REVIEWED BY GEOFF BRADLEY:         


STIEG LARRSON Lisbeth Solander

STIEG LARRSON – The Girl With The Dragon Tattoo (2008), The Girl Who Played With Fire (2009), The Girl Who Kicked the Hornet’s Nest (2009).

   I have read and heard much about this, the first of the much lauded Swedish trilogy. I had determined to resist, though, mainly because I couldn’t face embarking on a 1845 page marathon. But one day we were in a charity shop and there was the first of them and so I bought it.

   I have to say though, that it took me a while to get into the book. If I used a fifty-page rule — and knew nothing about the book — I would probably have given it up. Indeed it was some 200 pages before I was picking the book up eagerly and wanting to know what was going to happen next.

STEIG LARSON Lisbeth Solander

   The story involves an investigating journalist, Mikael Blomkvist, who has been found guilty of libel and is hired, on the promise of information that will clears him, to investigate the disappearance in 1966 of a 16 year old girl from a small town in northern Sweden.

   To help him in his task he hires the girl of the title, Lisbeth Salander, a young — probably autistic — girl who is a computer wiz, and together they attempt to unravel the mystery.

   The story comes to climax with about 70 pages to go and in some ways, though these final pages round the story off nicely, the rest is a little anticlimactic.

   So my verdict is that this is a good, not great, book (where have I heard that before) but good enough for me to move straight on to the second.

STEIG LARSON Lisbeth Solander

   The second and third books are really just one continuous story starting a year or so after the conclusion of the fIrst book. Salander has withdrawn trom contact with Blomkvist who is supervising an expose on the sex trade to be published in his journal, Millenium.

   When the writer of the piece and his girlfriend are murdered Salander is the prime suspect and goes into hiding. Blomkvist begins investigating to clear her name, but Salander investigates with deeper motives stretching back into her history.

   I have to confess I got very involved with this story and towards the end of the third book I was eager to continue reading at every possible moment. There are, I think, one or two plot devices which are rather far-fetched, but overall the books (especially books 2 and 3) are a delight, and I’m glad I read them.