REVIEWED BY JONATHAN LEWIS:


VIGILANTE FORCE. United Artists, 1976. Kris Kristofferson, Jan-Michael Vincent, Victoria Principal, Bernadette Peters, Brad Dexter, Judson Pratt, David Doyle, Antony Carbone, Andrew Stevens, Shelly Novack. Screenwriter-Director: George Armitage.

   Vigilante Force is one of those blue-collar action movies from the mid-1970s designed to appeal to a White working class demographic looking for some simple escapism and a familiar social milieu. Set in a fictional small town in California’s interior (somewhere near Bakersfield I would imagine) where newfound oil wealth is destroying the fabric of society, this film is as much about the setting as the story. That’s probably for the best, given how flimsy the plot of the movie actually is.

   Jan-Michael Vincent, before he became one of Hollywood’s hottest items, portrays Ben Arnold, a laconic working class widower living with his young daughter and new girlfriend. When the police chief of his town gets overwhelmed by the sheer amount of criminal activity taking place there due to an influx of oil workers, Ben seeks out his somewhat estranged brother Aaron (Kris Kristofferson), a Vietnam Veteran working somewhere in Southern California and convinces him to return home and to become a deputized peace officer.

   But it doesn’t take long before Ben realizes that Aaron and the men he has brought with him aren’t going to play nice with either the criminals or the townsfolk. In fact, Aaron has his own nefarious plans for his hometown, a place for which he has utter contempt.

   There’s a lot of talk, some shooting, a lot more talk with low tech dialogue, and then a final action sequence which isn’t all that spectacular. Kristofferson was a far better actor and capable of so much more than he was given in this one. As for Vincent, he’d go on to bigger and better things in the 1980s before suffering a severe career decline the following decade.