Sun 10 Oct 2010
Reviewed by William F. Deeck: HENRY KANE – A Corpse for Christmas.
Posted by Steve under Reviews[5] Comments
William F. Deeck
HENRY KANE – A Corpse for Christmas. J. B. Lippincott, hardcover, 1951. Hardcover reprint: Unicorn Mystery Book Club, November 1951. Paperback reprints: Dell 735, 1953; Zenith ZB-19, 1959, as The Deadly Doll; Signet D2877, 1966, as Homicide at Yuletide; Lancer 75261, 1970s? Previously a two-part serial in Esquire, December 1949 & January 1951.
As all of you — or at least the three people who read these reviews out of a misguided urge to get your money’s worth from this magazine — know, I strive for balance here. That is to say, I endeavor to work in at least one tough P.I. novel every other column.
This one almost didn’t make it, since fantasy is what the author starts with. I mean, of the six females encountered by the detective, four of them are hot for his body immediately. His client would be, but she is aware he lusts after her so she needn’t bother. Only a landlady shows no desire, perhaps because she’s unprepossessing and it would embarrass the detective.
Acting in behalf of his client, another private eye in jail on several traffic charges, Peter Chambers discovers a man, with wine-red hair and beard of the same color, shot to death. Holding the murder weapon is a young lady, who of course didn’t do it.
A gangster looking for some jewels possessed by the dead man is the client of Chambers’s client, and there are various former wives of the dead man whose income he was going to cut off but who didn’t mind that, or so they say.
Chambers investigates on Christmas Eve and Christmas and identifies the murderer, who was fairly obvious at least to this reader.
What kept me reading was Kane’s obvious love of the language and Chambers’s sense of humor. Kane has a delightful style, although I still haven’t figured out what a “saltatory mattress” might be. Maybe he’ll explain it in his other books, which I’ll be looking for.
October 11th, 2010 at 2:24 am
Likely as good an assessment of the pleasures of Peter Chambers as I’ve read. It is indeed the unique language of the Chambers books that keeps you reading them.
Kane did much better as both a mystery and suspense novelist in other books, and Chamber’s fell pretty low to semi porn for a while, but at their best the Chambers books always seemed the closest to me to the atmosphere of Blake Edwards PETER GUNN — and it must feel that way to some one else since Kane penned the PETER GUNN tie-in novel for Dell.
Chambers falls somewhere between the extremes of Robert Leslie Bellem and Dan Turner and Michael Avallone and Ed Noon, but it makes for a pleasing read, because he did have a way with the tough guy slanguage, even if we do have puzzle out what a ‘salatory mattress’ is.
October 11th, 2010 at 3:34 pm
sal·ta·to·ry (slt-tôr, sôl-) adj.
1. Of, relating to, or adapted for leaping or dancing.
Dunno if that helps or not.
— Steve
October 12th, 2010 at 2:22 am
Steve
I know what it means, but the mind does boggle at the implications — especially considering that spate of semi pornographic later Chambers novels.
October 15th, 2010 at 9:44 am
Bill Deeck had the gift of writing pithy reviews with panache. This Henry Kane review displays Bill’s skills. And the reference to the “saltatory mattress” is pure Bill Deeck.
October 15th, 2010 at 10:42 am
I had wondered, since Kane seemed to be the one “name” writer who would appear in All the bottom of the market crime-fiction digests…the post-Spillane JC Daly, I guess…