A 1001 MIDNIGHTS Review
by Marcia Muller

DOROTHY SALISBURY DAVIS – Tales for a Stormy Night.  Foul Play Press, hardcover, 1984. Avon, paperback, 1985.

   In this collection, which spans more than thirty years, Davis draws heavily upon her country childhood, as well as the city streets of her longer fiction. Her younger years on Midwestern farms provide rich material, which Davis details in her informative introduction, also acknowledging the part that youthful crisis plays in shaping a writer’s work: “The soul is marked with childhood’s wounds, and I am grateful for mine. As a writer, I don’t know what I’d have done without them.”

   Those wounds, perhaps, are why these stories show such depth; the characters and settings. are fully developed, and the endings, while offering clever twists, are entirely plausible. “Backward, Turn Backward,” for instance, is about the investigation of a murder; only two suspects exist, and the solution must come directly from the character of one or the other of them. In “Spring Fever,” Davis gives us a haunting picture of a woman on the desperate brink of middle age and shows how such restlessness as hers can indeed become deadly. “Old Friends” reminds us how little we may know of those closest to us.

   While these three stories are set in the country, Davis has not deserted her “mean streets” in her short fiction. “Sweet Wilham” takes a whimsical look at what can happen to foreigners caught up in the vicissitudes of Manhattan living. And while the heroine of”The Purple Is Everything” is described as living in a “large East Coast city,” one is certain the peculiar events that happen to her could occur only in New York.

   This is a well-balanced, entertaining, and sometimes chilling collection that shows the best of Davis’s work over her long and distinguished career. Three of the stories included here were nominated for Edgars: “Backward, Turn Backward,” “Old Friends,” and “The Purple Is Everything.”

Reprinted with permission from 1001 Midnights, edited by Bill Pronzini & Marcia Muller and published by The Battered Silicon Dispatch Box, 2007.   Copyright © 1986, 2007 by the Pronzini-Muller Family Trust.