happening and why.

   The ITV light drama of the 60s and 70s worked because the audience was in on it. This was not some brilliant serious filmmaker such as Dennis Potter (STAND UP, NIGEL BARTON) or Ken Loach (CATHY COME HOME) examining the troubles of modern society, ITV shows were fun. THE PREVENTERS got that right too.

REVIEWED BY MICHAEL SHONK:


GAVILAN. NBC/Mandy Films Inc in association with MGM Television. October 26 1982 – December 28, 1982, and March 18, 1983. Cast: Robert Urich as Robert Gavilan, Patrick Macnee as Milo Bentley and Kate Reid as Marion Jaworski. Created by Tom Mankiewicz – Executive Producer:Leonard Goldberg.

   Only ten of the thirteen episodes of GAVILAN aired. The series was a ratings failure from the beginning, finishing last in its Tuesday night timeslot against the CBS Tuesday Movie and ABC’s hits THREE’S COMPANY and 9 TO 5. NBC aired one episode on Friday opposite ABC’s TALES OF THE GOLD MONKEY and CBS’s DALLAS where it finished last in that timeslot.

   YouTube has two episodes available for view. Watch the linked episodes below quick, while I was writing this a third episode “By the Sword” was pulled off YouTube. These episodes are from the syndicated (edited for time) version aired on TNT.

   The series featured Robert Urich as Gavilan, an ex-spy now consultant for the Dewitt Institute of Oceanography. Stories usually featured Gavilan working with a gorgeous brilliant woman who was working with the Institute on some project or a beautiful female spy pulling him back into life working for “the Company.”

   The series had its good moments, but it also had many of the flaws of 1980’s television. The plots were better than average but had to really stretch to connect to the Institute. In “By the Sword” the brilliant beautiful woman was a scientist working on a project to study the krill as a food source, but the plot was about an ancient samurai sword she stole from the Yakuza to regain her family honor.

   The stories were entertaining but mindless, predictable and too willing to sacrifice story and character for a joke or twist. In “By the Sword” the female scientist is trained in the martial art and had done something her entire family had not done in over a hundred years, got her family’s ancient honored Japanese sword back from the Yakuza. So in the final confrontation for the sword it is Gavilan – as she watched – who sword fights to the death for the sword and her family honor. Of course Gavilan out duels the unbeatable Master Samurai.

   The series has the sexist outlook that was mainstream thinking in the 80s. Much like Indiana Jones, Gavilan taught a college-level class, and like Indiana many of Gavilan’s students were gorgeous young women with a crush on him.

   There were equal amounts of eye candy – female, male and location. The brilliant independent female beauties would wear string bikinis and revealing gowns while Urich had skintight swim trunks and showed off his bare chest.

   GAVILAN stories didn’t lock him into the overused beachfront scenery of his home in Malibu but would travel the world to exotic locales. Yet while Gavilan might have traveled the world, the filming never convinced us he left Los Angeles or the MGM lot.

   Robert Urich is best known as Dan Tanna (VEGA$) or Spenser (SPENSER FOR HIRE), but he could hold the record as star for the most TV series failures. This fifteen-minute video strings together the theme opening to each of his twelve starring TV series.

   As usual Urich played the bland likable predictable hero, a character without much depth and a few quirks that came and went depending on the episode. In episode “By the Sword” machines hated him. Gavilan would argue, beg, and plead with machines such as his computer and jeep, and they would respond by breaking down when he needed them most (the computer he programmed called him a dummy) and returned to working when the problem passed. Gavilan’s conflict with machines was not mention in either of the other two episodes I have seen.


PIRATES. (11/9/82) Teleplay by Mark Frost.Story by Nicholas Corea.Directed by Clifford Bole. Supervising Produced by David Levinson. Produced by John Cutts. GUEST CAST: Michael Billington, Heather Menzies and Paul Koslo. *** A young naïve beautiful scientist hires the Institute to help her find the long lost treasure of the ship King Midas. A ruthless pirate and his crew learn of their mission and take over.

   Ah, 1980s action TV. The beautiful female scientist (played by Urich’s wife Heather Menzies) has spent years researching the history of the ship King Midas and its treasure of gold. She has a new theory of where the gold may be and she is paying the Institute to help her in her search. Gavilan is there for the Institute and has a “hunch” the gold is elsewhere on the ship. They argue cute. They hate each other cute. Guess how they feel about each other at the end.

