IT’S ABOUT CRIME, by Marvin Lachman


JOHN DICKSON CARR

JOHN DICKSON CARR – The Emperor’s Snuff-Box (Carroll & Graf, paperback reprint, 1986. Harper & Brothers, hardcover, 1942. Many other editions, both hardcover & paperback. Film: That Woman Opposite (UK, 1957) aka City After Midnight (US).

   This book is best described by quoting Carr, himself, regarding the murder in it: “This is a domestic crime. A cozy, comfortable, hearth-rug murder.”

   Though not the author at his best, this is typical Carr. There is love at first sight, and the setting is France, though most of the characters are British. There is less atmosphere than usual, and the puzzle is a bit less complicated, and therefore more guessable than most Carr’s.

   None of Carr’s usual series characters are present; the murder is investigated by a French policeman and a vacationing British psychiatrist. The time is the summer of 1939 and the delight of a simpler time and an intriguing puzzle make this worthwhile, even if it is not Carr at his peak.

MICHAEL INNES

MICHAEL INNES – The Daffodil Affair. Penguin, paperback reprint, 1984. Several other paperback editions. Dodd Mead, hardcover, 1942.

   — The Weight of the Evidence. Perennial Library, paperback reprint, 1983. Several other paperback editions. Dodd Mead, hardcover, 1943.

   These books, original1y published in 1942 and 1943 respectively, come from the most imaginative period in the career of this writer who has been publishing mysteries for fifty years.

   Daffodil is probably too wild and improbable for its own good, as we are asked to believe, on the basis of flimsy evidence, that Appleby and another Scotland Yard inspector would be sent out of war-time London into the jungles of South America.

   The story begins attractively with the stolen titular horse and is heavy on human and animal psychology, accurately using the famous “Hans Legacy” about teaching horses tricks.

MICHAEL INNES

   Finally, there is too little action and too unlikely an ending to justify what is otherwise an unusual and sophisticated book.

   The Weight of the Evidence is relatively conventional for Innes, with its British university setting immediately before World War II, but it opens with an unpopular professor found crushed to death by a meteor.

   It’s all very clever, but sometimes the literary allusions and sheer number of eccentric characters is a bit overdone. There’s a lot of good detection, though it is weakened by too much coincidence and a fortuitous confession at the end.

— Reprinted from The MYSTERY FANcier,
       Vol. 8, No. 4, July-Aug 1986.