Wed 23 Sep 2020
A TV Episode Review: ROUTE 66 “Black November†(1960).
Posted by Steve under Reviews , TV Drama[17] Comments
ROUTE 66. “Black November.†CBS, 60m, 07 Oct 1960 (Season 1, Episode 1). Martin Milner (Tod Stiles), George Maharis (Buz Murdock). Guest Cast: Everett Sloane, Patty McCormack, Keir Dullea, Whit Bissell, George Kennedy. Musical theme: Nelson Riddle. Screenwriter: Stirling Silliphant. Director: Philip Leacock. Currently streaming on Amazon Prime Video.
Chronicling the adventures of two roving buddies making their way across the width and breath of the United States, this was arguably the iconic TV shows of the early 1960s. Of its kind, while I personally missed it entirely, it was certainly the most successful. I was off in college at the time, and I think I had time to watch television at most two or three, with the choice limited to one TV channel.
I knew about it, of course, even without access to our family’s subscription to TV Guide, which I was addicted to all though high school. (Who in the early 60s did not?) So when I learned that Amazon Prime was streaming it free to subscribers, I thought it high past time to catch up on a serious lack in my cultural heritage.
I’m glad I did. This first episode’s a good one. The two buddies with a brand new car and two pair of restless feet to drive it find themselves in quite a predicament – at one time with ropes around their necks waiting to be lynched. This is not anything the Mississippi Tourist Bureau would want anyone to see! I suppose that in 1960, backward places such as the small town of Garth might exist, just like the most secluded rural parts of England, where strangers never come, and when they do, they are looked on by residents as Demons from Hell.
One man rules the town with a iron thumb, and his name is Garth (Everett Sloane). The town also has a secret, but absolutely no one will talk about it. The daughter (Patty McCormack) of the local storekeeper is the only one who offers them a timid, shy smile. Everyone else has dark sullen faces, constantly staring at the pair with dark hostility. There is also, of all things, but it fits in perfectly, a creepy scene in which the townsfolk storm the grocery store with torches blazing away in the darkness.
As the pilot episode, this certainly is an effective one. It starts, however, after they’ve already been on the road for a while, and it’s only in their conversation that we get hints of who they are and what set them on their way. If you are puzzled why they were heading for Biloxi before they got lost, a town nowhere near Route 66, I have often wondered that about the series myself. They ended up all over the US during the four years the program was on the air. I have finally assumed that the cross-country Route 66 was only a metaphor for anyone traveling here and there at whim and will, with no particular destination in mind.

September 23rd, 2020 at 1:38 pm
Though the first episode of the series, its “pilot” episode was during the previous year’s season of Naked City. Where we learn of Tod and Buz’s upbringing as foster brothers. Buz is an orphan who has been taken in by Tod’s father, who owns a shipping business, where the boys work. By the end of the episode the man has been murdered, and after the killer is caught the young men find that after all their father’s debts are paid off, all they have is that new Corvette. So they take to the road.
They go to lots of interesting places and always seem to find work. The location filming shows us a less crowded America. The only drawback is that the scripts seem to run a little long, and the shows feel rushed.
In a later episode, it turns out that Tod has enrolled at UCLA to take computer courses.
September 23rd, 2020 at 3:33 pm
Matt, Thanks for the information about the “backdoor” pilot for the series, and how ROUTE 66 developed from it. I think I bought the complete NAKED CITY series on DVD some time ago. I’ll have to go looking for it.
September 23rd, 2020 at 6:29 pm
I loved reading TV Guide too.
You can see similarities between the premise of this series, and the novel “On the Road” (1957). Both had two hip guys traveling America’s roads.
I’ve only seen a few episodes of “Route 66”, and those only in recent years.
A good one: “The Man on the Monkey Board”, which debuted 3 weeks later on Oct 28, 1960.
September 23rd, 2020 at 6:50 pm
I don’t know how I’ll squeeze another series into my evening TV schedule, but I’ll try, and I should get to that episode sooner rather than later. In any case I’ll be on the lookout for it.
