Tue 2 Aug 2016
An Old Time Radio Review by Michael Shonk: BEYOND REASONABLE DOUBT (1939-40).
Posted by Steve under Old Time Radio , Reviews[13] Comments
by Michael Shonk
BEYOND REASONABLE DOUBT. Syndicated, 1939-1940. Associated Recorded Program Service (part of Associated Music Publishing Inc). 15 minutes; 3 x weekly. Cast: Nick Dawson as Steven Moore
This radio series about defense attorney Steven Moore is so forgotten I have been unable to find any mention of it at any current OTR radio research or any other research site or book dedicated to old time radio. There are a few sites than have two episodes available to hear, but none has much information and those even get the year for the episodes wrong.
Moore was the typical defense attorney, brilliant, quick witted, the enemy of authorities, and willing to save the guilty for a fee. The announcer informed us the series stories were based on some of the “most dramatic criminal cases of the past decade.”
The New York lawyer was assisted by his “man-of-all-work” (think Runt in the Boston Blackie films), loyal devoted ex-con sidekick, that Moore had gotten out of Sing Sing prison. Without any written record available the actor who played the character sadly must remain uncredited. My ears can’t be sure what the character was called in the episodes (Cuba?) but feel free to add your guesses in the comments below.
The series was a murder mystery serial with each episode 15 minutes long minus about a minute or so of organ music in the beginning and end. I believe the following episode “Meet Steven Moore” was the series’ first episode.
MEET STEVEN MOORE. Written and directed by William N. Robson. Star: Nick Dawson. *** After getting another not guilty verdict for yet one more man all thought was guilty, Moore learns the D.A. and others are working to get him disbarred.
So he is less than thrilled to find a beautiful woman wearing a bloody coat hiding in his apartment. Of course he decides to represent her, even if as he says she is guilty.
The episode sets up the premise and characters well. It was the fall of 1939, and this must have seemed a fresher idea than it does now. Fans of old time radio are probably surprised to hear William N. Robson wrote and directed this. The script holds up; there are a few minor flaws, but this was 1939 and radio was still young and developing.
William N. Robson would become one of the top director/producers in radio history. In a career spanning four decades he won six Peabody awards and worked on such series as Escape, Suspense, The Man Behind the Gun and Voice of America (with Edward R. Murrow). By this time he was all ready well known for his work on Columbia Radio Workshop, one of the best radio shows of the 1930s. He had returned from England where he had produced some radio shows for the BBC (“Broadcasting” February 1, 1939). Soon he would be the director and producer of popular radio series Big Town with Edward G. Robinson. I can’t find any mention of how long he stayed with Beyond Reasonable Doubt. I can’t even find the series listed on any of his bios.
The next episode’s credits mention only star Nick Dawson. The announcer set up the series premise, main character, and story. Then he introduced Nick Dawson who as character Steven Moore talked to the audience, recapping the last episode.
THE WOMAN IN THE BEDROOM. A rich playboy has been murdered in his penthouse apartment and the woman last seen with him has escaped. That woman is now hiding in defense attorney Moore’s bedroom. Homicide detective and the victim’s hotel doorman have trailed the woman from the murder scene to Moore’s apartment.
Clues for this murder story drop in as Moore constantly outsmarts and out talks the Homicide Detective and witness. After his fun Moore heads to his bedroom to turn the girl over to the frustrated cop. But it is not that easy for Moore and he found himself facing a possible charge of accessory after the fact to murder.
https://www.youtube.com/watch?v=z_UwBzt6d0s
The acting here was nothing special. Dawson failed to make lawyer Moore likable and seemed to drift in and out of a Clarence Darrow impression.
Nick Dawson (George Coleman Dawson) was a famous radio writer/producer/actor during the 1930s. He had begun in early radio with CBS as a programmer then began to produce his own shows. He was best known for his work with Elsie Hitz as one of radio’s most popular romantic serial couples starring in series such as Follow the Moon, Magic Voice and Dangerous Paradise.
In “Broadcasting” (September 25, 1939) there was news of Vicks Chemical Co. (Vick’s VapoRub) plans to sponsor Beyond Reasonable Doubt, a fifteen-minute series that would air three times a week on six California stations. William N Robson would direct. The October 1st issue of “Broadcasting” added more information. Seven NBC-Pacific Blue stations would carry Beyond Reasonable Doubt beginning October 4, 1939. The transcribed serial was scheduled to air on Wednesday, Thursday and Saturday at 6-6:15pm (PST). Duncan Coffee Company supported the series on seven Texas stations beginning October 2, 1939.
Starting January 2, 1940 Vicks moved Beyond Reasonable Doubt to a new time, 9-9:15 pm (PST) on Tuesday, Wednesday and Thursday. Vicks carried the series on eleven NBC-Pacific Blue stations (“Broadcasting” December 15, 1939).
In an ad for the series in “Broadcasting” (January 1, 1940) strong ratings (C.A.B. – Crossley) for Beyond Reasonable Doubt at three California stations was highlighted as with news Vicks had renewed the series for another thirteen weeks.
“Broadcasting” (April 15, 1940) reported series production company AMP Recording Studio had sold the transcribed serial to stations in St. Louis, Dayton, and in Australia and New Zealand. Meanwhile, Vicks stopped its sponsorship of Beyond Reasonable Doubt with the March 29, 1940 broadcast at 78 episodes.
I have been unable to determine whether the series went beyond 78 episodes but I doubt it. While the series is somewhat dated Beyond Reasonable Doubt deserves some attention, if only as a forgotten series in the career of William N. Robson.
August 2nd, 2016 at 9:29 pm
Interesting series. I wonder if this was an early attempt to capitalize on the then fresh success of Perry Mason?
