Sun 26 Oct 2014
A Review by Dan Stumpf: VICTOR NORWOOD – Night of the Black Horror.
Posted by Steve under Reviews , Science Fiction & Fantasy[10] Comments
VICTOR NORWOOD – Night of the Black Horror. Badger Books, paperback, 1961.
This is perhaps the finest novel ever written in the English language. Or perhaps not. Certainly it can’t be judged by the criteria we apply to most fiction: originality, prose, characterization or plot, yet I found it one of the most compulsively readable books I’ve opened this year.
A bit of research revealed that the first part of Night/Horror was stolen from a short story, “Slime†by Joseph Payne Brennan, and I mean Stolen, with characters and situations only slightly modified, as a formless, blob-like (Brennan got a cash settlement from the makers of that movie) deep-sea Thing gets blasted out of the ocean depths and lands in a swamp somewhere in the southern USA — one of those isolated rural burgs beloved in the Horror Genre, with the added twist that Author Norwood sometimes has his yokels lapse into British colloquialisms, as when the Sheriff tells everyone to park their cars with the bonnets close together.
Given such literary larceny and idiomatic ineptitude, Night of the Black Horror should have been a total waste, but — no kidding — I found myself completely gripped in its spell as the formless thing begins to creep out of the swamp at night, absorbing swine, ’gators, and the occasional landed gentry.
In short order it attracts the attention of a vacationing scientist, his handsome young assistant and (surprise!) beautiful daughter. A few more folks come to a (literally) sticky end before the Army comes in (“We’ll try it with flame-throwers and I’ll have men standing by with bazookas…â€) and things get really nasty.
Norwood shows real flair for moving a story along quickly, and he writes the nasty bits just visceral enough to be vivid without getting disgusting. And if the characters seem a bit pat, I had fun visualizing their cinematic counterparts. I could almost see John Agar, Faith Domergue and that grand old man of Sci-Fi, Morris Ankrum, strutting across pages I couldn’t turn fast enough.
Great literature? Hardly. But for a fast, fun read you couldn’t ask for better.
October 27th, 2014 at 2:33 am
This is pretty amazing in that it’s a Badger Book that isn’t written by either Lionel Fanthorpe (these days he is the Rev. Lionel Fanthorpe)or John Glasby. Victor Norwood produced tons of stuff like RAW DEAL FOR DAMES, HELL’S WENCHES and DRUMS ALONG THE AMAZON and is pretty much the Badger type of author in having a clutch of pseudonyms. If he was anything like Fanthorpe he probably produced this in a day or so. During their heyday, Badger would apparently publish anything sent in by anyone as long as it was written in some form of English. By the end their output was being written almost exclusively by Fanthorpe.
October 27th, 2014 at 4:58 pm
I don’t know if anyone’s interested, but just in case, here’s Norwood’s entry in Hubin’s CCRIME FICTION IV. This lists his pen names but not the books under those names. It also includes house names he wrote under, and there are cross-references to those titles. More importantly, though, it does not include most of his SF and horror fiction. I’m a bit surprised to see BLACK HORROR included, but it is.
NORWOOD, VICTOR (George Charles) (1920-1983); see under Dave Steel; see pseudonyms Johnny Dark, Mark Hampton, Brad Rigan & Mark Shane; see house pseudonyms Hank Janson, Nat Karta & Ben Sarto.
_Blood Bath [as by Hank Janson] See entry under Hank Janson.
_Brother Rat [as by Nat Karta] See entry under Nat Karta.
*-The Caves of Death (Scion, 1951, pb) [Jacare]
_Climax [as by Nat Karta] See entry under Nat Karta.
*-Cry of the Beast (Scion, 1953, pb) [Jacare]
_Death Is a Dame [as by Dave Steel] See entry under Dave Steel.
_Go with a Jerk [as by Hank Janson] See entry under Hank Janson.
*Hell’s Wenches (Hale, 1963, hc)
*-The Island of Creeping Death (Scion, 1952, pb) [Jacare]
*Journey of Fear (Hale, 1965, hc) [Brazil]
_Kill Me for Kicks [as by Hank Janson] See entry under Hank Janson.
*The Long Way Home (Hale, 1967, hc)
_Love Me, Hurt Me [as by Nat Karta] See entry under Nat Karta.
*Night of the Black Horror (U.K.: Badger, 1962, hc)
_Passionate Playmates [as by Hank Janson] See entry under Hank Janson.
_Payoff [as by Nat Karta] See entry under Nat Karta.
_Playgirl [as by Hank Janson] See entry under Hank Janson.
_Sensuality [as by Hank Janson] See entry under Hank Janson.
*-The Skull of Kanaima (Scion, 1951, pb) [Jacare]
_Strange Ritual [as by Hank Janson] See entry under Hank Janson.
_Swamp Fever [as by Ben Sarto] See entry under Ben Sarto.
*-The Temple of the Dead (Scion, 1951, pb) [Jacare]
_Top Ten [as by Hank Janson] See entry under Hank Janson.
*-The Untamed (Scion, 1951, pb) [Jacare]
*Valley of the Damned (Hale, 1968, hc)
_Will-Power [as by Hank Janson] See entry under Hank Janson.
October 27th, 2014 at 5:01 pm
I’ve looked online, and there seems to be only two copies of this particular offered for sale, both from dealers in England. Neither is asking a huge amount for it; as I recall (I looked yesterday) both were i the $20 to $30 range.
In any case, it’s a hard book to find. Dan, is there a story behind how you happened across the copy you read?
October 27th, 2014 at 2:04 pm
There are books so bad you enjoy them, sounds as if this might fall into that category. Good bad books can be compulsively readable even if you hate yourself in the morning for liking them.
October 27th, 2014 at 3:21 pm
I’ve heard this described as ‘ideal post-Christmas hangover reading’. A big, greasy, sloppy fry-up of a book leaving you sated but feeling guilty at enjoying it so much.
October 27th, 2014 at 3:40 pm
Some of the books in Bill Pronzini’s GUN IN CHEEK and SON OF GUN IN CHEEK are in this category, you don’t want to keep reading but you do anyway — a bit like a car wreck.
I think the fine line between an entertaining bad book and simply a bad book is when you feel the writer knew it was a bad book and just had fun.
The standard fee for these from low end publishers like Badger was around $700 a book — major soft-core writes like Block, Westlake, and Silverberg might get $1200. You have to suspect Badger paid below the standard fee so I’m guessing this earned less than $500 for Norwood.
October 27th, 2014 at 5:46 pm
idiomatic ineptitude!?!
October 27th, 2014 at 5:50 pm
Great Sea-seer’s Scott!!
October 27th, 2014 at 6:13 pm
Steve,
Finding this was one of those happy Pulpfest things where you see an obscure but gaudy-covered book by someone you never heard of and say, “Oh what-the-hell”–just like the treasures I used to discover as a teen, back when old paperbacks were cheap at scrofulous old used book stores.
John,
I sez “idiomatic ineptitude” and I sticks by it.
October 27th, 2014 at 10:19 pm
Dan
Now I’m doubly sorry I missed Pulpfest again this year. Perhaps I can find a book or two that’s just as entertaining at the Bordentown NJ paperback show this coming weekend.
I’ll be out of town both Friday and Saturday, my first pulp or paperback show in quite a while, and besides scouting the room for obscure gems, I’m planning on making good use of my new camera.