CONVICTED WOMAN. Columbia Pictures, 1940. Rochelle Hudson, Frieda Inescort, June Lang, Lola Lane, Glenn Ford, Iris Meredith, Lorna Gray, Esther Dale. Director: Nick Grinde.

   Following Walter Albert’s review of Women’s Prison (Columbia, 1955) reviewed here not too long ago, Walker Martin pointed out that there is a whole subgenre of WIP movies, where for the uninitiated (me) WIP is an acronym for “Women In Prison.”

CONVICTED WOMAN Rochelle Hudson

   I have no idea what the first movie in the category was, but I’m sure someone can easily tell me. At the moment, I’m assuming that this was an early one, but perhaps I’m wrong.

   And I do and I don’t know exactly what the attraction is, and I think that is all that I am going to say about that. I suppose there may even have been entire articles and perhaps even books dedicated to the subject, and if there are, someone can tell me about those also.

   Rochelle Hudson plays Betty Andrews, a young woman who’s sent to prison for a crime she didn’t do, and with a wrong attitude from the get-go (well, wouldn’t you?), she starts out badly and (nearly) ends up worse. Chief Matron Brackett (Esther Dale) does not believe in coddling her prisoners, and for a couple of inmates (June Lang and Lorna Gray), her wishes are their commands.

   But after one girl, tormented too long, commits suicide, reform comes, but the former regime does not intend to go down without a fight. Luckily Betty has help on the outside in the form of an impossibly young Glenn Ford, a reporter who’s been working on her behalf from the beginning.

   Even though it’s short, just over an hour long, I found no difficulty in watching this movie in two or even three installments, which tells you one thing, but the fact that I came back to watch it all the way through, that may tell you something else.

   Naturally it all ends well, but real prison reform is nothing but a pipe dream that never seems to last very long. Why else would there be a whole category of movies just like this one that came along later, with Ida Lupino in at least two of them?