Reviewed by JONATHAN LEWIS:         


UNION DEPOT. First National PIctures/Warner Brothers, 1932. Douglas Fairbanks Jr., Joan Blondell, Guy Kibbee, Alan Hale. Director: Alfred E. Green.

   What makes Union Depot particularly worth watching is the commanding screen presence of Douglas Fairbanks Jr. and Joan Blondell as a would-be romantic couple. “Would-be” being the operative phrase here, as the movie takes place in one eventful day, both in and around a train station where numerous passengers come and go in the urban hustle and bustle. (The film’s British title, Gentleman for a Day, does the movie more justice.)

   Although there’s simply not enough time between the two leading characters to end up as lovebirds, the characters they portray — flawed and all-too-human sorts doing the best they can during the Great Depression — are well constructed enough to keep you engaged with the proceedings.

   â€œChick” Miller (Fairbanks) is a low-rent criminal with a heart of gold. One day, while hanging around with his perpetually drunk pal, “Scrap Iron” (Guy Kibbee), he manages to steal a uniform belonging to an Information Desk worker at the local train station. Chick thinks that the suit, along with some cold hard cash he acquired along the way, will be enough to get himself a good, hot breakfast at the diner inside the station.

   All well and good, until he both meets up with Ruth (Blondell), a chorus girl who is neither as innocent nor sinful as she appears, and haphazardly comes into possession of some counterfeit greenbacks belonging to one Bushy Sloan (Alan Hale, Sr.) From then on, it’s a romantic comedy/melodrama/crime film all in one and, while the film occasionally begins to feel considerably dated, it’s overall a rather enjoyable pre-Code feature.

   For those looking for something a little extra, Union Depot also benefits tremendously from having a surprisingly action-packed and violent nighttime chase scene. It takes place in the rail yards just outside the station, and it looks as though it was taken straight out of a film noir from the late 1940s. Talk about ahead of its time!