FLIGHT TO FURY. Filipinas Productions / Lippert Pictures, 1964. Dewey Martin, Fay Spain, Jack Nicholson, Joseph Estrada, Vic Diaz, Jacqueline Hellman. Screenwriters: Monte Hellman, Jack Nicholson, Fred Roos. Director: Monte Hellman.

   Filmed in the Philippines back to back with Back Door to Hell (reviewed here ), Flight to Fury is a low budget crime film that, while nothing spectacular, has some interesting sequences and hints of genius to come. Directed by Monte Hellman, and with a screenplay written by Jack Nicholson, the movie has a fatalistic sensibility from start to finish. This is largely due to some terrific hardboiled dialogue and compelling performances by Nicholson as a cynical diamond thief, and Filipino actor Vic Diaz as a sleazy criminal who likewise has illicit gains on his mind.

   Although it takes a while for the movie’s plot to come into sharp focus, Flight to Fury soon reveals itself to be a caper film. A ragtag group of individuals are enclosed together on a small aircraft. Each seems to be hiding a secret. Or secrets. When the plane goes down in a remote jungle, it becomes clear that the pilot was smuggling diamonds. Four of the survivors, all male apart from one woman who is more than willing to employ her seductive charms to get what she wants, are soon struggling for possession of the diamonds that the now deceased pilot had stashed in his luggage.

   And if you think surviving a crash is bad, just wait until some guerrillas stumble upon the group and take them captive. What happens next is both predictable and rather downbeat, with an obligatory firefight between the group and their captors as well as a final Western-style showdown between two men for control of the diamonds.

   In the end, what makes Flight to Fury worth a look is that it paints a stark picture of a fallen world in which no one wins, everyone loses, and there are no heroes.