REVIEWED BY DAVID FRIEND:

   

SCREAM OF FEAR. Columbia Pictures, US, 1961. Originally released as Taste of Fear (Hammer Films, UK, 1961). Susan Strasberg, Ronald Lewis, Ann Todd, Christopher Lee. Writer: Jimmy Sangster. Director: Seth Holt. Currently can be seen on YouTube.

   Penny Appleby (Susan Strasberg) is a beautiful young paraplegic who hasn’t seen her father in almost ten years. Following the suicide of her nurse in Switzerland, she is invited to his estate on the French Riviera, where she meets stepmother Jane (Anne Todd) for the first time. Apparently, Mr Appleby has been called away on business and is not expected back for several days.

   She becomes concerned and, gradually, even suspicious. One night, Penny sees her father’s corpse in the summerhouse, propped in an armchair and staring blankly ahead, but the place is empty upon her return. Jane believes it was a hallucination brought on by grief and that the death of Penny’s nurse is causing unnecessary concern for her father. The family physician, Dr Pierre Gerrard (Christopher Lee), suspects this too and even suggests her paraplegia may be psychosomatic.

   Penny is adamant that she is sane and that her disability, due to a horse-riding accident, is nothing but serious. After seeing her father’s body again, Penny is even more terrified, and finds her only support in the sympathetic chauffeur Bob (Ronald Lewis). They begin to suspect that Anne has murdered her father, or at least may have covered up an accidental death, and that she wants to drive Penny insane in order to seize control of the Appleby estate. The pair investigate, and Penny’s quest to prove her sanity thrusts her into a situation that is dangerously real.

   Hammer Studios may be best known for their horror films, principally involving Dracula and Frankenstein’s Monster shot in lurid Pathecolor, but they had an extensive list of black and white thrillers to their name. Many of these are tremendously gripping – though most, nowadays, are all too easily overlooked.

   Christopher Lee once said that this was the best film Hammer ever made, and that is no surprise. It was certainly scripted by their best writer, Jimmy Sangster, who also serves as producer for the first time. Its success led to further thrillers in a similar vein, most notably the Oliver Reed-starring Paranoiac and The Nanny with Bette Davis, and though Scream of Fear (its US title) doesn’t boast such star names (Christopher Lee’s role is more of a recurring cameo), it doesn’t need any, offering instead strong performances, a relatable protagonist, plenty of atmosphere and a tense, beguiling story that will keep viewers guessing.

   The disabled-person-in-jeopardy angle may be a familiar one, but it serves the picture well, framing Penny as a stoic character, resolutely defiant in the face of easy condescension and the risible assumption that a physical disability may in some way hamper a person’s intellectual faculties. This, needless to say, proves to be the undoing of certain characters, and that third-act twist is like a sock to the jaw. Highly recommended.

Rating: ****