   One quick dive and they find the gold where Gavilan’s hunch said it would be. Soon after, the pirates arrive. The highly educated bookworm is wearing a string bikini and yells at the pirates:

   “You can’t do this to us, we’re scientists.”

   The pirate leader responds, “Oh yes we can, we’re pirates,” and he blows up the living area and all the treasure hunting equipment. It didn’t make sense but it made a great break to commercial.

   The story continues exactly as expected. Characters do as the plot demands, things blow up, and there is a chase. The chase is especially 80s.

   Gavilan only has a knife while the bad guys all have guns, but when Gavilan defeats any of them, does he grab their gun? Of course not, Gavilan is outnumbered and all he has is a knife, why would he want their guns?


DESTINATION HERO. (12/14/82) Written and Supervising Produced by Nicholas Corea – Directed by Charles Picerni -Produced by Stephen P. Caldwell – CAST: Michael Ansara, Laura Johnson, and Paul Picerni*** A gorgeous female spy from his past convinces Gavilan to get back in the spy business when his best friend from the spy days – the one who had saved Gavilan’s life – is about to be executed in a Turkish prison.

   The corrupt government official, who belonged in an episode of MISSION IMPOSSIBLE, was wasted here as the majority of time featured Gavilan outsmarting the bad guy’s idiot lackeys.

   The beautiful sexy female spy, who Gavilan does not like, wears sexy clothes and can’t make up her mind if she is a femme fatale or on the side of good.

   The script was weak. Just by chance Gavilan bumps into some lovable Greek terrorists and makes the comic relief characters an important part of the plan.

   There was a great twist near the end of the episode that was wasted. It should have ended the third act, with the final act dealing with the fallout and reasons for the twist.

   The direction was also flawed with several reaction shots that made no sense in the situation or with the character.


   Former James Bond writer Tom Mankiewicz (LIVE AND LET DIE) created the series. He and executive producer Leonard Goldberg had recently had success with HART TO HART.

   Reportedly Fernando Lamas was to play the part Patrick Macnee would take over after Lamas death. Milo was a family friend, conman and visitor that would never leave. Milo like any sidekick tried to help but usually got in the way. Macnee played Milo as a well-meaning loyal friend who was also a bumbling conman loser.

   Kate Reid was burdened with the part of Gavilan’s boss. There wasn’t much for her to do beyond remind the audience Gavilan was brilliant, was not a PI, and had a real job when he wasn’t dropping everything to go off on some adventure.

   GAVILAN never stood a chance opposite ABC hit series THREE’S COMPANY on Tuesday or CBS hit series DALLAS on Friday. There was nothing special or original about the series. There are moments that make you think of Magnum P.I. and every other TV action hero of the late 20thcentury, but that was not necessarily a bad thing for GAVILAN. There is a nostalgic charm to GAVILAN. It was supposed to be mindless fun, and for that it succeed more than it failed, but GAVILAN also lacked the substance and originality for it to be missed.

COMING SOON – THE TV EDITION
by Michael Shonk


   Most TV junkies claim Fall premiere week as their favorite time of the year, but mine has always been the May upfronts. Upfronts are parties the networks throw for major advertisers, ad agencies and the media in attempt to get them drunk enough to believe next Fall’s TV series will be the best ever and hope they forget the lies the networks told about the quality of last season’s shows.

   In the past, May was the most dramatic month for the TV fanatic. TV viewers embraced hope of the new, relief when their favorites survived, and the devastation when they didn’t. But it is just not the same anymore.

   The broadcast networks (ABC, CBS, FOX, NBC, and CW) have joined cable networks in the effort to supply original programming all year round. New television series never stop coming. The Big Four and-a-Half networks just announced their fall lineup with huge fan fare ignoring that September is no longer the best month of TV.

   Pushing the limits of space here, let’s check out the highlights of what is coming this week, this Summer, this Fall, and in 2017.

