A 1001 MIDNIGHTS Review
by Marcia Muller:


E. X. FERRARS

E. X. FERRARS – Frog in the Throat. Doubleday Crime Club, US, hardcover, 1980. US paperback edition: Bantam, 1981. British edition: Collins Crime Club, hc, 1980.

   Virginia Freer, heroine of Frog in the Throat, is staying with craftsmen friends Helen and Andrew Boscott (he’s a furniture restorer, she’s a weaver and tapestry worker) for a much-needed holiday.

On a quiet afternoon, in walks the big mistake of Virginia’s life — Felix Freer, her estranged husband. Felix is one of those charming people who have few scruples and an overwhelming capacity for lying — even when he thinks he’s telling the truth. He is now lying about his reasons for dropping in at the Boscott house, and Virginia wonders why.

   The events of the evening only complicate matters. At a neighbor’s cocktail party, novelist Carleen Fyffe (half of a famous sister team of historical-romance writers) announces her engagement to poet Basil Deering (whom Felix has expressed an interest in meeting).

E. X. FERRARS

   Shortly after the Freers and Boscotts return home, Olivia Fyffe arrives, saying she has found her sister on the floor of their den, murdered.

   When they all go to the Fyffe cottage, however, there is no body. Almost everyone thinks Olivia is being dramatic for some reason of her own, or perhaps hysterical. It takes a second body and the discovery of her sister’s corpse to prove otherwise, and a certain amount of detection on Virginia’s part to determine Felix’s connection with the murders.

   The pace of this novel is slow, with good characterization of all participants except the heroine. The plot unfolds in the best tradition of the British country-house mystery, with plenty of suspicion and all ends tied up nicely at the conclusion.

   One wishes, however, that Virginia Freer were as well characterized as her enigmatic and complex husband and hosts. It is a little hard to care what happens to any of them when the viewpoint character is so lacking in substance.

E. X. FERRARS

   Ferrars has been writing mysteries for over forty years; many of her tales are set in such locales as Greece, Africa, Mexico, and Australia, as well as in England. Other notable titles include Give the Corpse a Bad Name (1940), Hunt the Tortoise (1950), The Busy Body (1962), The Seven Sleepers (1970), The Cup and the Lip (1976), and Crime and the Crystal (1985).

         ———
   Reprinted with permission from 1001 Midnights, edited by Bill Pronzini & Marcia Muller and published by The Battered Silicon Dispatch Box, 2007.   Copyright © 1986, 2007 by the Pronzini-Muller Family Trust.