REVIEWED BY BARRY GARDNER:


SANDRA WEST PROWELL – The Killing of Monday Brown. Phoebe Siegel #2. Walker, hardcover, 1994. Bantam, paperback, 1996.

   I’ve got this picture of a sweet LOL cozy fan spying the three names on the spine and pouncing on it with little yips of anticipation, carrying it home and settling down with a cup of tea for a nice comfortable read … and then the widening eyes, the shocked expression, the flushed face, and the sense of betrayal. Fair warms my heart, it does.

   Phoebe Siegel is an ex-cop who’s now a private investigator in Billings, Montana. She’s got a large family, an old house she wants to fix up, a lot of emotional baggage, and some bad memories from her last case.

   A murder of Crow Indians from the |nearby reservation show up in her front yard, referred to her by a cop friend of hers who’s their relative. One of the family has been arrested for the murder of an artifact-stealing white man, and they want Phoebe to find out what really happened. There’s a German artifact dealer in town who seems to have an in with the government, and several more complications, one of which being that the Indians hand her a bunch of stolen artifacts.

   This is a pretty good book, and anything but a cozy. Siegel is rougher’n hell and has a mouth on her like a stevedore. She’s an interesting character, and most of the other players are well drawn too.

   Prowell is one of the better prose-handlers I’ve see in the newer writers of late, and has a real feel for the Montana landscape. The plot wasn’t bad at all — I’m always surprised, any more, to be able to I say that — but she tossed in a lot of no-doubt authentic Native American mysticism that she seemed to like a lot, and which didn’t do anything for me at all.

   I haven’t read her first book, which is into its second printing but I’m moderately impressed with this one. I understand she’s got a six-figure contract from Bantam, and that impressive she ain’t.

— Reprinted from Ah Sweet Mysteries #12, March 1994.


      The Phoebe Siegel series —

By Evil Means (1993). Nominated for nominated for the Hammett Prize and the Shamus Award.

The Killing of Monday Brown (1994). Nominated for the Shamus Award.
When Wallflowers Die (1996).
An Accepted Sorrow (unpublished).