Wed 10 Sep 2014
A Western TV Series Review: WICHITA TOWN (1959-1960).
Posted by Steve under Reviews , TV Westerns[13] Comments
WICHITA TOWN. NBC/Four Star Productions. 26 x 30m episodes, 30 Sept 1959 to 6 April 1960. Stars: Joel McCrea (Marshal Mike Dunbar), Jody McCrea (Deputy Ben Matheson). Townspeople: Robert Foulk, Frank Ferguson, Bob Anderson, George N. Neise.
This series has not been officially released on DVD. It is only available through what is generously called the grey market. I recently obtained several episodes in this fashion. The picture quality was only fair but watchable. Below are my notes on each episode as I watched them, not chronologically but in the order they appeared on the discs.
Episode 1. “The Night the Cowboys Roared.” 30 September 1959. Guest Cast: James Coburn, Tony Montenaro. Trail boss Mike Dunbar has just brought his herd of cattle up from Texas into Wichita, but the job having been completed, disclaims responsibility for the subsequent shoot-em-up ruckus caused by his former crew of cowhands. Until, that is, the small Mexican boy who has befriended him is accidentally shot and killed by a ricocheting bullet. Then he steps in and helps the deputy marshal Ben Matheson send the cowboys on their way. Deciding that he needs roots, Mike Dunbar decides to stay on when offered the job of marshal. He is clearly taking on the role of Wyatt Earp, without the name, and it is obvious who his new deputy is intended to be. James Coburn is his usual smart-aleck self as the loud-mouth leader of the cowhands, but the big friendly smile of 12-year-old Anthony C. Montenaro makes an even bigger impression, his first ever role in movies or on TV.
Episode 21. “The Frontiersman.” 2 March 1960. Guest Cast: Gene Evans, Mary Sinclair. This appears to have been produced separately as a pilot for a proposed series starring Evans, as a spinoff from Wichita Town. The version I watched is the pilot itself, with its own title and closing pitch to prospective sponsors. It was not picked up, however, and was broadcast as an episode of Wichita Town. The concept is a good one. The rough-hewn Evans plays Otis Stockett, whose goal is the fight the lawlessness of the frontier with education, with books and learning. When that fails, however, he’s handy with a fist, as he demonstrates in this pilot, then, as he admits in his closing argument, with a gun, but only if absolutely necessary. Joel McCrea appears only briefly.
Episode 11. “Death Watch.” 16 December 1959. Guest Cast: John Dehner, Phillip Pine, Tina Carver, Jean Howell. Ben is trapped in a cyclone cellar with a gambler, a dance hall girl, a dying man, and a killer — a man who thought he could earn a woman’s love by shooting and robbing the man who is dying. As a rarity, the gambler (John Dehner) is not a card shark, but a man who is sadder and wiser about the way the world works. While three people die during the course of this episode, it is talkier than a lot of other westerns, with Dehner taking top honors in that regard, a fine performance. Marshal Dunbar steps back and lets young Ben learn a lesson on his own.
Episode 19. “Brothers of the Knife.” 10 February 1960. Guest Cast: Abraham Sofaer, Anthony Caruso, Robert Carricart, David Whorf. This one felt as though it could be an episode of The Untouchables, as the Mafia tries to make a foothold in Wichita, where a sizable Italian population has made a new home. What the two men sent to enforce a protection racket don’t realize is that once men taste freedom, they will fight for it. Joel McCrea as Marshal Dunbar has little role beyond that of an onlooker. Jody McCrea does not appear in this one. An excellent episode that could only have benefited from having more than the 26 minutes allowed.
Episode 3. “Bullet for a Friend.” 14 October 1959. Guest Cast: Carlos Romero, Robert J. Wilke, James Griffith. On a day when both Marshal Dunbar and his deputy are out of town, two gunslingers come riding in. One is Rico Rodriquez (Carlos Romero), the uncle of Manuel, the young boy who was killed in Episode 1. The other is Johnny Burke (Wilke), who aims to kill a former partner of his, now a successful cattle-buyer in town. Things take an interesting twist when Rodriguez learns that Dunbar was a friend of his nephew, if only for a day, and he decides to do the marshal’s job for him. At the end of program Rodriguez is persuaded to stay on as a second deputy, but this is the first I’ve seen of him. McCrea is present for only the last two minutes, a funny way to be the star of a series, but this was an excellent episode.
Episode 5 “Drifting.” 28 October 1959. Guest Cast: John McIntire, John Larch. When Ben Matheson’s father (John McIntire) comes drifting into town, it is not to a warm welcome. It has been twelve years since he abandoned his son, and Ben finds it difficult to even talk to the bedraggled old man. The problem is that a gunslinger with a fancy saddle has also just come to town, and it is Ben’s father whose trail he is on. Dealing with the situation is what Ben has to do, and it’s his story all the way, and I enjoyed it. Joel McCrea shows up briefly only at the beginning and end.
