Mon 10 Jun 2013
A TV Series Review by Michael Shonk: SHANNON (1961-62).
Posted by Steve under Reviews , TV mysteries[32] Comments
SHANNON. Syndicated, 1961-62. Columbia Pictures–Screen Gems Productions. Cast: George Nader as Joe Shannon, Regis Toomey as Bill Cochran. Music by Arthur Morton. Created by John Hawkins. Executive Producer: Robert Sparks. Producer: Jerry Briskin. Directed by Fred Jackman.
Joe Shannon worked as an insurance investigator for Transport Bonding & Surety Company. TB&S main office was in Denver Colorado with a branch office in Los Angeles. While TB&S was owned and run by Bill Cochran, he did have to answer to stockholders. Shannon worked out of the Denver office and received his assignments directly from Bill.
What set Shannon apart from your average syndicated PI was his car, a 1961 Buick Special with enough gadgets to please James Bond (though Bond would have be disappointed by the lack of lethal weapons/gadgets). The car’s most used features were a telephone that allowed Shannon to give exposition to his boss Bill who was at another location, and a microphone and tape recorder that popped out of the dashboard. There was also a camera mounted near the driver’s outside rear view mirror, and a film camera that with a touch of a button mechanically rose from the front middle seat.
Shannon’s toys did not stop at just the car. He also carried a small tape recorder with him to preserve anything important a suspect or witness might tell him.
Shannon was the typical first run TV Film syndicated half hour series. It suffered from poor production values, weak acting especially from the guest cast, scripts and direction flawed by a lack of production time and budget. There was no time to develop the characters to where we cared about them, and no time to develop any mystery or drama. But Shannon did have something that could have made it memorable, the car.
This was the early 60s, a PI’s car was as important as a cowboy’s horse. Joe Shannon’s car was special and all the characters should have reacted to it with amazement and curiosity. Yet everyone behaved around the gadget filled car with indifference as if every one had a car with a tape recorder that pops out of the dashboard. Due to a lack of time in these thirty-minute dramas I expect the hero to be one dimensional, but if your series has a gimmick like Shannon’s car you need to highlight it, not virtually ignore it.
EPISODE INDEX —
(Of the four episodes I have seen, there were no on screen episode titles. The titles used here came from IMdb.com and TVTango.com. The two sites had the same titles but listed the episodes in different order.)
“Zendee Report.†Written by John Hawkins. Guest Cast: Kathie Browne, Jan Arvan, and Joseph Rome. *** Zendee Truck company was having problems with hijackers. Shannon follows one trucker on a delivery run, but he was unable to stop two men from killing the driver. Shannon searched for an answer to the trucker’s little girl who asked, “Mister Shannon…Why did my daddy get shot?â€
“Lady on the Rocks.†Written by Paul Schneider. Guest Cast: Leonard Stone, George Murdock and Walter Kinsella. *** Every one but Shannon believed the Captain wreaked his own ship so he could collect on the insurance.
“Professional Widower.†Teleplay by Todhunter Ballard. Story by Seymour Friedman Guest Cast: Walter Brooke, Elsie Baker and Henry Hunter. *** A con man marries lonely old ladies then kills them makes a mistake when he uses a teapot insured by TB&S as a murder weapon on his latest victim.
“Deadly Homecoming.†Written by Joseph Vogel and Lou Lantz. Guest Cast: James Griffith, Brenda Scott and Stephen Roberts. *** A truck covered by TB&S strikes a pedestrian, leading Shannon to play matchmaker for a great jazz musician just out of prison and his young daughter who refuses to see him.
In 1961 first run syndication was dying. June 2, 1961 Screen Gems announced the availability of Shannon for the fall. In Broadcasting, June 5, 1961, a spokesperson for the company claimed it had more first-run programs “waiting in the wings,†when and if there was a market.
However, Screen Gems had found more success with the networks than first run syndication. At this time Screen Gems was a major TV producer for network television. In Broadcasting (August 13, 1962) an article focused on what it called TV’s major studios, six studios that produced 40% of prime-time entertainment programs (Screen Gems, Revue, Warner Brothers, 20th Century Fox, MGM, and Four Star Television). Screen Gems had nine series on the networks primetime schedules for the fall 1962 season.
Shannon was an average half hour TV Film syndicated series. Perhaps the other episodes (of the thirty-six total episodes) were better. Perhaps those written by Gene Roddenberry (Star Trek) were magical. Perhaps those episodes paid the proper attention to the real star and attraction of the series, the 1961 Buick Special with all the gadgets inside. But based on what I watched, I doubt it.
