THE BACKWARD REVIEWER
William F. Deeck


CORTLAND FITZSIMMONS – The Evil Men Do. Stokes, hardcover, 1941.

CORTLAND FITZSIMMONS Ethel Waters

   Having turned down several lucrative offers to go to Hollywood and do screen writing, mystery writer Ethel Thomas finally accepts as a ploy to help out her niece, an aspiring movie actress.

   The niece’s fiance, fighting for her honor, has apparently killed a man. It’s obvious that the “killing” is but a variation of the old badger game, but these two youngsters get themselves involved with a blackmailer who runs a gambling club. Naturally, he is soon bumped off. The niece, the fiance, the niece’s mother, and Thomas are unlikely suspects.

   Since the idea should be a winner from the start, there ought to be a law that authors writing about septuagenarian lady mystery writers who also detect produce at least a halfway decent novel. If there were such a law, Fitzsimmons would be given twenty years without the option.

— From The MYSTERY FANcier, Vol. 11, No. 1, Winter 1989.


      The Ethel Thomas series —

The Whispering Window. Stokes, 1936.
The Moving Finger. Stokes, 1937.

CORTLAND FITZSIMMONS Ethel Waters

Mystery at Hidden Harbor. Stokes, 1938.
The Evil Men Do. Stokes, 1941.

Editorial Comment:   In a crime fiction writing career that extended from 1930 to 1943, Cortland Fitzsimmons wrote or co-authored another thirteen novels, two of which featured Arthur Martinson as the leading character, and two with Percy Peacock. I know nothing about either of the two, but Bill Deeck’s review of the author’s book The Girl in the Cage, displays an equal lack of enthusiasm for his work:   “…reading Fitzsimmons is like watching grease congeal.”