Mon 6 Nov 2023
A TV PI Mystery Review: BOURBON STREET BEAT “A Taste of Ashesâ€.
Posted by Steve under Reviews , TV mysteries[6] Comments
BOURBON STREET BEAT. “A Taste of Ashes.†ABC, 05 October 1959 (Season 1, Episode 1). Richard Long (Rex Randolph), Andrew Duggan (Cal Calhoun), Arlene Howell (Melody Lee Mercer), Van Williams (Kenny Madison). Guest Cast: Joanna Moore, Fredd Wayne, Karl Weber, Isobel Elsom, Jean Byron, Jean Allison. Based on the novel by Howard Browne. Director: Leslie H. Martinson. Currently streaming online here.
When you’re a private detective and your partner is murdered, you’re obliged to do something about it. Especially when the local cop tells you it’s suicide and you know it’s not. Such is the case that Rex Randolph (Richard Long) finds himself on, taking over from the one that his partner, a chap named Jelkens, was working on.
Randolph’s office is in New Orleans (not Chicago, as in the book), but most of the action takes place in Pelican Point, a town run by a wealthy matriarch who doesn’t want certain information made public. Blackmail is a nasty business, but the head cop doesn’t want Randolph or any of his assistance anywhere around. An older man on the force, tired of working under younger fellows, is a lot of more sympathetic, and I hope I don’t spoil anything for anybody by telling you that this older guy is named Cal Calhoun (Andrew Duggan), who by episode’s end is Randolph’s new partner.
There is a noirish vibe in this episode – well, why not, being set in New Orleans and close environs as it is – that’s less present in contemporary stablemate Surfside 6, say, or even 77 Sunset Strip. at least this time around.
The book is still better, though, a well-recognized masterpiece in the hardboiled/PI/noirish vein. (For Bill Pronzini’s 1001 Midnights review of the book, go here.)

November 7th, 2023 at 9:08 am
By the time BOURBON STREET BEAT rolled around, Warners had perfected its TV-PI formula–two older but not too old PIs in the lead roles, a younger semi-associate, and a sexy secretary, to use the archaic term for the job. I think BSB only lasted one season, maybe an example of milking the premise once too often. Stock footage of the French Quarter provided the New Orleans setting; the rest was filmed on the usual WB back lot. Andrew Duggan was only 36 at the time, but here as in other roles, he seemed twenty years older.
November 7th, 2023 at 8:12 pm
I recall one exceptional episode of this where a trio of assassins led by John Marley, Richard Chamberlain, and James Coburn use the boys Bourbon Street offices and conspire to keep Randolph away.
Long’s Randolph character showed up as a regular on 77 SUNSET STRIP and at least once on HAWAIIAN EYE having previously appeared in the first season of STRIP as a blackmailing murderer. I think Duggan made one more appearance as Calhoun (he showed up in other roles on the various Warner series) who had gone back to police work. Van Williams moved to Miami to team with Troy Donahue and Lee Patterson at SURFSIDE SIX.
STRIP had the longest run followed by HAWAIIAN EYE and SURFSIDE SIX, with BOURBON STREET a one season wonder. It is something of an outlier with the much older appearing Duggan and limited use of Williams and the obligatory cute girl. Minus beaches, bikinis, Connie Francis, and Kookie it just didn’t seem to connect with audiences the way the others did, which is a shame because overall it had the most noirish vibe until STRIP’s final season.
November 7th, 2023 at 8:17 pm
Almost forgot the entire run of this, HAWAIIAN EYE, and SURFSIDE SIX can be found on INTERNET ARCHIVE in their Community Video Archives. Alas only a few SUNSET STRIP episodes are available.
November 7th, 2023 at 9:13 pm
Quite a few of the 77 SUNSET STRIP episodes can be found here:
https://www.solie.org/alibrary/77SunsetStrip.html
In fact, the site is chock full of other TV shows that don’t seem to show up anywhere else. I could spend the rest of my life there.
November 8th, 2023 at 6:39 am
Bourbon Street Beat was also hurt by the 1960 Writers’ Guild strike; like the other Warners shows during that period, it was forced to rely on remakes of episodes of earlier shows; for instance, 77 Sunset Strip’s “Well-Selected Frame” became Bourbon Street Beat’s “Suitable for Framing”, and Maverick’s “Escape to Tampico” became Beat’s “Last Exit.” Having to recycle other shows’ stories in this fashion reduced the New-Orleans-specific plot elements of the earlier Beat episodes and probably contributed to its early termination; a similar thing happened to The Alaskans, which debuted right as the strike hit and which quickly became remake central.
November 9th, 2023 at 3:59 pm
David, that was “Target of Hate” (3/7/60)…
…which I happen to know only because the story and shared script credit (with William L. Stuart) went to the great Richard Matheson. What a trio!