Summary: Based on the episodes I’ve been able to see, this was a very enjoyable series. These were largely homespun tales, punctuated by spurts of sudden violence, usually toward the end. The acting was uniformly above average, especially on the part of the guest stars. Joel McCrea was fine, too, but perhaps one reason why this series is as forgotten as it is, is that Joel McCrea almost nearly wasn’t in it.
September 10th, 2014 at 3:21 am
The format reminds me a bit of THE DEPUTY, which ran from 1959-61, with Henry Fonda as Allen Case’s seldom-seen mentor, but this seems to have been quite strong in the casting department.
September 10th, 2014 at 8:28 am
Yes, I meant to point out the similarity between the two shows, but I forgot. Henry Fonda wasn’t around all that much either, and I even noticed that as a young lad. I never saw WICHITA TOWN back then, being off to college and all, but if it ever came out as an official release, I’d snap it up in an instant.
September 10th, 2014 at 11:36 am
By any chance, are your Wichita Town DVDs missing their credit crawls?
That happens quite a bit with “grey-market” DVDs, in my experience.
A lot of us tele-dweebs out here are very much caught up in this stuff, which is why I bring it up.
Joel McCrea would have been a major “get” for weekly TV in ’59; I seem to recall that this was a Four Star show (probably wrong about that; correction welcomed).
In any case, “inquiring minds” want to know …
September 10th, 2014 at 12:02 pm
Hi Mike
Yes, most of the episodes include the credits, but they’re mostly unreadable — the less than ideal picture quality (with mild ghosting a major culprit) meant I found it easier to get the cast credits from IMDb.
But if you can give me specifics as to what you’d like to know, I don’t mind giving it a try. People such as screenwriters and directors usually got a screen to themselves, so I should be able to make them out.
Yes, the series was a Four Star Production, in conjunction with Mirisch/McCrea Productions.
September 10th, 2014 at 8:50 pm
If this is meant to represent Earp and Masterson they took more than a few liberties. Masterson was deputy city marshal, not US marshal, and brother Ed was marshal, Bat took the job to get out of jail for having interfered with an arrest. Wyatt was James and Ed’s deputy and not Marshall and City but not US Marshall. While Masterson often backed Earp’s game as he did against Clay Allison and his team of bushwhackers Bat was never Earp’s deputy, never under his command, only barely his junior, and only had a shorter time as a lawman by a few months. Masterson only wore the badge six months in Dodge. He was later Sheriff of Ford County.
Anyway, Bat never wore a badge in Wichita. His contact with the Earp’s was all in Dodge and briefly in Tombstone. Masterson served a year as marshal of Trinidad, Colorado. Earp was only a US marshal following the incidents in Tombstone, where he was Virgil’s deputy city marshal and US marshal, but Wyatt not a deputy US Marshal. .
Neither Earp nor Masterson (nor Hickok for that matter)were professional lawmen. Bat was a buffalo hunter, scout, and professional gambler and sometimes journalist in the West. Earp was primarily a gambler as was Hickok, and Earp and Hickok made their primary incomes as brothel owners and saloon keepers.
Lawman was a relatively short period in all their lives with Virgil and Ed the only professionals.
That to one side Steve, you are most likely right about what they thought they were portraying. The only young deputy Earp had though was brother James, and again Virgil was in charge as earlier Ed Masterson was.
TOMBSTONE is one of the few dramatic tellings to get it right that Virgil, not Wyatt, was City Marshall of Tombstone, and WYATT EARP with Costner was a total fiction suggesting Earp ever taught Masterson and his brothers anything about being a lawman. Far from Wyatt teaching Bat to pistol whip troublemakers, Masterson was notoriously fast and a blow from his gun barrel more feared than any bullet.
Whatever else the Earp’s were as much semi legal gangsters as lawmen, they just made it to the right side of history, largely thanks to Stuart Lake’s oft filmed book.
McCrea of course had been Jake Pearson, Texas Ranger on radio though not on television.
Actually series stars at that time played relatively small roles in most series. They appeared at the end or beginning to provide context for the anthology style story that had been told featuring the guest stars. Often only a handful of episodes would actually feature episodes primarily about the star. Even Arness Matt Dillon often got little footage on episodes of GUNSMOKE.
As for the Mafia or Omerta or the Black Hand as it was known, this would be the 1870’s early 80′ at the most, twenty to thirty years before they even got a toe hold in the east.
