A Review by Walter Albert:


LAURIE R. KING – The Moor. St. Martin’s, hardcover, 1998; Bantam, paperback, 1999.

LAURIE KING The Moor

   In her fourth Mary Russell/Sherlock Holmes novel, King brings the couple to the scene of one of Holmes’ most celebrated cases, Baskerville Hall. An American adventurer has bought the Baskerville property but, surprisingly, is on the verge of selling it and moving on.

   Russell and Holmes, who are visiting Sabine Baring-Gould, an old friend of Holmes, find the situation at Baskerville Hall somewhat troubling, but their principal concern is to find the killer responsible for two murders and track down the source of reported sightings of a ghostly carriage accompanied by the legendary Hound.

   Much of the novel deals with Russell’s growing affection for the Moor, and the portrayal of the region and its inhabitants is the principal strength of the novel. The resolution of the various plot lines is accomplished in a few action-packed pages, which I suspect I will not long remember. The wanderings of Russell about the often desolate but still beautiful Moor really have more drama than the Baskerville goings-on and make me want to revisit Conan Doyle’s novel to see if his descriptions of the Moor are as evocative and powerful as King’s.

   I found this to be the most engrossing Russell adventure since The Beekeeper’s Assistant, with the portrayal of the noted author and antiquarian Baring-Gould more telling than the rather bland characterization of Holmes.

— Reprinted from Walter’s Place #132, July 1999.