June 10th, 2013 at 5:04 pm
Just looked it up- this was aired in Germany in 1962, on a regional program.
And that was it.
So- I never saw it .
The Doc
June 11th, 2013 at 8:46 am
You know, your mention of Roddenberry finally put me in mind of not only is the only woman on the bridge of the Enterprise a telephone operator, but the token Asian man is Kato.
June 11th, 2013 at 8:55 am
And speaking of mentioning, it finally occurs to me that I failed to respond in a timely fashion to your query thus, Mike:
Maybe a schedule not limited to just mysteries would work for Sweet Freedom?
Sure!
June 11th, 2013 at 9:56 am
I don’t remember this series at all, but the fact that it was syndicated and I was away at college at the time would have a lot to do with that.
I have hazy recollections of George Nader playing Ellery Queen a couple of years before, though. I don’t remember the stories at all, but I do recall being disappointed when the series didn’t come back the next year.
Googling the series, I see that Nader didn’t make it though the entire run as the star. He was replaced by someone named Lee Philips after 20 episodes of a 32-episode season. I don’t remember that!
June 11th, 2013 at 10:23 am
Lee Phillips was a very dull actor who appeared in, but was not mentioned in the credits or commentary, The Hunters — reviewed here recently. HIs claim to acting fame was being cast opposite Lana Turner in Peyton Place. Have no idea as to why that happened.
June 11th, 2013 at 12:42 pm
#1. I think SHANNON was Screen Gems last series for first-run TV Film syndication for primetime. So it not making it to your region doesn’t surprise me. In August before it premiered it was sold in only 87 markets. By February 1962 it had grown to only 109 markets.
June 11th, 2013 at 12:54 pm
#2/3. Todd, maybe STAR TREK wasn’t WAGON TRAIN to the stars, but ROUTE 66 along the Milky Way.
I hope to have time to do the fall schedule in August. If so, I will do my mystery one for MYSTERY FILE and send you my notes about the rest. If you have time you can add your finds and MF and Sweet Freedom will do a Tuesday crossover.
June 11th, 2013 at 1:08 pm
#4/5. Steve and Barry, Nader was not bad as Joe Shannon. He may have lacked charm but he was convincing as Shannon. The character reminded me some of a PI yet to appear, Joe Mannix. In “Lady on the Rocks,” the Captain was sure to be found guilty in court and TB&S would not have had to pay for the shipwreck. But Shannon wanted the truth. When Bill his boss pointed this out, Shannon asked him if he wanted him to stop. Anyone who remembers Regis Toomey (Bill) can picture him telling him to continue.
June 11th, 2013 at 1:23 pm
Michael —
I don’t have any problem with Nader –in fact, I always thought he had something good going — but my response was to Steve re Nader’s replacement in Ellery Queen. And, I stand by that.
June 11th, 2013 at 2:09 pm
9. Barry I know, and I agree about Phillips. My guess about how Phillips got Peyton Place is they needed a lesser actor so not to upstage the star Lana Turner.
June 11th, 2013 at 3:49 pm
Michael — who knows about such things. She, Lana did play against Garfield, Gable, Tracy and others. The least they could have done is gotten Barry Sullivan for her. I think Phillips had some cache from the theatre and was a miscalculation. The picture did well anyway — but Lloyd Nolan took the honors for me.
June 12th, 2013 at 3:54 pm
That’s a 1961 Buick in the opening credits, not a Cadillac.
June 12th, 2013 at 4:43 pm
#12. Joel, not being a car buff I depended on the one mention of car I read. Thanks.
June 12th, 2013 at 5:18 pm
Steve: Joel is correct about the car. When you have time please correct my post and replace Cadillac with 1961 Buick Special.
Sheesh, how did I miss Wikipedia’s mention? And I just found this review that loved the series.
http://black2com.blogspot.com/2011/10/shannon-half-hour-series-syndicated-by.html
June 12th, 2013 at 7:12 pm
Michael
I’ve made the changes.
Thanks, Joel!
June 13th, 2013 at 8:41 am
Michael, I love the way you can find something positive in any show, even if it is just the car. Maybe Allan Burns and Chris Hayward got the idea to create an entire show (My Mother the Car) around a car after watching Shannon?
George Nader is one of several actors featured in an August 1968 TV Guide article about erstwhile American TV stars who became big-time film celebrities in Europe, along with Clint Eastwood, Ty Hardin, Edd Byrnes, Robert Fuller, Chuck Connors, and Brian Kelly.
