Reviewed by JONATHAN LEWIS:         


F.B.I. GIRL. Lippert Pictures, 1951. Cesar Romero, George Brent, Audrey Totter, Tom Drake, Raymond Burr, Raymond Greenleaf. Director: William Berke.

   There are plenty of shadows in FBI Girl. Unfortunately, they are a product of bad lighting rather than a film noir aesthetic. And that’s not necessarily the worst thing about this rather poorly constructed black-and-white semi-docudrama crime film. No. The worst aspect about the whole affair is that it wastes the talents of both Cesar Romero and Raymond Burr on a movie with a less than compelling plot and stilted, unrealistic dialogue.

   Romero portrays FBI Agent Glen Stedman. He’s tasked with investigating the suspicious death of a female FBI clerk working in the fingerprint division. Little does he know that his investigation will lead him straight into a morass of political corruption in Capitol City and the shrewd machinations of Grisby, a Southern politician (Raymond Greenleaf) and Blake, his corrupt, violent henchman (Raymond Burr). Much of the film follows Stedman as he travels from Washington D.C. to Capitol City and back again in search of possible clues.

   It’s a potentially intriguing premise for a movie, but FBI Girl never really gets off the ground. It’s consistently bogged down by either poor acting, an intrusive score, or as I mentioned earlier, bad lighting. There’s also a sound stage quality to the whole affair, making it seem a lot less like a feature film and more like a television show from the same era. Overall, a rather below average production.