They don’t seem to have taken history very seriously on this one. The actual heyday of Wichita, Dodge, Abilene and the other big cattle towns was far less than a decade, and pretty much over by the time the railroad reached Texas. The Wild West only lasted twenty years at most and the great cattle towns barely five of that. Gold, land, borax, and silver all had their heydays for short periods, and even the Indian wars were off and on for the twenty year period.
GUNSMOLE and BONANZA came close to lasting longer than the old west did.
September 10th, 2014 at 10:03 pm
I think all the series wanted to do was to hint at the Earp-Masterson connection. Hugh O’Brian’s show was still on, wasn’t it, though I imagine he’d already moved on to Dodge City.
And I’d have to agree with you that historical accuracy certainly wasn’t much of a goal, no matter how you look at it, but that didn’t mean the stories weren’t entertaining. As a long time Joel McCrea fan, though, I was disappointed that he showed up as seldom as he did.
I don’t know why, but I’ve never seen an episode of JACE PEARSON, but as you say McCrea was the radio star, not the one on TV.
September 10th, 2014 at 10:29 pm
Steve:
As I get more and more into this, I recognize digital restoration as the major scientific advance of our lifetimes.
My DVD wall contains many series from the same period as Wichita Town.
The earliest VHSs and the “grey-market” DVDs often look as if the prints were kept in a storm cellar for years, subject to the elements, vermin, and basic neglect.
Compare to recent releases that have undergone digital clean-ups; on my HDMI screen, they look like they just came back from the lab.
What I’m looking for on the Wichita Town episodes:
Nothing more than the writer and director credits, which other posters generally include with their series summaries.
If the prints you’ve got are really that degraded (an experience I’ve had a few times), there’s not much more that you can do, so let it stet.
I flatter myself that I was right about this being a Four Star series. By chance I recalled a TV Guide feature about all the shows Four Star had on the networks that season, with a group picture of Dick Powell and as many of his stars as could fit in a two-page spread.
Do they at least have the Wichita Town theme song? I remember some of it, vaguely – this was one of the first closes to be aurally obliterated by network promos.
One other matter:
That’s Tales of the Texas Rangers you’re referring to; Jace Pearson was the lead character, played on radio by Joel McCrea and on TV by Willard Parker.
I remember that theme song too.
September 10th, 2014 at 11:30 pm
Steve
I always think it is ironic that the three men most identified as lawmen in the old west, Earp, Masterson, and Hickok, spent relatively little of their careers in that role. Truth is, like a lot of western lawmen, they spent almost as much time on the fringe or actual other side of the badge.
The reason the lack of historical veracity surprised me was because McCrea knew his western history, and was something of a stickler for detail in many of his films. This was something he must have done for the money and nothing else but to give Jody a job before beach blankets became popular.
I agree about the earlier comparison to THE DEPUTY here because Henry Fonda didn’t do much in most episodes of that series either. He and McCrea likely shot all their scenes for the season in a few weeks.
I’m a big McCrea fan too, but many series followed this pattern especially those with bigger name stars, like Robert Taylor in THE DETECTIVES. Though David Jansen was not a huge star then if you recall there were episodes of THE FUGITIVE where you only saw Jansen at the opening and end of the episode, certainly in the early years. If I remember right the first season of CANNON in the seventies was this way as well. It was a fairly common staple that you seldom see today. Many more episodes would be about ordinary people or even villains with the hero or regulars sort of lurking at the edges. Stuart Whitman’s CIMMARRON STRIP was another mostly like that. Today most series are about the series mythology and continuing story, not a collection of separate stories lightly tied together by the protagonists.
Yes, thanks, JACE PEARSON, TALES OF THE TEXAS RANGERS. Willard Parker, and was it Harry Lauter or Rand Brooks? Haven’t seen one of these since the late fifties and only heard one of two radio episodes though many more are available.
Quality on the gray market is grab and run at most, and even worse for older television series. Most of them we have to be glad to have it all, and some are so bad even digital remastering doesn’t help much.
For some reason those primarily shot on studio sets fare worse than the ones that did more exteriors, at least it seems so. Maybe because the exteriors were often stock footage from movies or the latter was easier to light and required less budget for set decoration.
I suppose it is because of copyrights, but syndicated series always seem the easiest to find, or those from Warners, Four Star, or other prolific studios. You would think hit series would dominate, but unless they were also cult favorites it doesn’t seem to be true. Genre also seems to play a role in what is available.
September 11th, 2014 at 2:40 am
#8:
The ME stations have been running the early Fugitive episodes quite a bit recently, and my observation is that David Janssen is in them pretty much all the way.
Janssen used to get hurt a lot during filming, which sometimes required the producers to write him light for a given episode, and anyway The Fugitive was mainly an “anthology in disguise”, with the guest stars carrying a lot of the footage.
