Sun 2 Mar 2014
Archived Review: JONATHON KING – A Visible Darkness.
Posted by Steve under Bibliographies, Lists & Checklists , Characters , Reviews[2] Comments
JONATHON KING – A Visible Darkness. Signet paperback reprint; 1st printing, April 2004. Hardcover edition: Dutton, 2003.
The first book in this series was The Blue Edge of Midnight, and in 2003 that was the book that won the MWA’s Edgar award for the Best First Mystery Novel (American). Unfortunately I’ve not had the pleasure of reading that earlier book, so before starting this one, the Signet reprint, all I had to rely upon were the several pages of quotes inside the front cover, from all kinds of sources. King has been compared most often, it appears, with Michael Connelly and James Lee Burke.
This is embarrassing. I’ve not read Connelly, and the one Burke I began, I stopped after a chapter or so. This is rather disgraceful on my part, and now that I am much older, I fully intend to move both authors a notch higher on the To-Be-Read pile really soon now.
But I digress. King’s leading character is Max Freeman, an ex-Philadelphia cop who had enough of the dirty Philly streets, and he now lives in seclusion in a former hunting lodge on the edges of the Everglades. There is a back story behind this, it goes without saying, and apparently not all of it was not told in the earlier volume, as it continues to be revealed in short, incisive bits and pieces in this one.
Max has two friends. One is Billy Manchester, a black attorney – one of the few success stories to emerge from the Philadelphia ghetto – who calls Max out of his private sanctuary to help him on a case of serial murders he believes he has uncovered in the established black community. The other is a very sharp police detective named Sherry Richards, with whom he is also on good terms, most of the time.
Unfortunately – from my point of view, and maybe not yours – we know who the killer is in Chapter One. It is an insurance racket, however, and who is pulling the strings is kept a secret by the author until page 160, when the case is all but solved. That there are still well over a hundred pages to go should tell you that an old-fashioned detective investigation is not one of King’s primary points of focus.
On the other hand, characterization, dialogue and a sharp eye for locale are definitely among his strong points. Whether it’s the smell of the mangroves and the flooded cypress forests of the Everglades – about which perhaps there should have been more – or the tangy, edgy sense of awareness of being in the wrong section of town, on the other side of the tracks, or doing the police beat in West Palm Beach – King’s been there, and he’s able to tell us what it’s like.
No wonder. He’s also been a long-time journalist and an award-winning news feature writer for the South Florida Sun-Sentinel. While the book may be deficient as a novel of finely-tuned detective fiction, from the level of the streets, it’s as bold as brass and almost as striking.
The Max Freeman series —
1. The Blue Edge of Midnight (2002)
2. A Visible Darkness (2003)
3. Shadow Men (2004)
4. A Killing Night (2005)
5. Acts of Nature (2007)
6. Midnight Guardians (2010)
[UPDATE] 03-02-14. Another series I’ve lost track of, but I have an excuse, of sorts. The last couple of the books have been published by a small independent press and (I believe) only in hardcover. Even though my comments at the time I wrote this review could only be called mixed, it’s good to see that the series continued on in spite of my lack of participation.
March 2nd, 2014 at 10:09 pm
A nice series that I recommend, except the final (up until now) volume (Midnight Guardians) is flat out awful. I wonder if he’s lost interest in the series at this point.
March 3rd, 2014 at 3:07 am
I can see why the comparison to Burke and Dave Robicheaux. I missed these, and because they sound a little too close to Burke I’ll probably pass.
Badmike,
Series deteriorate for a lot of reasons, but most often the writer burns out on them at some point. Burke only kept fairly fresh because he added another series along side the first, and Connelly writes a great many non series books.
Then too, that move to an independent almost always means a mainstream publisher dropped you which can take the incentive out of the work. It’s possible that last one was a first draft with little or no rewrite or editing, fairly common on a manuscript that isn’t bringing in much if any advance.
Sustaining and keeping a series fresh defeats even good writers sometimes.