August 3rd, 2016 at 12:16 pm
David, when I listened to this I thought of Perry Mason (early book and films version). I lacked the time to research but I wonder if Mason was the first to have the anti-hero defense lawyer as the protagonist.
I wonder how much reality of that time (20s/30s) with lawyers such as Clarence Darrow inspired fiction’s anti-hero defense attorney.
It is a type of character that has lost much of its appeal today. Craig Rice’s John J. Malone is the last fiction lawyer I can remember who happily got off the guilty and was the hero of the story.
August 3rd, 2016 at 6:45 pm
The defense attorney series character never quite disappeared. Although I’ve never read any of the books he’s in, the one who might be best known today is Harry Bosch’s half-brother, Mickey Haller.
But the fact that I can’t think of many others very well known might mean that you’re onto something, Michael.
August 3rd, 2016 at 7:18 pm
My guess is that Stephen Moore is not based on anyone, but inspired by William J. Fallon, played on film by Warren William, George Brent and Edward G. Robinson. Perhaps a little Dixie Davis thrown in for good measure. He was played on film by Robert Taylor in Party Girl. As for this series, I found it to be justifiably forgotten.
August 3rd, 2016 at 7:32 pm
From Wikipedia, for those of us whose high school history courses did not cover this material:
William “Bill” J. Fallon (January 23, 1886 – April 29,1927) christened The Great Mouthpiece by the press was a prominent defense attorney during the 1920s who defended the gangster Arnold Rothstein and his accomplice Nicky Arnstein during the trial for the fixing of the 1919 World Series.[
J. Richard Davis (1905 – December 30, 1969), also known as Dixie Davis, was the lawyer for Dutch Schultz.[
August 3rd, 2016 at 7:57 pm
Barry, I had forgotten about PARTY GIRL a film I really enjoyed.
I think this type of character was popular during the first part of the 20th Century when union riots and prohibition existed in everyday life.
There is an interesting theory about the lawyer character – there are two types, those before Atticus Finch and those after. That Finch (TO KILL A MOCKINGBIRD) turned the greedy lawyer into a sacrificing morally righteous hero. The journey of Perry Mason could make a good case for that theory.
Of course the self serving egomaniac lawyer still exists. One example was SHARK (CBS, 2006) with James Woods who played a defense attorney who switches sides. He believed lawyers were to do anything to win and let God deal with justice. Here is the first episode of that show.
https://www.youtube.com/watch?v=r7SQ8eKa8gY
August 3rd, 2016 at 9:28 pm
The fast thinking lawyer goes at least back to Post’s RANDOLPH MASON and Orczy’s SKIN O MY TOOTH with Arthur Train’s Mr. Tutt another.
Fallon was likely a major influence on Mason too since his portrayals on screen took the earlier versions and added sex appeal to the mix.
Zachary Scott and Barry Sullivan are two more who played mobbed up lawyers in the mold of Fallon and the films Barry references not to mention William Powell in LAWYER MAN.
August 4th, 2016 at 2:09 pm
This review (and the one I did on COURT MARTIAL) began as part of a FOUR FORGOTTEN post on lawyers (I have done one on spies).
During the writing I enjoy exploring the character trope – in this case lawyers. Even during times of society favoring law and order most lawyers in fiction work for the defense. The most successful TV prosecutor I can think of is from NBC’s LAW AND ORDER. Other attempts such as THE D.A. (1971), THE D.A. (2004), SHARK (2006) and FOR THE PEOPLE (1965) failed. Radio did have the successful MR. DISTRICT ATTORNEY that TV version failed.
I wonder why the defense attorney is more popular than the prosecutor in fiction?
I also find curious when a member of the legal profession turns vigilante it is most often a judge – HARDCASTLE AND MCCORMICK and DARK JUSTICE.
August 5th, 2016 at 12:14 am
The Depression was one thing that aided Perry Mason to reach the top. His rough justice and help the little guy style came out of some of the same New Deal values as Superman.
Notably when Gardner tried the same thing with Doug Selby it didn’t fare as well. The individual against the system sells better, which is why so many fictional cops are nonconformist and rogue.
I’m wondering now we seem to be entering a less conservative era if the defense attorney will have a comeback. Most recent series have been mostly about interoffice politics with courtroom work secondary. There are still fictional defense attornies flourishing.
August 5th, 2016 at 4:11 pm
I find defense attorneys dominated all fiction – books, film, TV, radio, etc. That society social views on crime and criminals tend to influence detectives and judges but such influence seems missing from prosecuting lawyer characters as lead.
I can’t think of one popular rogue Dirty Harry type D.A. in any fiction. The rogue hero in mob pictures for example are more likely to be a cop, reporter, judge, or priest than the D.A. I wonder why.
August 5th, 2016 at 7:24 pm
You get one of three types of fictional D.A.’s: the Crusader, or heroic version; the Politician, generally corrupt and easily bought;and the honest but plodding Functionary (Hamilton Burger despite how good he is supposed to be vs anyone but Perry Mason). Unless it was in the hero pulps I can’t think of a rogue D.A. either.
It may simply be that there is more drama in the man against the system than the system against one man.
May 19th, 2020 at 10:52 am
The “man-of-all-work” character Cuba was portrayed by Frank Lovejoy, the suspect Gloria by Arlene Francis. The announcer was David Ross. The theme and bridge music by organist Charles Hall is somewhat disappointing. It could have been more exuberant and authoritative. Audio of the two extant episodes is currently available at http://www.oldtimeradiodownloads.com. Goal is to have an article on this series published in early 2021.
May 19th, 2020 at 1:28 pm
Thanks for the additional information,Karl, and the link. It looks as though I will make good use of it.