Tue 20 Jan 2015
A Movie Review by Dan Stumpf: FOG ISLAND (1945).
Posted by Steve under Crime Films , Reviews[7] Comments
FOG ISLAND. PRC Pictures, 1945. George Zucco, Lionel Atwill, Jerome Cowan, Sharon Douglas, Veda Ann Borg, John Whitney, Jacqueline DeWit, Ian Keith. Director: Terry O. Morse.
It’s a bit of a jump from the mega-million conceits of The Firm [reviewed here ] to the marginal virtues of Fog Island, which cost about a buck-ninety-five to churn out and looks it, but here is a film to sink your teeth into; a stylish creaky Old-Dark-House thriller directed at penurious pace by someone named Terry Morse and offering a hand-picked cast of cinematic lesser-knowns including George Zucco, Lionel Atwill, Ian Keith, Veda Ann Borg and Jerome Cowan (best remembered as the short-lived half of the Spade-Archer partnership in The Maltese Falcon) at his slimiest.
Before going on to rave about this thing, I should add perhaps that by nomic standards, Fog Island doesn’t amount to much. The script makes very little sense at ail, the sets – when there are any – seem about to topple any moment, and the whole affair is served up with a rushed look that seems cheap-jack even by PRC’s bottom-of-the-trash-can standards. But all of this detracts not a whit from the energy and charm of this little effort.
Indeed they even help. Like the best efforts of Edgar Ulmer (a workhorse in the PRC stable himself), Fog Island amazes the viewer by the very fact of its existence. Watching it is like seeing a derelict car chug its clanking way down a super-highway – you can’t believe it’s actually moving right there in front of you much less understand what Keeps it going.
For the record, Fog Island concerns itself with the efforts of recently-paroled embezzler Zucco to revenge himself on his unindicted co-conspirators, and their efforts to prise out of him the money they’re sure he squirreled away.
As the plot unspools, hints are dropped here and there that Zucco and/or some of his cronies may or may not be guilty, but these are mostly left unresolved in the haste to get this thing in the can. What’s left is brilliantly atmospheric and astonishingly grim as Zucco, Atwill et. al. struggle, grasp and claw at each other to see who will emerge Wealthy… or Alive, anyway. Oh there’s a romantic sub-plot stuck in there somewhere, but Director Morse and writer Pierre Gendron (who worked on Ulmer’s masterful Bluebeard) clearly save most of their interest for the Baddies – who are all played by much more interesting actors anyway.
The big Confrontation scene where Zucco and Atwill pull out all the dramatic stops and hammer away at each other (accent on Ham) with histrionic abandon has – no kidding – Real Chemistry, made all the more compelling by being shot practically in the dark to hide the cheapo sets. With nothing to distract us, the eyes are drawn irresistibly to the spectacle of two full-blooded (to put it mildly) performers face-to face and toe-to-toe in the thespic equivalent of a Knock-down drag-out prize fight.
After this emotional high point, Fog Island drags,lurches and stumbles a bit to a conclusion that as I say, is surprisingly grim and well-realized for a B-Horror/Mystery Movie. The glimpse of impressive artistry someone heaped on this obscure thing while no one was looking makes me despair of facile, expensive things like The Firm.
Which is not to say that Fog Island is as entertaining as the other. It isn’t. The only thing it has going for it is the gratuitous energy and enthusiasm of its creators. Which is enough for me.
January 21st, 2015 at 1:05 am
I’ve always liked George Zucco and Lionel Atwill. It’s been awhile since I’ve seen FOG ISLAND. Now to find the dvd…
January 21st, 2015 at 1:45 am
I’m a big fan of ‘Magic Island’ (1935). Is there an actual island in the setting of this flick?
January 21st, 2015 at 1:57 am
Girl in the poster looks like a pouty Priscilla Lane…
January 21st, 2015 at 9:39 am
Terry Morse mainly worked as a film editor. But he also directed 15 films. He is really obscure.
I have a brief article, focusing on two of his crime movies:
http://mikegrost.com/morse.htm
Thank you for an informative review!
January 21st, 2015 at 10:00 am
Thanks for the link, Mike. I always find your comments insightful and interesting. I also took a look at Morse’s credit page on IMDb, and from a look at the list of films he directed, I don’t think he had a lot of money to work with for any them. But most of them look like my kind of movie, not that I’ve seen many of them, yet. Many of them I already have on DVD.
To save everyone the time of heading to IMDb and back, here’s the list:
Godzilla (1977)
Young Dillinger (1965)
Taffy and the Jungle Hunter (1965)
Godzilla, King of the Monsters! (1956) (as Terry Morse)
… aka “Godzilla” – USA (informal title)
Unknown World (1951) (as Terrell O. Morse)
Bells of San Fernando (1947) (as Terry Morse)
Don Ricardo Returns (1946) (as T.O. Morse)
Dangerous Money (1946) (as Terry Morse)
Shadows Over Chinatown (1946) (as Terry Morse)
… aka “Charlie Chan in Shadows Over Chinatown” – USA (informal title)
Danny Boy (1945) (as Terry Morse)
… aka “Adventures of Danny Boy” – USA (TV title)
Fog Island (1945) (as Terry Morse)
A Fugitive from Justice (1940) (as Terry Morse)
Tear Gas Squad (1940) (as Terry Morse)
British Intelligence (1940) (as Terry Morse)
Smashing the Money Ring (1939) (as Terry Morse)
No Place to Go (1939) (as Terry Morse)
Waterfront (1939) (as Terry Morse)
On Trial (1939) (as Terry Morse)
The Adventures of Jane Arden (1939) (as Terry Morse)
January 21st, 2015 at 2:51 pm
You have to expect a bit of a ham fest when you have two Moriarity’s in one film. They are only missing Henry Daniell for a trinity.
For a droll comic turn by Zucco catch him in LURED where he steals scenes from Lucille Ball and Charles Coburn. And Atwill is memorable in TO BE OR NOT TO BE.
For me they are the only reason to get through this film, but they are just enough. But then again you never want to turn down a chance to see Veda Ann Borg.
Actually this one stands out a bit if only for a clever title (sounds like an Edgar Wallace novel, but isn’t) and Zucco and Atwill at odds over who can devour the most of the set and from the looks of things enjoying doing it.
I didn’t look it up on IMDb, but shooting schedules tended to be quick for these too, with not much in the way of retakes, rehearsal, or re-writes.
January 26th, 2015 at 4:54 pm
It’s a fun little movie and Zucco and Atwill are always worth watching.