REVIEWED BY JONATHAN LEWIS:


WITCHCRAFT Lon Chaney

WITCHCRAFT. Lippert Films, 1964. Lon Chaney Jr., Jack Hedley, Jill Dixon, Viola Keats, Marie Ney. Director: Don Sharp.

   Although the plot is highly derivative – there are really no thematic elements you haven’t seen before in a Gothic horror film – Witchcraft is actually a strongly effective horror movie. Filmed in crisp black and white, the movie makes ample use of limited settings. In terms of its ability to delivery a general feeling of supernatural otherworldliness throughout the proceedings, this Lippert Films production certainly punches well above its weight.

WITCHCRAFT Lon Chaney

   In his final proper film role, Lon Chaney Jr. portrays Morgan Whitlock, patriarch of the enigmatic Whitlock clan. Rumor is that the Whitlocks are involved in witchcraft and have been for generations. Furthermore, legend has it that in the seventeenth-century, one of the Whitlock women was accused of being a witch and was subsequently buried alive. The main beneficiary of this act was the Lanier family that has since owned much of the Whitlock family estate.

WITCHCRAFT Lon Chaney

   So when, in the current era, Bill Lanier (Jack Hedley) begins plans to build a modern development on the Whitlock lands, it’s only a matter of time before the tension between the two families comes to a head. Unfortunately, Bill Lanier wasn’t careful enough in his instructions to the construction crew who, unbeknownst to him, bulldoze the Whitlock graveyard. That sounds bad in and of itself. It’s far worse when that act of recklessness frees Vanessa Whitlock (Yvette Rees), the accused witch from centuries ago, from her living tomb!

   Although the acting in Witchcraft is pretty much average with no standout performances, the cinematography is excellent. There’s also a pervasive feeling of weirdness that permeates the film, giving it an otherworldly quality. Much of this, I think, is probably due to Don Sharp’s direction. Although not widely known outside of horror film circles, Sharp was a director who made the most of what he had to work with.