Tue 17 Apr 2018
A Movie Review by Dan Stumpf: RIFF-RAFF (1947).
Posted by Steve under Crime Films , Reviews[5] Comments
RIFF-RAFF. RKO, 1947. Pat O’Brien, Walter Slezak, Anne Jeffreys, Percy Kilbride and Jerome Cowan. Written by Martin Rackin. Directed by Ted Tetzlaff.
I resisted watching this for weeks because I find Pat O’Brien pretty easy to resist, but when I got around to it I found myself bowled over by a film of dark beauty and considerable wit.
Riff-Raff opens with more than six minutes of no dialogue: just fluid, suspenseful camerawork as a man with a mysterious briefcase boards a cargo plane from Peru to Panama. He doesn’t finish the trip, but his briefcase does, in possession of his killer, who soon seeks the protection of Dan Hammer (Pat O’Brien of course), Panama’s resident hard-boiled fixer. The guy with the briefcase meets a predictable fate, triggering a search for its contents, and setting the story proper in pleasing if predictable motion.
Someone spent some time fleshing out O’Brien’s character, and it pays off. Hammer’s office is a seedy affair in a run-down building, guarded by a sleeping dog. He knows every chiseler and cop in town, and everyone in between, all this conveyed with sharp dialogue and a parade of evocative bit players doing their bits.
Plot-wise, it’s a standard riff on The Maltese Falcon, with Walter Slezak’s effeminate fat man and his hired gunsels looking for the missing whosis, Anne Jeffreys as a beauty who isn’t all she seems , and even Falcon‘s Jerome Cowan as a double-dealer in on the game. The wonder is that Riff-Raff is done with so much style and wit, the discerning viewer won’t give a damn – just sit back and be dazzled.
I should give a special mention to Percy Kilbride as Hammer’s side-kick, a part written & played to laid-back perfection, and one that got a few laughs out of me. There, I’ve mentioned it. And now a word about our Hero:
For most of this film, Pat O‘Brien is just fine, in a jaded, salty way, as the kind of American who gets stuck in a seedy/exotic milieu like Panama. Think of Rick in Casablanca and you’ll get the idea, but O’Brien seems a little sweatier, sloppier, and more true to life… or as true as you can get in a movie like this.
It’s only when the young and lovely Anne Jeffreys falls for him that the whole thing don’t work no more. More than twenty years her senior, fat and balding, he just couldn’t carry the romantic parts for me – much as I’d like to think that lovely young ladies are drawn to old bald guys like moths to the gaudy neon sign above a cheap barroom.
No, it just doesn’t click. But it’s the only weakness of a film I enjoyed a lot, and you should too.
April 17th, 2018 at 4:49 pm
This film and CRACK UP are fine noir films with solid casts and performances. I agree with Dan completely on this film, a real sleeper that proves to be far better than you have any right to expect.
I suspect if Bogart, Garfied, or John Payne had played Hammer this one would be more appreciated, but O’Brien owns his performance as a the seedy unlikely hero.
April 17th, 2018 at 5:01 pm
I saw this movie on TCM a few weeks ago for the first time, and I was as pleased as Dan was. Anne Jeffreys reminded me of Ann Sheridan. The last time I remember seeing Percy Kilbride was in all those Ma & Pa Kettle movies when I was a kid. Wonderfully done movie!
April 17th, 2018 at 6:58 pm
I’m looking at the second photo down, Paul. Anne Jeffreys sure looks like An Sheridan to me, too. .
As for Percy Kilbride — forever after known as Pa Kettle — is very good in this one, but he was even better, I think, in Fallen Angel.
April 19th, 2018 at 5:57 pm
I recorded this on late night tv about 20 years ago thinking it was the French classic of the same name. It wasn’t but It was even better. I’ll keep a look out for Crack Up.
April 21st, 2018 at 8:20 am
Sounds like this film was a pleasant surprise for you and for others. I will give it a viewing at some point. The idea of Pat O’Brien playing this type of hero is intriguing and it sounds like a good thriller with its own charm.