REVIEWED BY DAN STUMPF:

   

THE PRIVATE LIFE OF DON JUAN. United Artists, 1934. Douglas Fairbanks, Merle Oberon, Bruce Winston, Benita Hume, Gina Malo, Binnie Barnes. Director: Alexander Korda.

   The Private Life of Don Juan lacks wit or pace of action, but it offers an elegant coda to the career of its star, Douglas Fairbanks, Sr., here in his fifties and looking tired of the whole thing. When an imposter masquerading as Don Juan is killed by a jealous husband, the legendary lothario takes advantage of the situation and retires to the country, with tepid results. Doug doesn’t do any stunts, there’s no swordplay, little plot, and yet …

   … Halfway through the film, Don Juan attends his own funeral, and director Alexander Korda deals it out with his usual splendour, all billowing cloaks and wailing women, as America’s cavalier strolls through the palazzo contemplating his own mortality. Fairbanks never made another movie, lending an odd elegiac tone to a film that doesn’t really deserve it.

— Reprinted from The Hound of Dr. Johnson 53, September 2007.