REVIEWED BY DAN STUMPF:         


KALEIDOSCOPE. Wincast, UK / Warners, US, 1966. h Warren Beatty, Susannah York, Clive Revill, and Eric Porter. Written by Robert Carrington and Jane-Howard (Hammerstein) Carrington. Directed by Jack Smight.

   A thing of no consequence, but a diverting time-killer, this comedy-caper film in the style of Charade and Arabesque never gets really funny and seldom exciting, but radiates enough style to carry it along.

   Warren Beatty stars as Barney Lincoln, one of those characters you only see in the movies: rich, charming, virile, straight—and single. And if you can buy that, maybe you can accept the notion that he decides to cat-burgle his way into a playing-card factory and change the printing machines to mark the cards, then proceeds to tour the gambling palaces of Europe and win fortunes without getting banned and black-listed.

   He also meets his female counterpart, gorgeous, bright and single Susannah York, whose father (Clive Revill, in a charmingly eccentric characterization) is a Scotland Yard man with a use for Beatty’s talents.

   Enter Eric Porter in a splendidly over-the-top performance as Harry Dominion, master of a criminal empire, showy sadist with a Napoleonic complex and a nasty sense of humor. When he and Beatty go head-to-head, first at the card table, then at Dominion’s baroque castle, things pick up nicely for an exciting conclusion.

   â€œBaroque” may be the best word to describe Kaleidoscope, which came out in the midst of that mid-60s resurgence of highly-embroidered rock posters, music and neckties. Director Jack Smight, who made this in between Harper and The Secret War of Harry Frigg, fills it with artsy camera angles, rococo sets and scenery, and somebody decided to shift scenes by having the image break up into kaleidoscopic patterns — nice job, that.

   My theory is that after Dobie Gillis, Warren Beatty tried very hard to be a serious actor, and after the debacle of Mickey One, he retreated into lightweight stuff like this (originally slated to co-star Sandra Dee) and Promise Her Anything before bouncing back with Bonnie and Clyde.

   Whatever the case, everyone involved treats Kaleidoscope with the seriousness it deserves (not much) and the result is a pleasant time-killer. Nothing more, but nothing less.