   Just because the main season is over, it doesn’t mean the broadcast networks abandon original programming. WAYWARD PINES is back on FOX. CW has the final season of BEAUTY & THE BEAST. CBS has the return of ZOO and two new series starting in June that sound better than any of CBS new fall shows. AMERICAN GOTHIC tells the story of a family that has discovered one of them is a serial killer. From the creators of THE GOOD WIFE, BRAINDEAD is a comedy thriller about a young woman who discovers aliens are eating the brains of politicians and government workers. NBC has the Olympics this summer but also airs AQUARIUS.

      NBC medical drama NIGHT SHIFT returns for its third season:

   Cable networks offer original scripted programs in May and June including AMC’s new crime drama set in a restaurant, FEED THE BEAST, and the last season of HELL ON WHEELS, HBO’s GAME OF THRONES, TNT’s LAST SHIP, MAJOR CRIMES, MURDER IN THE FIRST, and RIZZOLI & ISLES (final season), TBS’s ANGIE TRIBECA, Cinemax’s OUTCAST, Netflix’s ORANGE IS THE NEW BLACK, ADULT SWIM’s DECKER: UNCLASSIFIED, and SYFY’s 12 MONKEYS.

   The heck with Marvel and DC, give me an IDW comic book like the fun horror/western WYNONNA EARP.

   Cable original scripted programs continue through the summer with returning series such as SYFY’s KILLJOYS and DARK MATTER, FX’s TYRANT and THE STRAIN, STARZ’s POWER, USA’s SUITS and last year’s hit MR. ROBOT.

   New series include Netflix’s STRANGER THINGS set in the 1980s, a supernatural series centered on a missing boy, SYFY’s post-apocalyptic drama AFTERMATH, and TNT’s GOOD BEHAVIOR based on the Letty Dobesh books by Blake Crouch.

      Based on Stephen Hunter’s book POINT OF IMPACT, USA network new series SHOOTER premieres in July.

   This fall live television, especially sports such as the NFL and World Series, will distract the viewing public. Cable lead by one of the most watched TV series in all television, AMC’s WALKING DEAD will hold its own. TNT reboots TALES FROM THE CRYPT, this time from M. Night Shyamalan.

         Netflix starts another series featuring a Marvel comic character – LUKE CAGE.

   Midseason 2017 promises to offer some entertaining new series on cable networks. USA’s FALLING WATER is a supernatural thriller about three strangers who find they can share dreams. SYFY’s horror anthology CHANNEL ZERO,

      Syfy’s THE EXPANSE, the best TV series I watched in 2015-16, will return for its second season in January 2017.

   Top network CBS will add three new dramas this Fall. BULL starring NCIS Michael Weatherly as Dr Phil back when he was a consultant specializing in manipulating… uh, I mean analyzing juries. Medicine meets technology in the new drama PURE GENUIS.

      The pilot of MACGYVER had many behind the scenes problems. Let’s hope Macgyver can find the right knick knack to save the show.

   Two new CBS series wait for their turn and midseason. DOUBT a lawyer show starring Katherine Heigl, and TRAINING DAY, based on the film. But more important are two series that CBS hopes to premiere in 2017 on CBS ALL ACCESS, its streaming service. First original new series will be the sequel to THE GOOD WIFE. The second is perhaps TV most famous franchise in history. It began on NBC, cancelled and resurfaces as a successful film series. It was used to establish Paramount in the syndicated market. It began UPN (now CW) and tried to save the network before the merger with WB. As Paramount continues to pump out theatrical films, CBS will use STAR TREK to jumpstart its streaming service.

         Without a title or any idea what it is about, the new STAR TREK series is the most anticiated television series of next season.

   Among the CBS series returning in the fall are BLUE BLOODS, CODE BLACK, CRIMINAL MINDS, ELEMENTARY, HAWAII FIVE-O, MADAM SECRETARY, NCIS, NCIS: LOS ANGELES, NCIS: NEW ORLEANS, and SCORPION. While CRIMINAL MINDS – BEYOND BORDERS will be back in 2017.

   SUPERGIRL reminded CBS what its TV audience likes, so the new shows look like the old shows and SUPERGIRL flew off to CBS little sister CW. The comic book superhero will feel comfortable with the rest of DC comic superheroes, ARROW, LEGENDS OF TOMORROW, and CW’s top show FLASH. CW continues to specialize in comic books, horror and the weird.

      New this fall to the mini-me of broadcast networks is FREQUENCY based on the film.

