THE BACKWARD REVIEWER
William F. Deeck


W. ADOLPHE ROBERTS – The Haunting Hand. Macaulay, hardcover, 1926.

   Somewhat to her surprise, Margaret Anstruther has gotten a role in A Toreador’s Love, a silent picture produced by Superfilm Company. Her luck may be the result of the director’s lust for her physically, although he seems even more concerned about where she lives. And where she lives is interesting, since one night when she drops a match on the floor, a hand, with arm attached, comes out from under her bed and extinguishes the match.

   Later investigation proves that there could have been no one under the bed, but there is physical evidence that someone or something put out the flame. A policeman also sees the hand, but he’s Irish and you know about them.

   Our heroine investigates — she’s a science major, in addition to being a budding actress — and solves the problem with the help of another movie, The Masque of Life, directed by the same man who is in charge of A Toreador’s Love. Movies usually put Anstruther to sleep, but this one contains the clue that explains not all but a lot.

   W. Adolphe Roberts may have been the first black mystery writer. That I would contend, would be the only reason for reading this novel. The explanation for the hand doesn’t satisfy, and the writing is, to be kindly, second rate.

— Reprinted from MYSTERY READERS JOURNAL, Vol. 7, No. 4, Winter 1991/2, “Murder on Screen.”


Bio-Bibliographical Notes:   For more on the author, who had quite an interesting life, check out this website, where he is said to have been a Jamaican journalist, novelist and travel writer. As the editor of Ainslee’s magazine, he published many of Edna St. Vincent Millay’s early poetry and not only that, fell in love with her. He wrote two other detective novels under his own name, plus two as Stephen Endicott, one listed as marginally criminous in Al Hubin’s Crime Fiction IV.