Reviewed by JONATHAN LEWIS:         


BATTLES OF CHIEF PONTIAC. Realart Pictures, 1952. Lex Barker, Helen Westcott, Lon Chaney Jr., Berry Kroeger, Roy Roberts. Director: Felix E. Feist.

   Battles of Chief Pontiac is a good, albeit not great, historical drama/early frontier Western starring Lon Chaney Jr. and Lex Barker of Tarzan fame. Directed by Felix Feist, whose film noir, The Man Who Cheated Himself I reviewed here, the movie benefits from solid acting from Chaney in his portrayal of Ottawa Indian Chief Pontiac and from its on location South Dakota setting.

   The film’s narrative and script, however, suffers from its forced moralism. While the filmmakers should be credited for their willingness to depict Indians as societally more complex than mindless warriors, they may have gone a bit overboard in their decision to depict Chief Pontiac as more as a seeker of peace than as the warrior he actually was. They chose, for instance, not to make the historical Chief Pontiac’s attack and siege on Fort Detroit the focus of their film.

   The plot of the movie isn’t very complex, with few surprises or unexpected plot twists. Lt. Kent McIntire (Barker) is acting as a liaison between the British, led by Major Gladwin (Roy Roberts) and Ottawa Chief Pontiac (Chaney). His goal is to help establish peace between the two peoples. But things get complicated when Pontiac’s men take white hostages, including Winifred Lancaster (Helen Westcott) who — to no one’s surprise — becomes McIntire’s love interest.

   The real drama begins, however, when a Hessian officer, the incredibly creepy Colonel Von Weber (Berry Kroeger), takes over the reins from Major Gladwin. Von Weber is a racist to the core, spewing vitriol about the Indians. Truth be told, it’s all a bit undignified. The filmmakers could have made their point even better if they had chosen to be subtle about it.

   In any case, Von Weber is a really bad guy and a bit too, should we say, Third Reich, for a film set in eighteenth-century Michigan.

   Although Pontiac is willing to enter into peace negotiations, the Hessian decides it would be better to deliver smallpox infested blankets to Pontiac’s people. This leads, of course, to both untold suffering on the part of the Ottawa Indians and therefore to Chief Pontiac’s decision to wage battle against the Von Weber and his men.

   It’s then up to Tarzan — I mean, McIntire — to intercede so as to prevent a complete bloodbath. By the time it’s all over, Chief Pontiac is once again willing to make peace with the British, McIntire and Lancaster are in love, and Von Weber has suffered a rather horrific death from smallpox. Not that you are supposed to feel remotely sorry for him. He’s one of the least sympathetic characters I’ve ever seen in any historical drama.

   Chaney is actually very good in this. His voice and mannerisms are excellent, even if he is stuck at times with some embarrassingly bad dialogue. There are moments when he appears to be the only actor in the film taking it with the seriousness the subject matter deserves. As to how much of all this is historically accurate, probably not all that much.

   In conclusion, Battles of Chief Pontiac is a well-meaning, low budget production that portrays Indians and their customs quite differently from other films of that era. It just doesn’t nearly live up to its potential.