WORKING GIRLS. Paramount Pictures, 1931. Judith Wood, Dorothy Hall, Charles ‘Buddy’ Rogers, Paul Lukas, Stuart Erwin, Frances Dee. Director: Dorothy Arzner.

   A thoroughly enjoyable pre-Code comedy/drama, Working Girls may not have all that much to say to contemporary audiences, but has a lot to say about the time and place in which it was filmed. Directed by Dorothy Arzner, the first woman to direct a talkie, this Paramount Pictures release tells the story of two sisters from small-town Indiana as they try to balance work and love in New York City.

   June (Judith Wood) and Mae (Dorothy Hall) Sharpe arrive in Manhattan and take up residence at a woman’s boarding house. Within the first day or so, they are out and about looking for employment and for men to date. June ends up working for a Western Union telegraph office and dating a saxophone player (Stuart Erwin).

   Mae, on the other hand, finds work as a secretary for Dr. Joseph Von Schrader (Paul Lukas), who proceeds to fall in love with his much younger employee. Mae, naturally, doesn’t reciprocate the affection. Instead, she’s got her eyes on Boyd Wheeler (Charles “Buddy” Rogers), a Harvard graduate working in a Manhattan law firm who seems to really care for her.

   Or does he? It would seem that he’s got a fiancée from the wealthy suburbs who he plans to marry soon and that he is just using Mae for a good time.

   While I won’t tell you how the story turns out, I will let you know that Working Girls is simply a fun movie to watch. It’s loaded with sexual innuendo, has some great comedic moments, and benefits greatly from Judith Wood’s hard-boiled, cynical character who has a quick wit as well as stunning looks.

   For contemporary audiences who are all too familiar with romantic comedy tropes, it may not seem like there’s much new under the sun here, but bear in mind this was filmed in 1931. And if you watch it with that fact very much in mind, you’ll surely find a lot to appreciate in this lesser known pre-Code film.