A 1001 MIDNIGHTS Review
by Robert E. Briney


JOHN DICKSON CARR – The Devil in Velvet. Harper & Brothers, hardcover, 1951. Bantam F2052, paperback, 1960. Carroll & Graf, paperback, 1987.

   Carr’s lifelong fascination with history, specifically that of England, shows up in many ways in his books, from casual excursions to important plot elements. His first completed novel, never published and now lost, was a historical romance “with lots of Gadzookses and swordplay.” In 1934, using the pseudonym Roger Fairbairn, he published Devil Kinsmere, a novel set in the time of Charles II; many years later the book was rewritten and published as Most Secret (1964) under Carr’s own name. Carr’s first novel to merge the detective puzzle with historical construction was The Bride of Newgate (1950), well received by both critic and readers.

   The second of Carr’s historical mysteries, The Devil in Velvet, sold better than any of his other novels. Here the detective and historical elements were joined by a third ingredient: the strain of overt fantasy that had cropped up from time to time in his earlier work.

   Nicholas Fenton, history professor at Cambridge in the year 1925, makes a deal with the devil to be transported back to the year 1675 in order to solve, and possibly prevent, the murder by poisoning of Lydia, Lady Fenton, the wife of an earlier namesake. Transported back into the body of the Carlie Nicholas Fenton, the protagonist finds himself immediatel3 enmeshed in political intrigue: the efforts of Lord Shaftesbury to subvert the monarchy and solidify the power of Parliament.

   Fenton must also juggle the attentions of two lovely women, Lydia and the mysterious and temperamental Meg York. Eventually he comes to realize that he must do something much more difficult than solving a murder: He must outwit the devil himself in order to save his own life and that of the woman he loves.

   Bawdy, turbulent Restoration London is re-created with verve and meticulous attention to historical detail, and the events of the story are viewed with a beguiling combination of twentieth- and seventeenth-century sensibilities.

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   Reprinted with permission from 1001 Midnights, edited by Bill Pronzini & Marcia Muller and published by The Battered Silicon Dispatch Box, 2007.   Copyright © 1986, 2007 by the Pronzini-Muller Family Trust.