Tue 5 May 2015
A Review by Mark D. Nevins: LAWRENCE BLOCK – A Ticket to the Boneyard.
Posted by Steve under Reviews[4] Comments
LAWRENCE BLOCK – A Ticket to the Boneyard. Morrow, hardcover, 1990. Avon, paperback, 1991.
After the uneasy settling-in of Out on the Cutting Edge, number seven in the Matt Scudder series, in which Block seemed to be working through what to do with his newly sober protagonist, A Ticket to the Boneyard goes full-throttle adrenaline.
It’s really nothing like the prior books in the series, and I can’t tell if that’s a good thing or a bad thing — it may to some extent depend on what comes in the next few books. This novel introduces James Leo Motley, an almost super-villian-like bad guy, and the novel is a brutal game of cat-and-mouse as Motley has promised to destroy Scudder “and all his women.”
In some ways Out on the Cutting Edge reads a little more like a Travis McGee novel than a Scudder — or maybe that’s just me, because the Scudder series is quickly joining McGee as one of my favorite of all time. While the action is relentless in Boneyard, Block does make time for the introspection and interior monologue that make these books so special. I have to say that at points the violence here was so shocking it almost put me off (I don’t think I’ve ever said that about a book I thought was really good), and in the hands of a lesser writer it wouldn’t have worked. Block really gets the fear going in this one.
I sometimes like to quote especially effective passages (usually more “literary” ones) in books I enjoy, so here’s one from Boneyard:
“I swallowed some aspirin, showered and shaved, and went downstairs and around the corner for orange juice and coffee. When the aspirin and coffee kicked in I walked a few blocks and bought a paper. I carried it back to the Flame and ordered solid food. By the time it came all the physical symptoms of the hangover were gone. I still felt a profound weariness of the spirit, but I would just have to learn to live with that.”
May 5th, 2015 at 6:19 pm
For reasons I can’t explain, even to myself, I prefer Block when he is in a lighter mood than the Scudder novels. His love of word play always feels a little at odds with Scudder’s dour personality.
Individual books are great, but the Scudder series just lost me though I can’t pinpoint the exact reason unless I just got saturated.
May 8th, 2015 at 1:52 pm
Is the villain who was recently released from prison and has super strong grip?
May 8th, 2015 at 5:00 pm
Yes, that’s him–and he also knows all the pressure points to immobilize his victims and cause excruciating pain. He feels a bit like a villain Ian Fleming would have dreamed up.
May 8th, 2015 at 5:05 pm
David, I think “saturation” is a great point. Ideally these novels would be read as they were published, so with time gaps between. (I read Block’s “Keller” series that way and really enjoyed them. I hope there will be another.) We live in an age of “binge watching” but I don’t think that approach works for series books. I always put a few books between. When I discovered Parker’s “Spenser” I quickly read the first 5 or 6 in succession, and found I really didn’t want to go on. And that’s in spite of being a sucker for anything Boston.