E. X. FERRARS – Experiment with Death. Collins, UK, hardcover, 1981, as by Elizabeth Ferrars. Doubleday, US, hardcover, 1981. Bantam, US, paperback, 1982.

   A rough count I just made of the detective novels written by E. X. Ferrars came to over 70 of them, written between 1940 and 1995. I’ve sampled only a few of them, so it’s not possible for me even start to generalize, but off the top of my head, I’d say that of all of the authors over the years who’ve been compared to Agatha Christie in terms of cluing and twisty fair-play endings, Ferrars comes the closest.

   A number of her book have series characters; unfortunately none of them are very memorable and that doesn’t help in keeping her name alive among mystery fans, even those who are well read. If you were to ask me about mystery writers whose work ought to be reprinted in a uniform series of books, I’d say she should be at the top of list, rather than obscure writers whose books have been so done,  but whose books aren’t nearly as satisfying.

   Experiment in Death is a standalone, and it’s a good one. It takes place in a pseudo-academic setting, which is to say a research institute whose specialty is the study of apples. There are no students involved, that is to say, but the usual petty grievances and jealousies that always seem to exist in academic-oriented mysteries are very much in play.

   Dead is the director of the facility. He wasn’t unliked, but he seemed always to find pleasure in pitting faculty members against each other. Doing most of the detective work is the middle-aged Dr. Emma Ritchie, and even though she never seems to have ever run across a case of murder again, she does good work here, in a situation where alibis are crucial, as well a timetable consisting of statements of who was where when.

   Complimenting matters is the fact that the time had been changed on many of the clocks found in rooms along the hallway where the dead man had his office. I love mysteries involving complications such as this. It doesn’t hurt that all of the characters with motives are real people with real fears and real concerns. I consider that as the bonus it so very much is, and you should too.