Sun 5 Sep 2021
Two Movie Reviews by Dan Stumpf: OUT OF SINGAPORE (1932) and THE LAST ALARM (1940).
Posted by Steve under Action Adventure movies , Reviews[11] Comments
OUT OF SINGAPORE. Goldsmith Productions, 1932. Noah Beery Sr, Dorothy Burgess, Mary Carroll Murray, George Walsh, Montagu Love, Leon Wong, and Jimmy Aubrey. Written by John Francis Nattleford and Frederic Chapin. Directed by Charles Hutchison.
THE LAST ALARM. Monogram, 1940. J Farrell MacDonald, Warren Hull, Polly Ann Young, Mary Gordon, and George Pembroke. Written by Al Martin. Directed by William “One-Shot†Beaudine, as William West. (The latter added later.)
My life was blighted at the tender age of Fourteen.
Or if not actually blighted, at least noticeably warped when I read William K Everson’s The Bad Guys (Citadel, 1964) and was seduced by his loving descriptions of films I had little if any chance of seeing. I mean, for a kid in his mid-teens, living in a one-TV household in a three-station town, the opportunities were a bit slim, all in all, and if something interesting did make it onto the local channels, it was usually late on a School Night.
And so I grew up feeling Life had cheated me, thinking “If only I had been around when these films, so knowingly praised and lovingly analyzed, were made…. Or if I were just a few years older, living the free and independent life of an adult….â€
Of course I had no way of knowing then that before I reached middle-age, the world would expand: Satellite TV, then VHS, then DVDs and streaming, brought all this to me in the wisdom of my advancing years. And finally I have the chance to see what the Old Sage of the Cinema was talking about, all those years ago.
Well it ain’t much. Everson himself admitted Out of Singapore was “one of the cheapest of poverty row quickies†but even that doesn’t begin to describe the static camerawork, cardboard characters, perfunctory screenplay, and jagged editing.
Or the rudimentary plot: Captain Carroll of the Marigold, desperate for a First Mate, signs on Woolf Barstow (Noah Beery Sr) a seaman who holds the Indian Ocean Division record for losing the most ships at sea, all full of dubious and heavily-insured “cargo.â€
Also on board is a skullduggerous Bos’n, Scar Murray (Montagu Love) The two rascals take to each other immediately, and I have to say their scenes together are a delight, chortling over their plans to do away with the Captain, sink the Marigold with all hands, and make off with the skipper’s nubile daughter (Mary Carol Murray) “A few weeks on a desert island will bring her around!â€
Of course if things went according to scheme, Out of Singapore would be a much different movie. In this case, the flies in the ointment are a doughty Second Mate (George Walsh, rather ineffectual and obviously no match for either of the nasties.) and a fiery Latina temptress (Dorothy Burgess) whom Beery is ditching for Ms Murray — and who will not go gentle into the tropical night.
Well we’ve all had relationships like that, haven’t we? In this case, it leads to a rather predictable comeuppance for Beery and Love. A pity that, because they were the liveliest part of the whole enterprise.
The Last Alarm is a quieter affair altogether, despite reams of fiery stock footage to pad out the plot of aging an Fire Department Captain (J Farrell MacDonald) put out to pasture just as a serial arsonist begins terrorizing the city — cue stock footage of massive conflagrations, none of which seem terribly exciting because they’re all done in grainy long-shot. From time to time we cut to cynical reporters, the Chief demanding action from the Arson Squad, and old MacDonald grumbling about being old and useless. Big whoop, as the kids say.
(Do the kids still say that? “Big whoop?â€)
But about this time George Pembroke comes into his own as the Mad Fire-Bug, and the scenes of him peering through his thick spectacles, cackling over his latest atrocity, or going all googly-eyed when someone lights a pipe are the stuff of real old-school, full-blooded villainy, and a pleasure to behold.
So what we’ve got here is two bad movies that I kind of enjoyed. I can’t recommend either of them to any serious film buff, but those of us who recall the works of Willian K Everson, will feel a pleasant twinge of nostalgic fun.
September 5th, 2021 at 6:44 pm
THE LAST ALARM is actually enjoyable, and even worth watching. It’s not great art. But it manages to entertain for an hour. And create something of an original story-telling approach and mood.It’s “different”. Which is a Good Thing.
I’m glad it is getting attention here. Thank you!
My old records say it is directed by William West. Not Beaudine. Am I behind the times? Is the almost totally unknown William West the actual director?
September 5th, 2021 at 6:59 pm
FWIW, Wikipedia says William West, while IMBd says William Beaudine. One of them appears to be wrong.
September 5th, 2021 at 7:06 pm
Watching the YouTube video just now, the only correct source, it seems that Wikipedia is right. William West it is.
September 5th, 2021 at 7:08 pm
And here’s why I was hedging a little up there above. IMDb says that William West and William Beaudine are one and the same.
September 5th, 2021 at 6:56 pm
J Farrell MacDonald was a supporting player, in many great silent films of the 1920’s. These include:
Sunrise (F.W. Murnau)
3 Bad Men (John Ford)
Paid to Love (Howard Hawks)
The Signal Tower (Clarence Brown)
Ah, cinema!
Several of these had the versatile George O’Brien as the lead.
September 5th, 2021 at 7:22 pm
For William Beaudine, I liked his mystery film “Detective Kitty O’Day” (1944).
And an episode of “Naked City” called “The Bird Guard” (1958).
But I couldn’t make it through his most prestigious film, “Sparrows” with Mary Pickford.
September 5th, 2021 at 7:44 pm
I think we all had a list of films Everson mentioned in one book or another that we scoured for over the years. I think the only one I’m still looking for is the Nigel Bruce Murder in Trinidad based on the John Vandercook book (and I found both the Mr. Moto and James Dunn remakes).
These seem like they would be fun. Beery was usually worth watching if not as colorful as his brother and MacDonald did cranky old guy as well as it was done in that era.
It’s not always that these films are good in exactly the way of a good movie, but they have a pulpy energy to them full of atmosphere and often a kind of grungy realism.
September 6th, 2021 at 7:24 am
Agree completely with David on this.
> It’s not always that these films are good
> in exactly the way of a good movie, but they
> have a pulpy energy to them full of atmosphere
> and often a kind of grungy realism.
Low budget pictures grabbed viewers with plot, patter and performances, not big names or special effects. Dark gritty sets were often all they could afford. A little bit of hamming up did no harm and often injected a little brightness and energy.
Entertaining and escapist, not educational. That’s how i like my fiction and my movies. No apologies for my tastes.
September 6th, 2021 at 9:52 am
Last night I watched THE LAST ALARM again, and thoroughly enjoyed it. It seems like a good movie by any standard.
Both the review and some comments want to place THE LAST ALARM in a category of “bad films that are somehow enjoyable”. I don’t think this category even exists. If you are enjoying a film, it usually means there is something of genuine value in it. I.E., it’s a good movie, in the traditional sense of the term.
There is nothing shameful or offensive about THE LAST ALARM. It’s a perfectly wholesome film. There is no need to hold it at arm’s length, or treat it as a “lesser breed outside the law”.
September 6th, 2021 at 7:27 pm
Some interesting opinions here, but doesn’t anyone know if the kids still say “Big whoop”?
September 9th, 2021 at 11:11 am
Very enjoyable double feature of a review and a nice nod to Mr. Everson.