   Returning during midseason will be THE 100, iZOMBIE, THE ORIGINALS, SUPERNATURAL, and THE VAMPIRE DIARIES.

   Midseason, CW will add FOX reject RIVERDALE, based on the characters from Archie comics focused on a murder mystery. But this is not Scooby Doo or your old Archie (even the comic books are not your old Archie), this Archie deals with “adult issues” such as him sleeping with his teacher.

   While CBS remains the top network, NBC is close behind. Its two biggest hits are SUNDAY NIGHT FOOTBALL and THE VOICE, each hogging up much of NBC’s fall schedule. This fall NBC adds five games of Thursday night football (CBS shows the first five, NBC has the last five). Without any major holes in its fall schedule, NBC saved its most promising new series for midseason, adding only three to the fall lineup.

      NBC’s only new drama this fall is TIMELESS, the most promising series of the many this season featuring time travel.

   Some of the series returning this fall are BLACKLIST, BLINDSPOT, CHICAGO FIRE, CHICAGO MED, CHICAGO PD, GRIMM, LAW AND ORDER SVU. SHADES OF BLUE will have to wait for SUNDAY NIGHT FOOTBALL to end.

   Other new shows waiting for their turn include comedies POWERLESS (insurance office comedy set in the world of superheroes), TRAIL & ERROR (court comedy). New dramas are BLACKLIST – REDEMPTION (spinoff), EMERALD CITY (based on Baum’s Land of Oz books), MIDNIGHT, TEXAS (based on a series of books by Charlaine Harris (TRUE BLOOD)), TAKEN (prequel to film series) and what would any NBC list be without another Dick Wolf CHICAGO series, in this case CHICAGO JUSTICE.

   There is hope at FOX. This year they have the Super Bowl guaranteeing better numbers at the end of the season. Ratings are changing, and FOX is pushing the hardest to find a way to count those of us who no longer watch TV live or on a TV set.

   TV is about to enter an era of MONEYBALL. For those not familiar with baseball or the movie or the book, sabermetrics uses an endless amount of numbers to measure performance. Networks like FOX are all ready there, someday the media will catch up.

   Speaking of baseball, FOX will have the World Series this fall as well as new series PITCH (story of first woman to play in Major League Baseball). Other new series of interest coming this fall are THE EXORIST (based on William Blatty’s novel), and LETHAL WEAPON (based on the film).

      My pick for first fall show cancelled is FOX’s SON OF ZORN, an animated barbarian tries to cope in live action modern world.

   Shows returning in fall include BROOKLYN NINE-NINE, insane GOTHAM, LUCIFER, ROSEWOOD, SCREAM QUEENS, and QUINTCO. Series returning in midseason include SLEEPY HOLLOW and the final season of BONES.

   Among the new series waiting for 2017 are APB (rich man buys a police precinct), MAKING HISTORY (time travel comedy), SHOTS FIRED (racially charged shooting involving a cop), and PRISON BREAK (sequel to 2005 TV series).

      FOX is hoping 24 – LEGACY will be as successful as the original 24.

   ABC did not have a good year. Its president of programming was sacrificed to the Nielsen Ratings Gods in prayers for better numbers in the demo.There was not enough time to change the fall offerings, but it is expected ABC will copy CBS and NBC with less soap operas and more procedurals.

   ABC’s new fall dramas of interest to us begins with DESIGNATED SURVIVOR starring Kiefer Sutherland as Tom Kirkman, Secretary of Housing and Urban Development ends up President after a terrorist attack takes out most of the leaders of the American government. CONVICTION with Hayley Atwell (AGENT CARTER) as a spoiled former first daughter who is forced under threat of jail to lead a small group investigating cases where the convicted might be innocent.

      NOTORIOUS is about the seduction between law and the media.

   Returning this fall are HOW TO GET AWAY WITH MURDER, MARVEL’S AGENTS OF S.H.I.E.L.D., and ONCE UPON A TIME. While these returning series have to wait until midseason their turn – AMERICAN CRIME, THE CATCH, SCANDAL and SECRETS & LIES.

      Among the new ABC shows waiting for midseason is TIME AFTER TIME, based on the movie and stars Freddie Stroma as H.G. Wells.

   Over one hundred TV series in the 2015-16 season were cancelled or ended. RIP.

Next Page »