REVIEWED BY JONATHAN LEWIS:


THE DEVIL’S MEN. Crown International, 1977. Released in English worldwide as Land of the Minotaur. Donald Pleasence, Peter Cushing, Luan Peters, Costa Skouras, Fernando Bislani, Anna Mantzourani. Director: Kostas Karagiannis.

   Say what you will about the meandering plot and the sloppy editing, this one’s got atmosphere — creepy, breathtaking atmosphere. Filmed on location amongst ancient Greek ruins, The Devil’s Men aka Land of the Minotaur features Peter Cushing as Baron Corofax, a red robed Carpathian villain working on behalf of an ancient demonic force working through a fire breathing stone minotaur. Also on hand is Donald Pleasence as Father Roche, an Irish priest committed to fighting Satan.

   Now if that’s not your idea of a ridiculously subpar, but nevertheless eminently enjoyable, 1970s exploitation thriller, I don’t know what to tell you. The dialogue, I admit, is laughable, and the plot unfolds haphazardly, with little rhyme or reason, often leaving the viewer in the dark as to whether what’s transpiring on screen is happening at all or just a reflection of the characters’ innermost fears.

   And yet, I wanted to continue watching until the very end. Part of it, I admit, has to do with my sheer pleasure at seeing Cushing and Pleasence, two gentlemanly actors who gave horror films a sense of class that is sadly lacking in many films today. It’s also that the film, as I mentioned earlier, has so much atmosphere that it would have been a shame not to marvel at the ancient Greek ruins and to immerse myself visually in the dusty ruins of a long forgotten civilization.