Thu 12 Apr 2018
Mystery Review: JOHN ESTEVEN – Graveyard Watch.
Posted by Steve under Pulp Fiction , Reviews[6] Comments
JOHN ESTEVEN – Graveyard Watch. First appeared in Detective Story Magazine, October 1936. First published in book form by Modern Age as a digest-sized paperback (with dust jacket), 1938.
I listed the pulp magazine edition first because that’s the one I read, only to discover that the story came out later in a rather hard to find PBO (paperback original) all the way back in 1938. In the magazine version it takes up 79 pages of two columns of small print. It reads as though it’s complete, but I don’t have a copy of the paperback, so I can’t tell for sure you whether that’s true or not.
“Graveyard Watch” is the first case given to a young Irish cop named Patrick Connelly to handle on his own. He’s asked by his superior to work undercover in a rich man’s house as a phoney PI to ostensibly guard some jewelry, but in reality to intercept a shipment of cocaine that word on the street says will be coming through the manor, which is located somewhere along Chesapeake Bay.
The house has its share of various people and household staff living there, and they all become suspects when its owner is found dead in the coffin in which his recently deceased brother was last seen occupying. Questions include: who killed him, what happened to the brother, where’s the cocaine (you will not be surprised how it was introduced into the house), and who’s after the jewels?
John Esteven was the pen name of a academic named Samuel Shellabarger, who went on to become quite famous as a writer of historical fiction, at least two of which went on to be blockbuster movies. It will come as no surprise, therefore, when I tell you the writing is quite good — better than average — for one of these potboiler detective mysteries of the 1930s, of which this is a prime example. All the ingredients are there, but in an amateurish way, in the original sense of the word.
There are lots of clues and skulking around by all of the possible suspects, but the ending, I thought, could have been written a lot more tightly. As is, while effective enough, it’s also a trifle muddled.
All in all, while it has its moments and is perhaps as good as some of the other Golden Age of Detection mysteries by obscure authors today, Graveyard Watch is probably not worth your effort (or cash in hand) to track down. For completists only.
April 12th, 2018 at 6:33 pm
Lord Vanity by the same Samuel Shellabarger was a best seller and Fox purchased the screen rights, as they did Captain From Castile and Prince of Foxes, both successful films with Tyrone Power playing the lead, although Cesar Romero does his best to steal Captain, and pretty well succeeds. As for Lord Vanity…
Walter Reisch and Charles Brackett were commissioned to write the screenplay. Robert Wagner, Michael Rennie, Joan Collins and Debra Paget along with Clifton Webb set to star, and a company set off to film in Italy for several weeks. For whatever reason, the picture was abandoned. I sat with David Brown in New York, and the hours of uncut footage screened in Hollywood for Louis Hayward. We also had a copy of the script, which with the footage was offered for what had been laid out to bracket and Reisch. Ultimately, Louis Passed. Too bad, but it simply did not happen. The resurrection of this project was my idea. Love the novel.
April 12th, 2018 at 7:30 pm
A great inside look at the world of film-making, Barry, or in this case, not making. Thanks for sharing!
April 12th, 2018 at 7:04 pm
Shellabarger continued to write as Esteven, producing several well reviewed mystery novels featuring Inspector Rae Norse. For my money he never quite masters the form, but he always writes well.
April 12th, 2018 at 7:34 pm
Here’s Shellabarger’s complete mystery-related resume in Hubin:
SHELLABARGER, SAMUEL (1888-1954); see pseudonyms John Esteven & Peter Loring; Ref: CA. (chron.)
* *-The King’s Cavalier (Little, 1950, hc) [France; 1580 ca.] White Lion, 1973.
ESTEVEN, JOHN; pseudonym of Samuel Shellabarger, (1888-1954); other pseudonym Peter Loring; Ref: CC. (chron.)
* *Assurance Double Sure (Hodder, 1939, hc)
* *Blind Man’s Night (Hodder, 1938, hc)
* *By Night at Dinsmore (Doubleday, 1935, hc) [Dr. Miles Le Breton; New England] Harrap, 1935.
* *The Door of Death (U.S.: Century, 1928, hc) [Insp. Rae Norse; New England] Methuen, 1929.
* *Graveyard Watch (Modern Age, 1938, pb) [Maryland]
* *Voodoo (Doubleday, 1930, hc) [Insp. Rae Norse] Hutchinson, 1930.
* *While Murder Waits (Doubleday, 1937, hc) [Dr. Miles Le Breton; Maine] Harrap, 1936.
LORING, PETER; pseudonym of Samuel Shellabarger, (1888-1954); other pseudonym John Esteven (chron.)
* *-Grief Before Night (Macrae-Smith, 1938, hc) Hodder, 1939.
* _He Travels Alone (Hodder, 1939, hc) See: Miss Rolling Stone (Macrae-Smith 1939).
* *-Miss Rolling Stone (Macrae-Smith, 1939, hc) British title: He Travels Alone. Hodder, 1939.
Except for the first, and the three as Esteven from Doubleday, I’ve not come across any of the others.
April 13th, 2018 at 9:49 am
I’ve read DOOR OF DEATH by Esteven and VOODOO. The first one is pulpy fun with a somber prose style. The second is, paradoxically for such a tempting title, utterly forgettable. Bored me. In a rare instance I trudged through to the very end instead of my usual habit of shutting the book never to finish it. I’d not bother with him again despite the few good things you mention about this title.
April 13th, 2018 at 8:39 pm
Until it got closer and closer to the ending, I found myself enjoying this one. If I still own those Doubleday editions I mentioned, I might even read another — not VOODOO, though, thanks to your definite non-recommendation reaction to that one — but I wouldn’t spend real money on one.