Thu 26 Jan 2012
Archived Review: HOWARD BROWNE as JOHN EVANS – Halo for Satan.
Posted by Steve under Reviews[16] Comments
HOWARD BROWNE as JOHN EVANS – Halo for Satan. Quill, paperback, circa 1984. First published as by John Evans: Bobbs-Merrill, hardcover, 1948. Bantam #800, paperback, 1950; Bantam 1729, paperback, 1958.
Over the years there have been mysteries written with the basic premise and understanding that the English language can be used to enhance the pure, unadulterated fun of reading. This is one of them.
Paul Pine is a private eye, and even his client is an eye-opener and an eyebrow-raiser. And what Bishop McManus wants him to do is to track down a man who has offered to sell him a manuscript written, so he says, by Jesus Christ himself. The story goes on from there.
Just before Pine finds the first body, he meets a girl. Page 38:
A lovely girl, Lola North. Enough figure and not too many years and a face that could come back and haunt you and maybe stir your baser emotions. A girl who could turn out to be as pure as an Easter lily or steeped in sin and fail to surprise you either way.
Later, going back into his office, Pine is given a good solid knock on the head. As he comes to, pages 63-64, he finds that there is another woman involved:
The hunk of ribbon and the smooth red hair were back again, with a face under them I hadn’t noticed before.
It was a face to bring hermits down out of the hills, to fill divorce courts, to make old men read upon hormones. A face that could sell perfume or black lace undies and make kitchen aprons a drug on the market. Good skin under expert make-up to make it look even better. Brown eyes, with a silken sheen to them. Eyes with a careful, still look as though never just sure what the brain behind them was up to. A nose you never quite saw because her full lips kept pulling you away from it. Hair smooth on top and a medium bob in back that was pushed up here and there to make it casually terrific.
And my aching head was supported pleasantly on a cloth-covered length of firm warm flesh that was one of the lady’s thighs.
I said, “I laughed at a scene like this not more than an hour ago. I thought the usher was going to throw me out.”
Her expression said she thought I was out of my head. I would have liked to be, after what had been done to it.
“Are you all right?” It was the kind of voice the rest of her deserved: husky, full-throated, yet subdued.
I said, “How do I know if I’m all right? I think I’ll kind of stand up.”
Later on Lola North begins to tell Pine some of her story. Page 102:
I pushed what was left of my cigarette through the air vent and stretched as much of my frame as the limited space would allow. “Go ahead,” I said wearily, “and tell me. Pour out the words. My spirits are low and my ears are numb, but I’ll listen. Other people read books or go to the fights or walk in the sun or make love. But not poor old Pine. He just sits and listens.”
She said stiffly, “This was your idea. You wanted to know these things,”
“Yeah. Go ahead and tell them to me.”
The next morning, Pine gets back to his office. Page 118:
It was a dreary, rain-swept day, raining the kind of rain that comes out of a sky the color and texture of a flophouse sheet and goes on and on. I opened the inner-office window behind its glass ventilator, put my hat and trench coat on the customer’s chair and poked my shoe at the windrows of office junk left on the floor by yesterday’s prowler. The cleaning lady must have taken one look at the wreckage and gone downstairs to quit.
On pages 130-131, Pine is at the home of the second woman:
“What about Myles? Is he as broad-minded as he is rich?”
She shrugged and she wasn’t laughing any more. “The hell with him,” she said recklessly. “I need young men — men with the sap of life in their veins and a good strong back. Myles is too old for me.”
I said, “Another woman said almost the same thing to me last night. What’s the matter with you dames? You make a guy afraid of reaching his forties.”
Later, after sitting around in his office with nothing happening for several hours, Pine starts to leave. Page 139:
The fat little dentist in the next office was locking his door for the day as I came out into the corridor. He nodded to me. “Good evening, Mr. Pine. You’re later than usual.”
“And all for nothing,” I said. “I nearly came in to have you drill one of my teeth. Just for something to do.”
His smile was a little sad in a dignified way. “I could have used the business, sir.”
Back in his office a little while later, on page 169:
There is twist upon twist in the story that surrounds all these quotes, not all of them believable in the cold, clear eye of dawn, but they will make you sit up and take notice. Guaranteed.
Note: The cover of the first Bantam paperback was “covered” earlier here on this blog.
January 27th, 2012 at 12:36 am
Someone said that Browne was the best of the Chandler imitators. I agree. I think the Paul Pine books are excellent. If someone wants to try a private eye novel without ever having read one I always recommend Browne over Chandler or any of the others. I even liked HALO IN BRASS with its shameful prejudiced ending and all! Besides — I have a built-in bias — the books are set in Chicago and Oak Park and do the city and its environs proud.
January 27th, 2012 at 12:50 am
I also love the Paul Pine books of which there were five:
HALO IN BLOOD
HALO FOR SATAN
HALO IN BRASS
THE TASTE OF ASHES
THE PAPER GUN
There also was a short story in MANHUNT, February 1953.
Many years ago, Howard Browne was a guest at Pulpcon and I spent some time talking to him about his novels and pulp career. He talked about his time as editor for the Ziff Davis pulps(What a great name for a pulp, MAMMOTH DETECTIVE!). He also explained why he stopped writing the novels. The money was in Hollywood and screen writing.
Reminds me of the story about Joe Shaw, the editor of BLACK MASK and Hammett. Hammett stopped writing for the magazine in 1930 and was working in Hollywood. Shaw sent him a check for $500 in advance to get him to write another story. But Hammett returned the money; it was peanuts compared to what the movies were paying for scripts.
January 27th, 2012 at 11:26 am
Thanks for the list of Paul Pine books, Walker. It is a shame that there were only five, but I’d been Browne it’s highly unlikely I would have turned down the Hollywood money either.