What is true is that this was Janssen’s breakout part after years as a second-stringer in movies and TV; thus, he would not yet have had the clout to demand a tailor-made schedule, as McCrea, Taylor, Fonda, Fred MacMurray, and other stars who were still big in films could command.
Back to Four Star and Wichita Town:
One thing I’ve noticed in watching MeTV repeats is that many of the series are now owned by many different distributors, who tack their logos onto the ends of episodes.
Apparently, when Four Star went out of business circa 1970 (that might not be the right date; correction welcomed), the assets of the company – the films – may have been broken up and sold off to the highest bidder (or bidders).
This happened quite a lot to pre-1948 features when they were first sold to TV. I’ve often wondered how (one example out of many) Paramount’s films of the ’30s wound up being owned by MCA-Universal (they are the releasers of the DVDs to this day).
As I said, one example; others of you can come up with more.
Tales of the Texas Rangers:
That was Harry Lauter playing #2 to Willard Parker.
This was a Screen Gems series – that’s Columbia Pictures’s TV arm. Among Hollywood studios, Columbia was just about the only one that held onto its inventory – which situation continues to the present day (again if I’m wrong about this, correction welcomed).
Thanks to the mergers & acquisitions in film and TV in recent times (hello Ted Turner), trying to track down who owns the rights to what can become a lifetime’s occupation – thankfully, not mine.
September 11th, 2014 at 6:44 pm
The following credits come from IMDb and need to be verified by watching the shows themselves again. I won’t add them to the post itself until I have a chance to do it. They’re probably correct, but take everything you read on Internet with a grain of salt, or maybe two.
THE NIGHT THE COWBOYS ROARED. Story by Richard Allan Simmons, based on a story by Daniel P. Ullman. Director: Jerry Hopper.
THE FRONTIERSMAN. Writers: Eric Freiwald & Robert Schaefer. Director: Walter Grauman.
DEATH WATCH. Story: Eric Kadison. Director: Frank Baur.
BROTHERS OF THE KNIFE. Story: Lawrence Merkin. Director: Jesse Hibbs.
BULLET FOR A FRIEND. Story: Daniel P. Harmon. Director: R. G. Springsteen.
DRIFTING. Story: Frank Davis. Director: Jerry Hopper.
Typing this data in jogged my memory. I do remember many if not all of these as being correct.
September 11th, 2014 at 10:13 pm
# 10:
All those writers and directors should be very familiar to readers of this blog, as contributors to many of the series that get written up here.
That’s TVHollywood, the ultimate Company Town.
Write a western one week, a cop show the next, a space opus the week after that.
Directors, same deal; and if you’re lucky you swing a deal to work regularly on a weekly show.
It’s no accident that MeTV watchers see the same names on so many different shows from these decades; indeed, that’s part of the appeal of watching. This is what creates a hobby – or maybe a cult?
June 30th, 2015 at 6:01 pm
Hi Folks. I just found this website. What a cool one! I’m here because I’m pretty sure my dad created Wichita Town, at least that’s what I was told. The credit up above should be Daniel B. Ullman, not Daniel P. He also wrote the movie, Wichita, on which the series is based. For me the credits are always the best part so it and it sounds like they aren’t even legible. That’s too bad. We lost my dad a long time ago (1979) but I try to collect as much of his work as possible. I don’t have any episodes of Wichita Town yet.
Okay, sorry for the sidetrack. I was 7 years old in 1960 and don’t remember that much. From 1959 to 1963 my dad was under contract at Revue studios. He was the associate producer of Laramie for all 4 seasons (as Dan Ullman,) along with some writing credits, and Wichita Town was going on at the same time. I just got seasons 1 and 2 of Laramie from Amazon and it’s been great fun watching them. The quality is pretty good. The reviews for seasons 3 and 4 (the ones in color) are pretty bad; the quality stinks. I’m hoping for a rerelease.
It was a ritual that the family gathered around the TV weekly to watch Laramie. It was also required that all 3 of us kids stand up and salute when his name came on. And we aren’t even a miliary family. I have some great memories of those times.
My dad started out writing movies in the late 40’s and 50’s, mostly B westerns and detective movies, then moved to television in the mid fifties. The one movie people are most familiar with is Mysterious Island. I have a list of credits for anyone who is interested. And I’ve just picked up one more, thanks to this site!
Best,
Steve Ullman
June 30th, 2015 at 8:00 pm
Hi Steve
First of all, thanks for the correction on your dad’s middle initial. I’m sure that was only a typing error on my part.
But even more, let me say how glad I am you found this blog post and for leaving the long comment that you did. What great memories you have of your dad!
Mike Tooney did a short review of the LARAMIE TV series, and let me direct you to it with this link:
https://mysteryfile.com/blog/?p=33835
I don’t believe your dad was mentioned, but if I’m wrong about that, so much the better.