Fri 18 Jun 2021
Movie Review: BREAKDOWN (1997).
Posted by Steve under Action Adventure movies , Reviews[16] Comments
BREAKDOWN. Paramount Pictures, 1997. Kurt Russell, J. T. Walsh, Kathleen Quinlan, M.C. Gainey, Jack Noseworthy, Rex Linn. Director: Jonathan Mostow.
Movies have changed since this picture was made. I don’t pay much attention to new films, so if I’ve speaking from ignorance, you don’t need to tell me. What I think is happening is that new movies are either Marvel/DC/etc superhero pictures or what I’ll call agenda flicks. Yawn on both. Movies are meant to be fun to watch, ones like this one. Breakdown is its title, and there’s the short review, right there.
Here’s a longer one, though. An attractive but rather brainless couple (when you think about it) are driving from Boston to San Diego, and once they hit the desert, they decide to take the scenic route. Two lanes of highway, one each way, straight through nothingness. You take the Interstates, and yes, it’s still nothingness, for miles on end, but you’re not alone. Your car breaks down, help is not far away. Alone in the desert, the friendly driver of an 18-wheeler (J. T. Walsh) offers you a lift, do you hop in? The wife does, the husband decides to stay with the car.
The truck driver says he’ll take her to the next town – really only a truck stop and a bar – where he’ll leave her. When the husband gets there, no wife. No one’s seen her. A cop offers to help, but there’s no sign of her. What would you do, if this were to happen to you?
An unfair question. The worst is yet to come. And that’s where the fun comes in. The action and the predicament the husband gets into is way over the top, ending with the 18-wheeler hanging off over a bridge, creaking precipitously with the wind. I suppose none of the story line makes any sense, if you start to think about it, but why put yourself to the effort?
In any case, I’m glad Jon suggested we watch this after our 3000 mile ride from CA to CT together, not before.
June 18th, 2021 at 10:46 pm
No.
June 18th, 2021 at 11:29 pm
I don’t grasp why a husband would let his wife go off with a complete stranger. As I learned it this is Rule #1 and Rule #2 of M/F relations. Don’t let her wander off; nor do you ever wander off and leave her behind.
There are some truly chilling road movies: ‘Detour’ of course, but also ‘Duel’ and a little-known one with Stacy Keach/Jamie Lee Curtis, ‘Road Games’.
Going back to OTR there is ‘On a Country Road’ which takes place in Long Island NY. Several actors have taken a turn: Frank Lovejoy, Cary Grant, Harry Bartell. A couple takes the a dirt road to get around highway gridlock; but that same night a deranged woman has escaped from an institution for the criminally insane.
Oh: Kathleen Quinlan was a big name at one point.
June 19th, 2021 at 12:05 am
Nicely done, Lazy. I remember the radio programs, but the films were, for me, a pass.
June 19th, 2021 at 12:30 am
Was this a remake of the European film VANISHED,or just the same theme?
June 19th, 2021 at 8:48 am
I have found an online review that compares this film with others with the same theme (I think you are referring to THE VANISHING), and I quote:
“Another tributary feeding into Breakdown is the 1988 Dutch film The Vanishing (Spoorloos), George Sluizer’s realistic horror story of a young woman (Johanna ter Steege) who disappears from a highway gas station, the boyfriend (Gene Bervoets) who becomes obsessed with finding her, and the middle-class madman (Bernard-Pierre Donnadieu) to whom the trail finally leads. The genius of this movie is that we don’t find out what happened to Ter Steege until the penultimate frames, when it’s far too late for the boyfriend or the audience. And as the tension builds, Donnadieu’s calm, demented worldview comes to seem implacably evil.”
To read more:
https://ew.com/article/1997/10/17/video-reviews-breakdown-duel-vanishing/
June 19th, 2021 at 6:44 am
“Big name” is, it seems to me, rather overstating it.
This is exactly the kind of movie I hate. I find myself yelling at the screen at the stupid antics of the characters until my wife tells me to shut up or leave the room, which I usually do (the latter, that is).
Hard pass.
June 19th, 2021 at 6:47 am
We saw this in a theater and it had my wife figuratively on the edge of her seat. When the kid holds the rifle on Kurt Russell, late in the film, it’s like a whole different cultural norm is revealed.
June 19th, 2021 at 10:30 am
BREAKDOWN was a remake/ripoff/inspired by (take your choice) Richard Matheson’s 1973 TV movie DYING ROOM ONLY. Same basic plot jazzed up with a lot of improbable action sequences. For my money, the TV film, which stars old favorite Cloris Leachman, is more plausible and more entertaining.
June 19th, 2021 at 12:24 pm
‘Night Drive’. Another nifty TV movie in the same vein. Valerie Harper plays a clumsy housewife pursued by psycho (Richard Romanus from ‘Mean Streets’) after she witnesses his murder of a highway patrol officer.
I was interested to discover too, that Lucille Fletcher –author of “Sorry, Wrong Number” also wrote the original “The Hitch-hiker”. Unlike most of the above titles, it has a supernatural element. But, powerfully done.
June 19th, 2021 at 2:12 pm
I thought this film was terrific. Similar to The Vanishing, but better momentum as it takes place over a shorter amount of time.
For me, one of the best thrillers of the ’90s, which was a great decade for them.
June 19th, 2021 at 2:56 pm
“The Vanishing” was remade in English with the same director and a much less chilling ending a few years later. It’s based on the novel “The Golden Egg” by Tim Krabbé.
June 20th, 2021 at 12:20 pm
By “agenda flicks”, I’m guessing that you are referring to movies with messages and social commentary.
When I look though my lists of favorite Hollywood films from the later 1990’s, they are mainly full of social commentary of every sort.
A guess: that is true of any period you might name over the last 100 years.
Hollywood films were developed in their modern form in the 1910’s, both technically and dramatically. Right from the 1910’s, Hollywood films were filled with social commentary of every sort. It’s part of the Hollywood formula. It was true in the 1930’s, true in the 1990’s, and true today!
If people want to say they don’t like message movies, they are within their rights.
If people say that Hollywood wasn’t making films overflowing with messages in the 1990’s, it is just not true – as best I can tell.
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I’ve never seen Breakdown. Thank you for the review!
June 20th, 2021 at 12:32 pm
Mike
I didn’t mean to say that Hollywood never made message movies. As you say, of course they did. What I was trying to say is that at the present time there are only comic book blockbusters and message movies, with very little in between, which I call fun movies.
I may be wrong about this!
June 20th, 2021 at 12:34 pm
No post should have exactly 13 comments.
June 20th, 2021 at 8:20 pm
There’s also “U Turn” (also from 1997) with Sean Penn and a really young Jennifer Lopez. Lots of faces you’ll recognize. Directed by Oliver Stone.
June 20th, 2021 at 9:07 pm
You’re right. I remember that one. I’ll have to watch it again. It’s a good one.