In any case it’s too late now. But you’ve reminded me that I’ve never read THE PAPER GUN, so I do have that to look forward to. If I recall correctly (and I do, since I just looked it up) the book also contains the MANHUNT short story you mention.
January 27th, 2012 at 11:29 am
JF
You’re absolutely right about Browne being the best of the Chandler imitators. I’m sure I could have made this “review” three times as long, simply by quoting passages as good or better as these, and still not have said anything more about the plot than I did — which (as you may have noticed) was little more than nothing.
January 27th, 2012 at 4:57 pm
I spent some time with Howard Browne back in the 80s and he was fond of telling the story of his first meeting with Chandler at a H’wood party c. 1950. Approached him, seized his hand, and said, “Mr. Chandler, my name is Howard Browne. You don’t know me, but I wanted to thank you because I’ve been making a living off your work for years.”
January 29th, 2012 at 6:39 am
Browne is Chandler with good plots. There I’ve said it.
January 29th, 2012 at 7:48 pm
Xavier
Browne is Chandler with good plots? You may be onto something there.
On the other hand, for the sake of discussion, Chandler is read and remembered today by thousands of people, and Browne/Evans by maybe dozens at most. (I’m making the numbers up, but I’d be surprised if I were very far off.) How do we explain that?
January 29th, 2012 at 2:03 pm
I didn’t even know my father (John Evans) wrote mysteries! 😉 Seriously, why did he use that pseudonym?
January 29th, 2012 at 7:57 pm
Curt
Why did Browne decide to use John Evans as a pen name? That’s a good question. Browne’s book of short stories, INCREDIBLE INK (Dennis Mcmillan Tuscon 1997), also contains a lengthy memoir by Browne. I bought the book a few weeks ago, but so far I haven’t had a chance to sit down and read it. It might contain the answer. Anybody know?
January 30th, 2012 at 5:37 pm
Steve,
I also have the book “Incredible Ink” but have never read it. I do remember meeting Mr. Browne at a Pulpcon and had him sign a bound copy of Mammoth Detective (actually it was a copy he donated to the Pulpcon auction that I was lucky enough to win) in which he pointed out another of his pseudonyms “Bringle”, first name excapes me, but may be Howard? as well. I’ll have to check when I get home. Who knows how many names he wrote under. And why he had published “Taste of Ashes” under the Browne byline instead of “Evans”?
January 30th, 2012 at 10:34 pm
According to HAWK’S AUTHORS’ PSEUDONYMS 3 (by Pat Hawk):
Howard Carleton Browne used the following pseudonyms:
Alexander Blade
William Brengle
H.B. Carleton
Lawrence Chandler (note the last name)
Lee Francis
Roy Huggins (“Man In the Dark” FANTASTIC ADVENTURES Fall 52)
Ivar Jorgensen
John McGreevey
Peter Phillips
John Pollard
Mickey Spillane (confirmed by author) (“The Veiled Woman” FA
Nov-Dec 52)
John Evans wrote for MAMMOTH DETECTIVE:
“Halo ‘Round My Dead” (44)* see below
“Murder Wears a Halo” (Feb 44)
“Halo In Blood” (46)
In MYSTERY HOUSE
“If You Have Tears” (47) expanded reprint of “Halo Round My Head” * typo in book so title could be Dead or Head
In MANHUNT “So Dark For April” (Feb 53)
Books: HALO FOR SATAN (48) and HALO IN BRASS (49)
January 31st, 2012 at 12:27 am
Thanks, Michael! Some of these I knew, but most of them I didn’t. I suspect that most of the first bunch, except for Huggins and Spillane, were names he used writing fillers for science fiction pulps.
January 31st, 2012 at 12:12 pm
Again from Pat Hawk’s book:
ALEXANDER BLADE: “Carbon-Copy Killer” in “Amazing Stories” 6/43
WILLIAM BRENGLE: “Return to Lilliput” in “Fantastic Adventures” 5/43
“The Star Shepherd” in FA 8/43
“Lafayette Muldoon” in “Mammoth Detective
Stories”
LAWRENCE CHANDLER: “Forgotten Worlds” in FA 5/48
“Planet of No Return” in “Amazing Stories” 5/51
LEE FRANCIS: “The Man From Yesterday” in FA 8/48
IVAN JORGENSEN: Books Are Everything 12 SF, HP–(Ziff-Davis)
AUTHOR DENIES USING: John McGreevey and Peter Phillips
JOHN POLLARD: “Monarch of Mars” in FA ca ’52
JOHN X. POLLARD: “The Strange Mission of Arthur Pendran” in FA
6/44
“Call Him Savage” in FA (date not listed)
H.B. CARLETON listed sources only and appears to be SF related:
R. Barrett Call, (2) (11) Art —
(2) is “Who’s Hugh? an SF Reader’s Guide to Pseudonyms” by Roy Robinson (84)
(11) is “Encyclopedia of SFI & Fantasy Through 1968” Compilied by Donald H. Tuck (74)
February 1st, 2012 at 12:59 am
Michael,
I’ll add one more “William Brengle” to your list. I looked in my bound copy of Mammoth Detective I mentioned in #10 above and found “The Running Man” in the Jan.1946 issue. This bound volume also contains “Halo In Blood” May 1946 as well!
He was a Pulpcon guest in 1991. Seems like yesterday!
February 1st, 2012 at 2:26 pm
Thanks, Paul. I am sure there is more out there. That is the fun of research there is always something new to find.
September 20th, 2018 at 2:33 pm
[…] the plot borrows chiefly from Hammett, the tone and ambience of Halo for Satan point to a more profound influence: Browne, by virtue of this book and others in the Paul Pine […]