According to the article, Nader’s success came in German films, thanks to his portrayal of secret agent Jerry Cotton in “such pieces of knackwurst as ‘Operation Hurricane,’ ‘Countdown for Manhattan,’ ‘Murder Club from Brooklyn,’ and “Dynamite in Green Silk,’ easy-to-forget melodramas which have yet to play America and perhaps never will.”
June 13th, 2013 at 9:33 am
16. David, I imagined the car doing the scene from ON THE WATERFRONT with the car as Brando.
“I coulda had class. I coulda been a contender. I coulda been the Batmobile. Instead of a bum. Which is what I am. Let’s face it.”
June 13th, 2013 at 10:10 am
Several versions of the George Nader story have appeared in various places over the years. To credit them all would require a bibliography.
Interestingly, no one here has mentioned Nader’s homosexuality, which played a major (if ’50s-era discreet) role in the arc of his career.
Most of the stories about this vary wildly and contradict each other:
– … that Nader was “traded” to Confidential magazine by Universal Pictures to keep Rock Hudson’s gayness secret;
– … that Nader lost the Ellery Queen role when someone at NBC belatedly recalled the other slang definition of the word “queen”;
– … that the principal reason for Nader’s relocation to Europe was that on that side of the water his sexuality was of no concern to the makers of the Jerry Cotton and other pictures, or to the regular audiences of these films;
– … and a few others I can’t call to mind just now.
Some (or maybe all) of the above stories are hard to verify, principally because the timelines don’t always track.
George Nader was a discreet gentleman throughout his life, remaining friends with Rock Hudson right to that gentleman’s last days (reportedly Nader was named executor of Hudson’s estate).
As an actor, he was a serviceable lead for a certain type of show, and well-liked by his contemporaries.
His Ellery Queen shows are lost, because they were produced live, and no kinescopes were saved; the taped shows with Lee Philips were used as summer reruns in ’59, but these are apparently lost too.
The best George Nader story that I know of concerns his frequent appearances on Loretta Young’s anthology series from the ’50s.
You’ve probably read of Miss Young’s “swear box”, where cast and crew members who used naughty words paid a small fine, which subsequently went to charity.
Reportedly, George Nader was famed on the Young set for always paying in advance.
This is perhaps a bit more on the gossip side of things than we usually get around here, but since George Nader’s gayness is the one thing that most people seem to remember about him today, and since it did play a role in his career, it ought to noted at least in passing.
June 13th, 2013 at 11:06 am
Mike Doran, very interesting background. The Paley Center archives do include several episodes of The Adventures of Ellery Queen that appear to be from Nader’s reign, 1958-1959, though I haven’t watched them. We also have two tapes labeled “Ellery Queen Audition,” also from 1958, also unseen yet by me.
June 13th, 2013 at 2:02 pm
Mike, doesn’t David work at the coolest place?
June 13th, 2013 at 3:49 pm
20:
I’ve always wondered whether the various broadcasting museums might find a way of sharing their respective archives – say, online – and making them available for viewing by their memberships.
All those old shows just sitting there on shelves, gathering dust –
– and all of us out here who’d like to get a look at them, gathering dust ourselves …
All that stuff I’ve got in my DVD/VHS wall at home – I’ve been piling all that up for years now; sometimes i just ache to show them all to somebody, just to prove that they exist, that they’re a part of history, no less than the “classics” that everybdy’s seen a thousand times or more.
Until I started visiting sites like this, I went through periods thinking that I was the only one who knew, or cared, about the obscure movies and broadcasts.
Now that I know differently, I wonder if there are enough of us to demand that the “orphan” shows be brought to a larger public.
Something to think about …
June 13th, 2013 at 4:01 pm
21. That was one of the first discussions David and I had. The copyright problem is one of the main reasons they can’t make their collection available on line.
I have sent some of my collection to the Paley Center care of David where they are copied and returned. If you are interested, email David.
I am also a member of the Paley Center for Media, not because of the goodies they offer which means something only to those who live near New York and Los Angeles, but to help them maintain their library.
March 13th, 2014 at 8:33 pm
We just bought the series. Looking forward to watching it. Love old detective programs.
March 17th, 2014 at 12:43 pm
23. Mark, I’d be interested to read your opinion of the show after you watch it.
February 25th, 2016 at 2:19 pm
Which is the true color of Shannon’s car ? Anybody knows ? Is there any colorful picture of it ?
