A 1001 MIDNIGHTS Review
by Marcia Muller:


CLARISSA WATSON – The Fourth Stage of Gainsborough Brown. David McKay, hardcover, 1977. Reprint paperbacks: Penguin, 1978; Ballantine, 1986.

CLARISSA WATSON

   Clarissa Watson is co-owner and director of an art gallery on Long Island, and she puts her knowledge of the art world to good use in her three novels about artist and gallery assistant Persis Willum.

Her depiction of the art world — its trendiness, petty jealousies, passions, and intrigues — is sure, and fleshed out with memorable characters. While many of the eccentrics Watson portrays are representative of real types who frequent museum openings and galleries, they are never stereotypical; and Persis herself, an independent but vulnerable thirty-six-year-old widow, is a delight.

   The title character of this first novel, Gainsborough Brown, is an artist of flamboyant reputation — and definitely not a delight. Painters go through many “stages” in their work; at the time the book opens, “Gains” is in his third major stage; before he reaches his fourth, he is dead.

   After Gains drowns in the swimming pool at a birthday party that Persis’s Aunt Lydie (an art patron and another extremely appealing character) has thrown for herself, Persis decides his death was no accident. And as an employee of Long Island’s North Shore Gallery, which handled the artist’s work, she feels compelled to find out who killed him and why.

CLARISSA WATSON

   Armed with an unusual detective’s tool — a sketch pad — Persis moves in what she hopes is an unobtrusive manner through the chic art world, from Manhattan to Paris, from elegant galleries to a studio full of cruelly satiric sculpture. Unfortunately, her investigative efforts have not gone unobserved, and she comes upon the solution to her first case at considerable danger to herself.

   Watson’s writing, like her heroine, is witty and stylish, and her plot is full of surprises. The other Persis Willum novels are The Bishop in the Back Seat (Atheneum, 1980) and Runaway (Atheneum, 1985).

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   Reprinted with permission from 1001 Midnights, edited by Bill Pronzini & Marcia Muller and published by The Battered Silicon Dispatch Box, 2007.   Copyright © 1986, 2007 by the Pronzini-Muller Family Trust.

         Bibliographic update:

   There were two additional books in the series, both published after the 1986 edition of 1001 Midnights. From the Revised Crime Fiction IV, by Allen J. Hubin: Last Plane from Nice (Atheneum, 1988) and Somebody Killed the Messenger (Atheneum, 1988).