Sat 21 Feb 2015
A Movie Review by Jonathan Lewis: STREET LAW (1974).
Posted by Steve under Crime Films , Reviews[2] Comments
STREET LAW. Capital Film, Italy, 1974. Hallmark Releasing, US, 1976. Original title: Il cittadino si ribella. Also released as The Citizen Rebels. Franco Nero, Giancarlo Prete, Barbara Bach, Renzo Palmer, Nazzareno Zamperla. Director: Enzo G. Castellari.
Sometimes a man’s had just about enough of the crime that plagues his city’s streets. So he has no choice but to take the law in his own hands, to smoke out the criminal element and then eliminate it once and for all. Who knows? Maybe he’ll even inspire others average citizens to follow his path. Such is the formula for many an urban revenge thriller.
And it’s definitely the formula utilized in Enzo G. Castellari’s Street Law, a Euro-crime film starring Franco Nero.
Nero portrays an engineer by the name of Carlo Antonelli, a man who, as his luck will have it, happens to be in a bank when armed robbers burst in and demand cash. When Antonelli’s own money is personally threatened, he not only refuses to let the thugs abscond with it, but he attempts to fight back against the masked men. Suffice it to say, this ends badly for our future anti-hero. But the bruised and beaten Antonelli isn’t done. Not by a long shot.
After determining that the police either can’t, or won’t, do all they can to track down the robbers, Antonelli decides he’s going to do it on his own. This, of course, leads to a somewhat clichéd confrontation with his girlfriend, Barbara (Barbara Bach), who urges him not to take the law into his own hands. She does have a point, even if the fiercely resolute Antonelli won’t listen.
Antonelli realizes soon enough that this is a job too big for one man, no matter how headstrong and reckless. So he teams up with a criminal named Tommy (Giancarlo Prete), who begrudgingly, then enthusiastically, helps him track down the bank robbers.
There are some exceptionally well-choreographed action scenes, both fights and car chases. I also enjoyed the gritty urban setting, which made the film a time capsule of sorts, a glance backward into 1970s Italy. The movie also makes extensive use of music. Unfortunately, it often overwhelms the visuals and hence, the already somewhat uninspired plot.
As a crime film, Street Law is perfectly satisfactory. It’s definitely light on character development and somewhat wanting on plot. But thematically, Street Law is quite strong. If you like revenge thrillers like Death Wish or Vigilante, you might find Street Law well worth your consideration.
February 21st, 2015 at 6:39 pm
Nero is in several like this, a sub-genre of giallo, and many quite good. Richard Conte and Martin Balsam were in some of them.
This one was better than DEATH WISH I thought. Way better.
February 24th, 2020 at 7:49 pm
David says it was better than Death Wish with Charles Bronson, but it is not in the same category of film and in the same vein, Charles Bronson in all His Death Wish movies and some others too, it was a one Man Vigilante and with no help whatsoever or very minor help, compare that Franco Nero in Street Law, He has help and support around Him, but not from the Police though. You can not compare this movie to those like Charles Bronson or Steven Seagal in early films or Clint Eastwood in many of His films, all of those three were very brutal and with no mercy compare to Franco Nero, who can not do it alone. Charles Bronson and Clint Eastwood and Steven Seagal are in a class of Their own, and nobody will replace those kind of actors who were in top shape and doing some stunt work too. Did You see lately How big Steven Seagal is, I would not like to meet Him in the dark. He is quite a Specimen. Thank You for reading all this and patience also. Take good care and God Give You All His Love and Protection.