SIMON HAWKE – Much Ado About Murder.

SIMON HAWKE

Forge, hardcover; First Edition, December 2002; reprint paperback: January 2004.

   There’s a period (1585-1592) in the life of William Shakespeare that’s called the Lost Years, in which nothing is known — where he was, what he was doing, and who he was hanging out with.

    Filling in the gap — pure speculation on Hawke’s part, not to mention audacity — here’s the third in a series of detective adventures of the most famous poet and playwright the world has ever known. Assisting him is his good friend and hanger-on with the Queen’s Men, Symington “Tuck” Smythe.

   Hard times have hit the traveling group of players. Plague has struck London, and all of the city’s playhouses have been closed down. (Not so incidentally, Hawke describes the horrible condition of the unsanitary streets in more than adequate detail. Ghastly.) Will has sold some sonnets, though, so he and Tuck are not starving, yet.

   They also run athwart the Steady Boys, a gang of young ruffians who feel that the country is being done under by too many immigrants: England for Englishmen in Shakespeare’s day!

   But while the events in Will and Tuck’s day-to-day life are interesting, after 130 pages, they’re no longer entirely riveting, so for the mystery fans perched in the front row, when the murder of Master Leonardo occurs, it’s with (dare I say) a certain amount of relief and “at last.” It’s a relatively minor case to be solved, but it’s Will’s sense of what makes people do what they do that saves the day.

   Bawdy at times, extremely funny at others, this is an entirely enjoyable lark, a remarkable flight of fancy, and I think you’ll like it, too.

— February 2003



SIMON HAWKE[UPDATE] 01-26-09. It turns out that Simon Hawke is (or was) an SF writer named Nicholas Yermakov, before he changed his named legally to Hawke.

   He’s most noted, perhaps, for a long series of books in his “TimeWars” series, the first of which you see here to the left. He’s also written Battlestar Galactica, Batman, and Star Trek novels, as well as novelizations of “Friday the Thirteenth” movies.

   There were only four books in his series of Shakespeare movies, I’m sorry to say. Perhaps the funny bones of a wider audience weren’t tickled as much as mine was. The fourth one was never even released in paperback:

     The Shakespeare & Smythe mysteries —

    A Mystery of Errors. Forge, hc, 2000; pb, 2001.
    The Slaying of the Shrew. Forge, hc, 2001; pb, 2002.
    Much Ado About Murder. Forge, hc, 2002; pb, 2004.
    The Merchant of Vengeance. Forge, hc, 2003.

[LATER THE SAME DAY.] I was looking at the two cover images I included in this post, and I think I can see one reason why there were 12 books in the TimeWars series, and only four in Hawke’s Shakespeare series, even though they were desgned for two entirely different audiences.

   You probably can, too. Look at the cover of Much Ado. It’s perfectly designed to show that it has something to do with a mystery (from the title) and something to do with Shakespeare (also from the title). Other than that? Dullsville.