Thanks.
February 28th, 2016 at 2:00 am
Not sure. You would think the series print ads or publicity shots would be in color but those I have seen were in black and white.
March 7th, 2016 at 12:42 pm
Yes.
All I have seen were in black and white.
Thank you, very much, Michael.
September 5th, 2017 at 10:45 pm
As someone who generally lives 55 years ago, and who bends the airwaves to his will to support that fact (I have my own TV station!) I ran all of the episodes of Shannon I could find both during the regular 1961-62 season and as summer reruns.
I think next week is the last week I will ever see Shannon. I’ve caught a few full episodes (“Captain’s Gold” being one of them) and pieces of many more. It’s a dull show and the car is both silly and underused.
Still, it’s fun to have TV shows that *haven’t* stood the test of time just to remember it wasn’t all Mr. Ed or Andy Griffith or Route 66. Or even The Real McCoys…
September 6th, 2017 at 2:45 am
Gideon, one of the greatest joys for TV addicts is so much of TV from the black and white beginnings to today’s over 450 original scripted TV series this season alone are available to watch whenever we want to watch.
SHANNON is a typical American syndicated TV series from the 60s, watchable but nothing special. Since I did this review I have watched other episodes as they show up on YouTube. I am mildly surprised Shout or Alpha Video or someone has not released it on DVD.
TV Land is one of the worse cable networks in the business (it began well but the cost was more than the profit at the time). MeTV has its moments but it usually focuses on the popular remembered oldies that are not that hard to find.
While YouTube continues to shift to a pay streaming service you can still find forgotten shows for free such as TIGHTROPE (Mike Connors as an undercover cop), MARKHAM (better than expected lawyer turn PI series starring Ray Milland), and the awful but I was curious DOUBLE LIFE OF HENRY PHYFE (Red Buttons in spy comedy). Find shows like that without visiting the collectors black market.
Today more than ever in the history of entertainment the audience can decide what to watch and when it wants. To me TV is much like music, I can find something to love in any decade and from any country. The sixties remain my favorite decade for TV from the ITC British series of DANGER MAN, THE AVENGERS and DEPARTMENT S to American series such as T.H.E. CAT, DANTE, MAN FROM U.N.C.L.E. But every decade offers a different style with gems of its own.
September 6th, 2017 at 7:00 am
The nice thing about my particular brand of time travel (living 55 years ago, day-by-day) is that I get to truly soak up the period. So for better or worse, I’m reading every sci fi mag of the time, listening to all the music (not just the pop standards, but a lot of stuff people have forgotten, and jazz, and ska, and latin), and I watch pretty much every show I can find, good, bad, or indifferent.
Or, at least I put them on the station. Whether I get around to watching them depends on schedule and free time!
And I make a few judgment calls. Like, I’m not going to pay for Perry Mason or Dobie Gillis. But I certainly bought Route 66. I may skip the fourth season, though, since I don’t know that I can bear to watch it without Buzz…
Thank you for the conversation! This is really fun. I hope you enjoy my column as well. I’ve done a full review of The Twilight Zone as I watched it, week by week, in context of the time.
September 6th, 2017 at 8:07 pm
Your website is a great idea. Living in the past gives you the insight of hindsight. You understand the importance of such minor moments such as in 1962 when Walter Cronkite took over CBS Evening News, Johnny Carson begins on the Tonight Show, and the Beatles first performance on TV.
For SF TV THE AVENGERS future was bright as Honor Blackman joined the show as Kathy Gale, sharing time with other characters Venus Smith and Dr Martin King for this season only before she and Steed set London crazy. DOCTOR WHO is in development and no one can guess what future that series holds.
America TV offered little for the SF fan beyond THE TWILIGHT ZONE and THE JETSONS.
September 6th, 2017 at 11:27 pm
It is true that I have some of the Second Sight, but I try to keep my alter-ego in the dark on the future as much as possible. Johnny Carson is just a frequent guest on “To Tell the Truth.” The Beatles’ first single is still a month away. Cronkite is just a new face behind the anchor desk, a mite emotional when John Glenn launched (but weren’t we all?)
I have retained a British correspondent to cover UK TV — she’s done sterling work on shows like Supercar and A for Andromeda. Perhaps something interesting will show up next year, too…
I’m very gratified you like my site. If you feel so inclined, please play along and pass on appropriate insights in my comments section. In two days, I am publishing an article on the 1961-2 TV season just for you!