WILD MONEY. Paramount, 1937. Edward Everett Horton, Louise Campbell, Lynne Overman, Lucien Littlefield, Esther Dale, Porter Hall, Benny Baker. Based on a story by Paul Gallico. Director: Louis King. Shown at Cinevent 26, Columbus OH, May 1994.

   The surprise “B” hit of the convention was Wild Money. Edward Everett Horton, on of my all-time favorite character actors, was the star. He played a stuffy accountant for a big-city newspaper, who, while vacationing with his cousin (Esther Dale) and her husband (Lucien Littlefield), is charged with reporting on the “breaking story” of the kidnapping of one of America’s wealthiest men.

   Horton, Dale and Littlefield make a delightful team, and there’s not a wasted frame in this comic crime film. Horton even gets the girl (Louise Campbell) and kisses her in the final shot.

   What films such as this demonstrate is that a well-crafted small movie is a safer bet than a larger-budgeted film with pretensions beyond its capabilities. But that’s another fatality of the demise of the studio system where the “A” crew could be used on the “B” film, giving it a professional sturdiness that has disappeared in the era of out-of-sight budgets.

BONUSWild Money‘s Lucien Littlefield, a supporting actor whose career began in silent films, was even more delightful in the Joe E. Brown comedy, The Gladiator (credits below). Here he plays mild-mannered Professor Donner who’s discovered a formula that increases strength in animals and, as he discovers when Brown is unexpectedly administered a dose, humans as well.

   Brown was both touching and funny in the title role and although the film rushed through the final sequences to a pre-ordained conclusion, it was most enjoyable.

THE GLADIATOR. Columbia Pictures, 1938. Joe E. Brown , June Travis, Man Mountain Dean, Dickie Moore, Lucien Littlefield. Based on the novel by Philip Wylie. Director: Edward Sedgwick.