As for “On the Road” I believe I read at one time that Jack Kerouac was going to sue the people who put ROUTE 66 together, but if that part is true, he never did.
September 23rd, 2020 at 7:10 pm
The series was one of the precursors of the “socially aware” drama that over time included shows like EAST SIDE WEST SIDE and SLATTERY’S PEOPLE. Most episodes were dramatic though they did do comedy, including a memorable one with Lon Chaney Jr., Boris Karloff, and Peter Lorre.
On and off screen talent was considerable, and the whole road mystique and location filming gave the show a look and weight most series didn’t rate.
I was a bit young for it the first time around and caught it later in reruns, but it was very popular with older teens and the college age crowd and inspired a lot of the “cool” images of the era as sort of an early preview of the angst, social conscience, and rebellion of the sixties and seventies and the “youth in search of itself” theme that was so pervasive and turned somewhat darker as the sixties blended into the seventies.
September 23rd, 2020 at 7:21 pm
Since the show was on when I was in college, I don’t know why I don’t remember it being all that popular in the dorm I was living in. Maybe because it was an engineering school, and nobody was interested in being socially aware and/or rebellious.
September 23rd, 2020 at 7:57 pm
Corvettes were already popular before the show, but the whole mystique was born with this series. Chevy never made a better investment than letting them use that car.
September 23rd, 2020 at 8:07 pm
TV writers seem to have a Thing about small towns that amounts to a phobia. My own experience is that the folks in them tend to be obliging and well-mannered. Maybe that’s what scares the writers.
September 23rd, 2020 at 9:00 pm
Ah, a ray of sunshine cast on a really wacko story line. No questions allowed when you’re watching this one!
September 23rd, 2020 at 9:01 pm
Glenn Corbett > George Maharis
September 23rd, 2020 at 9:04 pm
It’s beyond me to say. Maybe others will agree — or not!
September 23rd, 2020 at 9:43 pm
I never ‘got’ this series. The best thing about it was the location photography; the self-important stories didn’t grab me. When they got those three iconic horror stars together for an episode, their talents were largely wasted thanks to an unfunny concept and script.
PS: The premiere episode was far better when it was called ‘Bad Day at Black Rock’.
September 23rd, 2020 at 9:58 pm
Re David Gideon: Me too.
September 24th, 2020 at 8:58 am
A point of view, gents, that I certainly can’t disagree with until I’ve seen more of the show myself. As for BAD DAY, I was wondering how long it would take until someone brought it up. Thanks, David!
September 24th, 2020 at 8:34 pm
I would not argue with anyone who pointed out the series was heavy handed and too often self important, but then the beat movement it came from to a great extent was itself often heavy handed and self important. Despite the names involved in the production it often felt as rootless and pointless as the lives of its two leads, either heavy handed like this episode or diffuse and anti climactic.
Still those two guys exploring the byways in that Vette was an awfully attractive image to a lot of young people at the beginning of a rootless generation.
As for small towns, the theme of the stranger uncovering a mystery in a small suspicious and sinister town is pretty much universal and dates back centuries. It is no more the fault of television writers and producers than is the old saw about the country rube in the big city.
It’s the sort of short hand popular drama uses, and can vary from as clever as Shirley Jackson’s “The Lottery” or Stephen King’s SALEM’S LOT or as tired as some found this, but I can promise you right now there is some writer penning a new novel, movie, short story, or teleplay about a stranger arriving in a sinister small town.
It’s not a trope that is going away soon, because it is rooted in everyone’s shared experience.
June 2nd, 2021 at 6:01 am
Naked City and Route 66, two wonderful series which challenged viewers. A golden age of TV. Silliphant’s shows reminded people that there was dramatic content beyond the Wild West.
August 19th, 2021 at 9:45 pm
Watched a few episodes when I was 10, years ago. Watched S1, E1 last nite and it was awesome. Terrible acting by the leads, but the noir and story were wonderful. Patty McCormick was beautiful.