Tue 8 Feb 2022
Movie Review: THE TRAGEDY OF MACBETH (2021).
Posted by Steve under Films: Drama/Romance[22] Comments
THE TRAGEDY OF MACBETH. Denzel Washington, Frances McDormand, Bertie Carvel, Alex Hassell, Corey Hawkins, Harry Melling, Kathryn Hunter, Brendan Gleeson. Screenwriter/Director: Joel Coen. Based on the play The Tragedie of Macbeth by William Shakespeare. [See also Comment #20.] Currently streaming on AppleTV+.
I’m going to be lazy and not spend any time outlining the plot. (You can check it out for yourself via Wikipedia by going here.) All in all, this new movie version follows the main story line exceedingly well. It’s the production values that interested me as I was watching. (I confess that I wasn’t able to follow the dialogue all that well. Except for many often exceptions, Shakespeare’s characters talk a language quite foreign to me. This doesn’t bother me. I can always follow his plays well enough without knowing exactly what they’re saying.)
My impressions. The movie is in black-and-white. Not many movie are any more, but in this case, it was a good choice; it adds immensely to the sheer eeriness of the tale. All the scenes take place in indoor sets. Nothing was filmed out of doors. The camera shots were taken at all angles and from all distances, with close-ups used whenever needed. Walls and hallways are stark, with very little adornment. Stripped down to its essence, the play’s the thing, to repeat a previously invented phrase.
All of the performers are excellent. They should take pride in a job well done. I would like to think this filmed version of the play would do well in actual theaters, and that’s where I would love to see it, given the chance to do so. (It’s a film that well deserves a second viewing.) As it is, it’s a good time for streaming services to have been invented, to give movies such as this the opportunity to have the largest possible audiences they deserve.
February 8th, 2022 at 2:56 am
It certainly looks terrific! Like a German expressionist film from a. 1930.
February 8th, 2022 at 12:36 pm
Very much so, Curtis. I’ll have to watch this one again, just to see everything I missed.
February 8th, 2022 at 7:12 am
Steve, if you found this challenging, steer clear of the Welles version, which has all the Shakespearean dialogue spoken with a Scottish burr!
February 8th, 2022 at 12:38 pm
I could have turned on the closed captioning, but whenever I do, I find I’m watching the words on the screen, rather than what I should be watching.
February 8th, 2022 at 9:54 am
It was stunning in a theater. A different experience I am sure. Lucky to have had the chance.
February 8th, 2022 at 12:39 pm
I doubt I’ll ever have the chance, Patti, but I’d love to. I’m going to have to be content with the 50 inch screen in my family room.
February 8th, 2022 at 10:19 am
… a remarkably bad Scottish burr, Dan. All the other actors are just as bad, though, so we don’t notice so much.
Up, or, rather, down there with his Irish accent in The Lady from Shanghai.
February 8th, 2022 at 1:47 pm
I hope that one day the Coens will be judged for having ruined the cinema with their films.
February 8th, 2022 at 2:22 pm
Johny, I think you’re in the minority on that. If anyone were to produce a movie based on the Lew Archer series, say, I’d love to have it be them.
February 8th, 2022 at 3:33 pm
I second Steve’s comment. The Coen Bros. first feature length movie was Blood Simple, one of my all time favorites and then how about The Big Lebowski, which is a cult favorite, one of the big ones.
February 8th, 2022 at 4:59 pm
I am in your corner, Johny.
February 8th, 2022 at 6:05 pm
Roger,
Makes you glad Welles never tried HAMLET with a Scandinavian slant.
February 8th, 2022 at 8:35 pm
It’s still an extra-ordinary – and good, apart from what Welles and friends did with Shakespeare’s words – film, Dan, especially with the budget Welles had. I wonder why Welles did it like that – after all, Shakespeare wrote it in standard English. On the other hand, if he hadn’t seen what happened there, would he have tried to make everyone use mediaeval English accents in Chimes at Midnight?
February 8th, 2022 at 8:44 pm
Welles is a genius.
His Shakespeare films are wonderful.
Chimes at Midnight might be the best.
February 8th, 2022 at 10:48 pm
Stunning equally in look, style, and performance.
February 9th, 2022 at 8:40 pm
Just chiming in on the Coen Bros. movies, I think “Miller’s Crossing” is one of their best. It’s Hammett’s “The Glass Key”. Why so many reviewers
call it a filming of “Red Harvest” baffles me.
As to the movie being reviewed above, I’d like to give it a try, but I don’t have Apple TV. I’ll have to look for it when it shows up on another venue some time.
February 9th, 2022 at 10:49 pm
Maybe they’ll have a free trial week sometime soon, and you can watch it then. Or do what Jon did, and bought a new iPhone. They throw in three months of Apple+ TV free.
February 10th, 2022 at 3:14 am
If you can, Paul Herman, watch it in a cinema.
Miller’s Crossing combines elements of The Glass Key and Red Harvest.
Incidentally, why is the film “based on the play Macbeth by William Shakespeare” when the play is actually titled The Tragedy of Macbeth?
February 10th, 2022 at 11:07 am
Re the title. My error on that, and I’m sure I checked. Checking again, I see (via Wikipedia) that the original title was The Tragedie of Macbeth, and I’ll go with that, unless corrected again!
February 11th, 2022 at 5:29 am
If you want to be really pedantic/learned/up to date in critical theory you could say it’s by “William Shakespeare and Thomas Middletonâ€. The claim that Middleton wrote some of it – especially the witches’ scenes – is becoming more common.
February 11th, 2022 at 10:49 am
Some days I feel more pedantic than others. I’m going to call this a good day. I’ll add your comment as a footnote in the opening credits. Thanks!
https://www.theguardian.com/stage/2012/may/01/shakespeare-had-help-thomas-middleton
November 19th, 2022 at 7:08 am
Dan, despite what Welles and his collaborators did with Shakespeare’s lines, the movie is still extraordinary and superb, especially considering the budget Welles had. Shakespeare wrote it in ordinary English, so I’m curious why Welles chose to do it that way. On the other hand, would he have attempted to force everyone to adopt a medieval English dialect in Chimes at Midnight if he hadn’t witnessed what transpired there?