Fri 26 Dec 2014
Jonathan Lewis Reviews Two 1980s Movies Set In LOS ANGELES
Posted by Steve under Action Adventure movies , Reviews[6] Comments
BLUE THUNDER. Columbia Pictures, 1983. Roy Scheider, Warren Oates, Candy Clark, Daniel Stern, Paul Roebling, David Sheiner, Joe Santos, Malcolm McDowell. Director:
John Badham.
MIRACLE MILE. Hemdale Film, 1988. Anthony Edwards, Mare Winningham, John Agar, Lou Hancock, Mykel T. Williamson, Kelly Jo Minter. Screenwriter & Director: Steve De Jarnatt.
On the surface, at least, Blue Thunder and Miracle Mile don’t have all that much in common, at least in terms of plot. But, dig a bit deeper, and you’ll realize that they actually do share some remarkable similarities, including a helicopter.
Most obviously, though, they are both 1980s films set in Los Angeles in which the city itself becomes a character. More poignantly, both films tap into the public’s latent fears. While in Blue Thunder, the fear of both street crime and the extreme measures that law enforcement might employ to combat serves as the basis for the plot, in Miracle Mile, the fear of nuclear annihilation and the subsequent inability to escape a densely populated urban corridor pervades the movie’s dark, claustrophobic atmosphere.
Blue Thunder is, however, the far better of the two films. Directed by John Badham (War Games), the movie stars Roy Scheider (Jaws) as Frank Murphy, a LAPD helicopter pilot struggling with PTSD from his Vietnam years. Murphy and his partner, portrayed by Daniel Stern, are assigned to operate a super high-tech chopper, the eponymous Blue Thunder.
Not only does the bird have offensive weaponry, it also has ridiculously intrusive surveillance equipment. The apparent goal of the LAPD, in conjunction with the military brass, is to have Blue Thunder on hand in preparation for any possible disturbances associated with the forthcoming 1984 Summer Olympics.
All is not what it seems however. That’s even more the case when Murphy’s ex-Vietnam colleague, Colonel F.E. Cochrane (Malcolm McDowell), shows up with his scheming grin and trademark hand gesture (you’re just going to have to watch it). He’s a reptile in a flight suit, that one.
As it turns out, there is a scheme – a conspiracy – to stir up urban violence in Los Angeles as a means of selling the LAPD and maybe even other city police departments, on the necessity of having their own Blue Thunder’s. It’s all brooding, dark paranoia on full display here, worsened by Murphy’s repeated flashbacks.
Unfortunately, the somewhat formulaic plot doesn’t gel as much as the visuals, some of which are truly stunning. The city of Los Angeles, as seen from above, is on full display here and it’s a beautiful vista, particularly at night. The scenes of Blue Thunder flying above Century City are breathtaking, as some of the helicopter fight scenes.
There’s one other strong point worth mentioning, and that is the presence of actor Warren Oates, who portrays Captain Jack Braddock, Murphy’s cynical, tough-as-nails superior. Oates was just perfectly cast here, reminding me a bit of Lee Van Cleef’s unforgettable role in John Carpenter’s Escape From New York. Scheider’s not bad, either. Not by a long shot. But I don’t think many would consider Blue Thunder to have been one of his best roles.
Miracle Mile is a significantly weaker film. Like Blue Thunder, however, it has some great on location shots of Los Angeles, specifically the Miracle Mile shopping district on Wilshire Boulevard that stretches past Johnnie’s Coffee Shop toward the Los Angeles County Museum of Art and the La Brea Tar Pits.
The film unfolds like a Cornell Woolrich story or an Alfred Hitchcock film. Harry Washello (Anthony Edwards) is a somewhat mild-mannered jazz musician visiting the City of Angels. He’s apparently never really found true love. All that changes when he meets Julie Peters (Mare Winningham), a waitress who lives with her grandmother at the Park La Brea apartments.
After oversleeping and missing their date, Washello heads out to the diner where Julie works, hoping to catch up with her or at least find a way of contacting her at home. While outside of the diner, he hears the telephone in the phone booth ringing.
So he picks it up.
Wrong number.
Turns out that the guy on the other end of the line works at a missile silo in North Dakota and is trying to phone his father in Orange County to give him heads up about a pending nuclear missile attack. By pending, I mean within an hour or so.
It’s a wonderfully suspenseful premise that just isn’t executed very well, making the movie far less thrilling than it could have been. The rest of the film revolves around Washello’s attempts to make people believe he isn’t lying, to woo Julie, and to escape from Los Angeles. By helicopter no less.
Although Miracle Mile isn’t a particularly great movie, it does benefit from one of the boldest and most daring endings I’ve seen in a film from that era. It turns out the anonymous caller was right. There is a nuclear war afoot.
December 26th, 2014 at 11:07 pm
Ironic that what with the militarization of police in the news BLUE THUNDER is more relevant that then. It’s been sometime since I watched it. I liked it then, but frankly last time I tried to watch it the film didn’t hold up to well.
As for Oates he was seldom bad in any film, and sometimes the best thing in them.
MIRACLE MILE was one of those high concept ideas that it would take either a talented pro or a gifted first time director to pull off. Mere competence was not enough.
And to be frank in 1988 the presence of John Agar in your film probably wasn’t a good sign.
It would have made one hell of a TWILIGHT ZONE episode though, which is what it should have been rather than a feature movie.
This kind of film almost never works for me because it either has to end that all the effort has been for nothing or that all the effort has been futile, neither good dramatic structure in a feature length film.
The hero is either Cassandra or Chicken Little, neither enough to carry a film.
When the shots of the city are the best thing in the film maybe they should have just made an edgy travelogue for the Chamber of Commerce.
December 26th, 2014 at 11:20 pm
I’m sure I saw BLUE THUNDER at the time, but there was another movie around then with a big humungous helicopter in it, too, wasn’t there? Or maybe I’m thing of the BLUE THUNDER TV series, the one with James Farentino.
Michael Shonk reviewed one of the episodes here on this blog a few months ago:
https://mysteryfile.com/blog/?p=29023
and just reading Michael’s comments again reminded me of what other Big Helicopter movie was: AIRWOLF, made for TV and then also a series.
December 26th, 2014 at 11:39 pm
You’re right, David. The premise of MIRACLE MILE would have worked much better as a TWILIGHT ZONE episode. I think what weakened the movie was introducing so many characters all within a 90 minute time frame. Had they all just stayed in the diner, it might have worked.
December 27th, 2014 at 3:07 am
Since it wasn’t mentioned in the body of the post …
… the movie ended with a dedication to Warren Oates, who’d died shortly before its release.
December 27th, 2014 at 8:45 am
Also, Edwards was just not strong enough to carry the movie. Maybe they needed an insane Nicolas Cage.
December 27th, 2014 at 4:13 pm
Cage would have worked very well. Edwards is a talented actor; I just don’t know if he was the perfect fit for the part. In some ways, though, it took a lot of guts for him to take the part — it’s a decidedly downbeat, unforgettable ending for his character