REVIEWED BY BARRY GARDNER:


MICHAEL RALEIGH – The Maxwell Street Blues. Paul Whelan #3. St. Martin’s Press, hardcover, 1994. iUniverse, paperback, 2000.

   Paul Whelan, a PI who specializes in finding people who don’t want to be found, has his usual not much of anything going when a black lawyer comes to him with a case. The lawyer has a client, he says, who wants a missing relative, an aging black man, found.

   He can’t tell Whelan much about the man, but that’s all right — Whelan’s used to that. He takes the case but doesn’t find the man, because the police find him first. Murdered. The cops quickly arrest two young black men, but a friend of the dead man doesn’t think they did it, and talks Whelan into doing some discreet poking around.

   It has better be discreet, because it’s an open murder case and the investigating detective is an old enemy of Whelan’s. Once more into the breach we go, down Chicago’s own particular brand of mean streets.

   I don’t know why, but I seem to like Chicago books better than New York books, whether they’re cop, PI, or whatever. Raleigh does Uptown Chicago about as well as it can be done. The city is as much of a character as most of the people, too.

   I like Paul Whelan a lot. He’s a man who has come to terms with his life and who he is and what he does, and all this without a lot of breast-beating and philosophical posturing. Raleigh tells his tale in the third person through Whelan’s eyes, with a lot of easy, realistic dialogue, and with smooth, clean prose.

   It’s a low key story, about people rather than society or Big Issues, and I think it’s a good one, told by a very good writer.

— Reprinted from Ah Sweet Mysteries #15, September 1994.


The Paul Whelan series —

1. Death in Uptown (1991)
2. A Body in Belmont Harbor (1993)
3. The Maxwell Street Blues (1994)
4. Killer on Argyle Street (1995)
5. The Riverview Murders (1997)