REVIEWED BY WALTER ALBERT:         


THE HOUSTON STORY. Columbia, 1956. Gene Barry, Barbara Hale, Edward Arnold, Paul Richards, Jeanne Cooper, Frank Jenks, John Zaremba, Chris Alcaide, Jack Littlefield, Paul Levitt. William Castle, director; Sam Katzman, producer. Shown at Cinecon 40, Hollywood CA, September 2004.

    I didn’t know that Castle, before he made something of a name with gimmicky horror films, directed some crime films, and if this film is any indication, quite competently.

THE HOUSTON STORY

    Gene Barry is an oil worker who goes to a local crime-boss (Edward Arnold, considerably thinner than in his years as a major supporting player) with a scheme for skimming off oil from the major companies, installing his unwitting brother-in-law Frank Jenks as the token company president.

    Barbara Hale, almost unrecognizable if you mainly know her (as I did) as Perry Mason’s faithful secretary Della Street, is a nightclub singer and gangster’s moll who hooks up with Barry in his meteoric (and brief) rise to the top of the local mob scene.

    Jeanne Cooper is the pre-crime spree girl friend of Barry who finally catches on to his double-dealing ways, and there’s a tense final shoot-out at the roadside cafe where she works and wears her heart on a sleeve for the errant Barry.

    A fast-paced 80 minutes or so that caught Barry in mid-career between his role as the hero in Pal’s War of the Worlds and his successful career as Bat Masterson (a program I never watched).

   Barry showed something of an edge in the brief interview that followed the screening, shortened I would imagine by his almost total lack of recall of much of his career, with the most uncomfortable moment his confused question, “Have we talked about War of the Worlds?,” a subject that had indeed been covered earlier in the interview.

THE HOUSTON STORY